ODBK is an activist organization that aims to create a more equal, diverse, inclusive, transparent and democratic art world. ODBK seeks to do this by diversify and increase the number of people who understand and engage with contemporary art.
Develop an interactive poster that revolutionises the act of giving. It calls on people to donate, accepts credit cards and shows every donor what their donation does.
NEW YORK, Ny., Nov 19, 2018 - Two artists, Actress/Creator/Native New Yorker Maia Lorian and collaborator veteran NYC Street Artist Abe Lincoln Jr. bring to you “A Presidential Parody.” In a nation that seems to place higher value on the American dollar over the American life, the artists felt it was time to release an ad campaign that reflects Trump’s “all American” values.
"is a conceptual documentary project in which I photographed every Mom and Pop-style cornershop on the island of Manhattan as quickly as possible, as I walked each block in the city ( CLICK FOR A MAP of my route). I fear these veritable microcosms of NYC will be swallowed in the presently swelling wave of corporate homogeny.
On Tuesday morning, when Google CEO Sundar Pichai testified before the House Judiciary Committee about his company’s data collection practices, there was a familiar mustachioed face in the crowd. To most people, this person — also wearing a monocle and toting a bag of cash — is none other than the famous board game character most commonly known as Monopoly Man.
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
Little Amal is the 12 foot puppet of a 10 year old Syrian refugee child at the heart of The Walk. Over the last year she has become a global symbol of human rights, especially those of refugees.
Since July 2021, Amal has travelled over 9,000km and been welcomed by more than a million people on the street, including hundreds of artists and civil society and faith leaders, as well as by tens of millions online.
From creativetimereports.org:
Artist-activist collective MTL's clickable collages connect disparate aspects of Palestine's geographical and political landscape, offering provocative insight into "how Palestinians suffer and struggle in ways that are parallel to those elsewhere" according to philosopher Michael Hardt.
In the Si 8 Do project, Seville activists convened in a neglected barrio during the Euromediterranean Conference on Sustainable Cities, which was taking place in Seville.
First Inspired by a doll-sized action in Siberia, #occupysmallstreet staged its first little protest in Melbourne's City Square, as part of #F12, International Art + Occupy Day. Signs are made collectively, by regular Arts x Activism and members of the public (adults and children) who stop by and have something to add.
"By yesterday afternoon, news of Clippers owner Donald Sterling’s lifetime NBA ban had already settled in. But there was still plenty of anger among the protesters who gathered outside the Staples Center Tuesday.
ATHENS — The young man climbed a 30-foot scaffold on a building in central Athens and dipped a brush into a tray of gray paint. With rapid flicks of his wrist, he outlined a haunting image: a baby with two faces, looking simultaneously into an abyss and toward the sky, its vacant eyes searching for a future that was not there.
Creative Leaders
Walk Free is a movement of millions of people everywhere, fighting to end one of the world’s greatest evils: Modern Slavery. Every person in our community has something unique and valuable to add in the fight to ending modern slavery – will you help?
If you headed into the West 4th St. Subway Station on March 9, 2014, you may have seen a group of people writing on cardboard, taping it to the walls, and seemingly holding a small class in the underground space. Those were some of the members of Free University NYC, a radical educational project started during May 2012 as a form of educational strike. They hold classes in public spaces like parks and subway stations, and are entirely free.
Amidst a crowd of protesters and oversized signs, Pat Walsh shouted, “What’s disgusting? Union busting?”
At a glance, Walsh, a woman with well-kept gray hair and an open
smile, didn’t strike one as the usual angry protester. But that night,
Walsh was fighting.
“My husband, John, has been locked out from Sotheby’s,” says Walsh.
“He’s been a worker for 30 years. I’m here to fight for him.” Currently,
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
The Voice of Dissent
“I am not here to entertain you; I am here to disturb you. Those who are here for entertainment, I request them, please go.” It’s unusual, if not rare, for a live performer to begin by saying that to the audience. The compact of patronage that’s implicit is what Sambhaji Bhagat smashes right at the onset of his performance. For him, this art is a quest for the truth that will liberate the people he represents.
The incident began when two clowns, Hannah Morgan and Louis Jargow, scaled the steel barricades protecting the landmark. The clowns began spanking and climbing the beast, traditional ways of coaxing a bull into anger in preparation for a Castilian corrida, or bullfight.
When the activist group Allt åt Alla wanted to highlight the growing inequality in Sweden they decided to hit the road.
A Over Class Safari (Överklassafari) was announced and ticket were sold. The bus ride covered both a working area (Fisksätra) and it's close high-brow neighbourhood Solsidan in Saltsjöbaden. Bus travelers were told to bring cameras and also invited to hear speeches about the Swedish class society and it's history.
Goreng wakes in a concrete cell marked with the number 48. His cellmate, Trimagasi, explains that they are in "The Pit", a tower-style facility in which food is delivered via a platform that travels from the top-down, halting for a fixed period on each floor. People on lower levels can eat only what those above leave and are subjected to fatal temperatures if they keep the food. Prisoners are randomly reassigned to a new level each month.
Mayday is a neighborhood resource and a citywide destination for engaging programming, a home for radical thought and debate, and a welcoming gathering place for people to work, learn, drink, dance and build together.
Civil activists set up a giant loaf of bread on the small square of a bus stop near the Cathedral Store in Center to remind passersbys that a large number of their fellow citizens live below the poverty threshold.