The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
58,241 evictions were conducted in Spain in 2011, mostly through real estate speculation by the Mediterranean Savings Bank. In Intervention #1, the artist created a cooperative through which she contracted a construction worker (who himself had been evicted from his own house) to remove the entrance doors to other foreclosed properties. In this way, houses were accessible and open to public use, and occupants were not liable for housebreaking.
A rescue drone for refugees in danger whilst traveling across the Mediterranean Sea.
Last year alone, 3,500 refugees perished attempting to cross the Mediterranean Sea. The Avy Search and Rescue Drone is specifically designed to help refugee boats. The drone is capable of flying long distances, detecting vessels, and can drop life jackets, life buoys, food supplies, medication and communication devices.
Drones for Good Competition
Female students from the Guangdong University of Technology in Guangzhou called for equal job opportunities and for people to "pay attention to the value of women" while protesting on the school's campus, shirtless and covered in body paint.
The photos, taken by ogling passersby, have been circulating on Weibo and naturally netizens stand divided on whether the semi-naked protests were empowering or counterproductive...
Children in marginalized communities often lack access to healthy foods, especially fresh fruits and vegetables. Poor nutrition, in turn, has significant negative impacts on a child’s health and ability to focus in school. Learning and academic achievement often plummet.
When can fashion be considered an act of social activism — even subversion?
The streets of Brazzaville, Republic of the Congo’s capital (Congo-Brazzaville), have seen plenty of violence and suffering over the years. But a group of local fashionistas known has “sapeurs” are lifting spirits and celebrating life by following a simple commandment: Dress to impress.
It was October 31st, 2012, when a new artist appeared on social media. In a series of video clips, she proposed with a soft and slow speech that Peru hide its poverty. Her project consisted of installing vinyl pieces to avoid what she called "the visual pollution." She titled the project Don't be poor, be fashion(able).
WOW started as an international women's theatre festival in October of 1980 in NYC. Within 18 months Wow found a permanent location and produced works by women and trans people all year around. In 1984 it moved into its current home at 59-61 East 4th Street.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
Time as currency is an interesting economic model related to artistic practice.
According to the creators of Time/Bank, Julieta Aranda and Anton Vidokle, the project "is a tool by which people or a group of people can create an alternative economic model where they exchange their time and skills, rather than acquire goods and services through the use of money or any other state-backed value."
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This was a little installation that took place in the beauty of West Texas. The goal was to reorientate the site specific Prada Marfa into something more relevant, TOMS Marfa. Prada Marfa, being in the middle of nowhere, a structure placed as sort of a apocalyptic trophy for the high art world meant to challenge time; TOMS Marfa was to accelerate that vision with 2014 subject matter.
Ladies’ Room, lasting fewer than six and a half minutes, offers a behind-the-scenes look at a women’s washroom in a nightclub located in a Beijing hotel. A male patron of Cui Xiuwen’s studio first took her there, and she acknowledges being drawn to the ladies’ room precisely because her host did not have access to it.
ATHENS — The young man climbed a 30-foot scaffold on a building in central Athens and dipped a brush into a tray of gray paint. With rapid flicks of his wrist, he outlined a haunting image: a baby with two faces, looking simultaneously into an abyss and toward the sky, its vacant eyes searching for a future that was not there.
A year after the revolution, Egypt is still in conflict, still grasping for a catalyst to solidify its society and bring unity and peace to the people. Violence, poverty and unemployement are still rampant, and the voiceless still seek a voice.
As was the case in 2011, Hip Hop has reemerged as a voice for the Egyptian youth for 2012, with new challenges and frustrations countering their struggle for freedom and equality.
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
A juried exhibition of fiber art created by the Artist Circle Alliance to protest the Trump administration’s actions and policies.
This is a traveling exhibition to 13 venues across the U.S. All work in the exhibition, as well as the nearly 560 pieces submitted for jurying, are shown on our website.
Surrounded by a jungle of tents and mud, the Good Chance Theatre was set up last year by British playwrights Joe Murphy and Joe Robertson. The refugee camp theatre has been derided by many, but for the thousands of migrants who have journeyed across the world to Calais, the small dome has been the first and only place into which they have been welcomed, and their voice valued.
Born on June 30, 1902, in Mexico City, Leopoldo Méndez would become one of Mexico’s most significant and beloved graphic artists of the twentieth century. Méndez was one of eight children in a poor household. At a young age, Méndez used art as a means to bring joy to the Mexican community and attended the Academy of San Carlos located in Mexico City.
Develop an interactive poster that revolutionises the act of giving. It calls on people to donate, accepts credit cards and shows every donor what their donation does.
“I want to show the people how bad the troubles were," says artist Muhiyidin Sharif Ibrahim of Mogadishu, Somalia. "That’s the message we’re going to send to people.”
(Robyn Dixon, Los Angeles Times)
It’s the radiant baby, the barking dog and the dancing man; the badges and the t-shirts; the unmissable mural spelling out CRACK IS WACK. Keith Haring’s career was short but spectacular, and he leaves behind a lasting legacy. From his chalk drawings in city-wide subway stations, to his collaborations with the superstars of his day, Haring’s life was founded on a belief in the power of people to change the world.
Embody the Message: Occupy the Mind This t-shirt / language project began in March 2006, when a small group of artists and activists decided to embody the historic words “WE WILL NOT BE SILENT” while doing a public action in New York City.
Richard Bell has often called himself ‘an activist masquerading as an artist’. Aboriginal journalist and radio broadcaster Daniel Browning has suggested that Bell is also ‘a megaphone.