The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
By Adam Owens
Seventeen people were arrested Monday evening during what the state chapter of the NAACP called a nonviolent "pray in" protest at the General Assembly.
The protest was directed at Republican action on health care, unemployment benefits, education and voting rights.
3-part webseries where Life Line Booths are set up with donated items in homeless communities for anyone's taking.
In addition to practical aid, we provide blank canvases, paper and markers for visitors to express their thoughts and share their stories. Through these shared stories, we hope to shatter the stigmas about homelessness at large.
Between the late 1960s and 1970s numerous alternative printshops were set up across the UK, with the founding objective of producing, providing or facilitating the cheap and safe printing of radical materials. They were started by libertarians, aligned and non-aligned Marxists, anarchists and feminists, and as such were constitutive of the fractured and fractious politics of the post-1968 left.
It was October 31st, 2012, when a new artist appeared on social media. In a series of video clips, she proposed with a soft and slow speech that Peru hide its poverty. Her project consisted of installing vinyl pieces to avoid what she called "the visual pollution." She titled the project Don't be poor, be fashion(able).
ONE is a global movement campaigning to end extreme poverty and preventable disease by 2030, so that everyone, everywhere can lead a life of dignity and opportunity.
We believe the fight against poverty isn’t about charity, but about justice and equality.
As we’ve already found out, gender inequality exists in all parts of the world, but besides discriminative attitudes, women also suffer from wage discrimination.
According to statistics, women’s earnings in the US “were 77% of men’s in 2011”, while in Switzerland, women earned “roughly 20% less than equally skilled men in comparable positions”.
"Small charities of today are in threat. Charitable donations are down. Fewer people are donating. Those that do donate are giving less. Whilst bigger charities are better equipped to deal with this flux (with money to spend on large advertising campaigns), smaller charities are facing a more uncertain future. For the Pilion Trust, a small frontline charity working with homeless and disadvantaged people in London, times are tough.
With past government shut downs and teetering the fiscal cliff, debt
ceiling now eliminated, credit line increase after credit line
increase? I thought my timely art piece may be interesting for your
viewers and spark healthy/heated discussion.
MOTHER EARTH is broken from incessant decadent wars carelessly perpetuated by mindless ,vicious political imbeciles. Our natural wealth plundered by greedy ,gluttonous economic dare-devils, imbibing crude oil and fresh blood . Warlord-ism set the suns of our freedom, our earth is torn naked . War is ravaging the beauty of African diamond fields ,We are now Wretched Vagabonds . Warlords are frying peace in oil springs of the Gulf.
We were aiming to raise awareness and empathy around the theme of loneliness and disconnection, by engaging with passers by on a personal level and helping them to think about what they could do to make others feel less disconnected.
Following in the strong tradition of using graphic novels to explore social ills, DC Comics is releasing two new politically activist issues in their "New 52" series.
The first is called "The Movement" and is written by Gail Simone. Simone describes that "The Movement is an idea I’ve had for some time. It’s a book about power–who owns it, who uses it, who suffers from its abuse."
To protest unethical labor practices in Bangladesh, specifically unsafe working conditions, 99 Pickets, The Illuminator, and Ismail Ferdous took action during New York Fashion Week.
Real estate agents and investors with plans to visit an open house in San Francisco Tuesday were greeted with a somewhat unexpected scene – a motley crew of Mission activists and neighborhood characters holding signs and singing, “If you buy this house, you will have bad karma.” A small brass band played along.
"Street corners are used to maximum effect by British youth homelessness charity Depaul UK in a new campaign created by Publicis London.
The idea is to show another side to homelessness to raise awareness of Depaul’s Nightstop–a service which provides emergency accommodation to homeless 16-to-25-year-olds–to recruit new volunteers.
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
A rescue drone for refugees in danger whilst traveling across the Mediterranean Sea.
Last year alone, 3,500 refugees perished attempting to cross the Mediterranean Sea. The Avy Search and Rescue Drone is specifically designed to help refugee boats. The drone is capable of flying long distances, detecting vessels, and can drop life jackets, life buoys, food supplies, medication and communication devices.
Drones for Good Competition
Josep Renau Berenguer was a Spanish painter, photomontager, muralist and communist militant.
Renau was the son of an Art teacher. Due to his father’s low income, he had to work various jobs during his youth and teenage years to maintain a middle class position.
In 1995, Bogota was a chaotic city. Among others, it presented high ranges of homicides, delinquency, corruption, no sense of belonging, traffic chaos and financial problems.
Amidst a crowd of protesters and oversized signs, Pat Walsh shouted, “What’s disgusting? Union busting?”
At a glance, Walsh, a woman with well-kept gray hair and an open
smile, didn’t strike one as the usual angry protester. But that night,
Walsh was fighting.
“My husband, John, has been locked out from Sotheby’s,” says Walsh.
“He’s been a worker for 30 years. I’m here to fight for him.” Currently,