In the Fall of 2011, after the Occupy Movement was in full swing, and meetings, actions and info sharing had expanded beyond Zuccotti Park, meaningful messaging and outreach tactics were were activated on a near daily basis.
Just weeks after activists staged an alternative tour of the American Museum of Natural History to call for its removal, among other things, the equestrian statue of Teddy Roosevelt was vandalized early Thursday morning.
In December 2008, Tim DeChristopher, along with his church group, was protesting outside a Bureau of Land Management oil and gas lease auction of 116 parcels of public land in Utah's red rock country. Tim decided to take his protest inside and disrupt the auction itself. Instead, at the door, he was offered a bidder's paddle — which, after a split second of hesitation, he accepted.
Activists poured porridge and jam on a marble bust of Queen Victoria and sprayed fire extinguishers filled with soup onto a large bronze statue of the monarch during two recent protests in Glasgow, Scotland.
The group, called This Is Rigged, claimed responsibility for the two protests, which took place inside the Kelvingrove Art Gallery and Museum at noon on March 3 and at George Square at 10:45 am local time on March 4.
Reversing decades of discrimination set into place when New Deal labor laws intentionally excluded domestic workers, New York State in 2010 passed the very first Domestic Workers Bill of Rights. Hawaii and California followed soon after with other states soon to follow.
On July 4, 2012, several members of MicCheckWallSt, a subsidiary group of Seattle's larger Occupy Wall Street that formed in December, 2011, anonymously checked into a room at the historic Roosevelt Hotel in Downtown Seattle.
On the eve of Wells Fargo’s annual shareholders meeting in San Antonio, TX on Tuesday, home defenders, students, community groups, and activists in ten cities took peaceful action against the bank. Petitions signed by thousands of people were delivered to Wells Fargo branches and offices across the country calling on CEO John Stumpf to change the bank’s predatory practices.
CENTRO San Antonio's Art Everywhere Project will celebrate its 5th anniversary in May.
As of May 2024, the project had seen numerous artists from the city's urbancore decorate areas of the city with elaborate murals reflecting the city's history and the diversity of cultures in the city.
A change in the programmed entertainment at last night's Asia-Pacific Economic Cooperation (APEC) gala left a few world leaders slack-jawed, though most seemed not to notice that anything was amiss.
Note before the post: This article is great in highlighting a specific case of creative activism in the streets of New York City, but also gives some contextual background to how this project manifested.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Jay-Z rapped alongside side Bono, the Edge and Rihanna; Coldplay's Chris Martin moonlighted as Beyoncé's piano player; Justin Timberlake covered Leonard Cohen — and those performances, from January 22nd's multinetwork, $66 million-grossing telethon for Haitian earthquake victims, were just the most visible of musicians' efforts to raise funds.
LEGOVC is a fictional, made up, 100% fake, plastic, 'pantomime villain' Vice Chancellor of a fake British University struggling as his utter managerial brilliance crumbles in the face of sustained strike action by his staff after their pension scheme is slashed.
In 2012, visual artist Shilo Shiv Suleman started Fearless in response to the powerful protests that shook the country in response to the “Nirbhaya” tragedy in Delhi, India.
We were aiming to raise awareness and empathy around the theme of loneliness and disconnection, by engaging with passers by on a personal level and helping them to think about what they could do to make others feel less disconnected.
JAMES GUBB was finishing off the knuckles when the Johannesburg Stock Exchange (JSE) shut him down. Trading single shares between two accounts, Mr Gubb had managed to “draw” the image of a fist with an upright middle finger onto the share-price chart for Oakbay Resources and Energy Limited, a company controlled by the Gupta brothers, cronies of President Jacob Zuma, that is at the centre of allegations of “state capture” in South Africa.
The following description is taken from the website of Aljazeera America (find link below):
In early December, Ju Hyun-u, a student at South Korea’s elite Korea University, taped up two white sheets filled with his handwriting on a campus bulletin board. His message began with a question, “Are you doing all right?”.
On January 17, 2011, Hong Yuping (洪玉萍), from Fujian Province, contacted Yu Jianrong (于建嵘), at the Chinese Academy of Social Sciences (CASS), about her family’s plight and requested assistance: In June 2009, their son, Yang Weixin (杨伟鑫), then age six, was abducted from their hometown, Quanzhou, and they had been searching for him ever since.1 In early 2010, Hong had recognized Yang Weixin in a photo of three children begging outside a Xiamen train statio
In 2011 a protest movement started in Israel. Citizens expressed their demand for a fair distribution of resources, claiming for the lack of housing and maintenance of the buildings and apartments, due to the privatized housing schemes. In these instances no one feels responsible for maintaining buildings and those in need are forced to live under poor and risky conditions.
In 1988, rap group the N.W.A from Compton, California released their second album, “Straight Outta Compton”. Without any radio play or media coverage, the album still managed to become an underground hit, and the notorious rap group successfully introduced socially conscious gangsta rap into the mainstream.
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.