Rooted in Native American and indigenous practices,[11] restorative justice is a set of principles and practices that aims to help communities heal from conflict and harm by developing a common understanding of the root causes and effects.[12] Restorative justice can occur in a variety of different contexts: in the workplace, at schools and within, or instead of, the criminal justice system.
In June of 1987, a small group of strangers gathered in a San Francisco storefront to document the lives they feared history would neglect. Their goal was to create a memorial for those who had died of AIDS, and to thereby help people understand the devastating impact of the disease.
Utilizing excess construction cement that was being dumped into a creek near Beit Shemesh, Israel, Shai Zakai harnessed the unclaimed cement to create an art installation that brought awareness to the ongoing pollution. The project was entitled, 'Concrete Creek' aimed to bring the community closer to their environment. Zakai installed cement flags and set them among the river.
#NYTIMES Why are there no U.S. anti-slavery monuments? http://antislaverymonument.org project is an answer.
Standing 60 feet tall, corten steel of two hollow chain links the upper one broken.
Adrian Piper's "Funk Lessons" (1982-84) was a series of performances and collaborative events in which the artist taught white participants about black funk music, its culture, and its history, aiming to deconstruct stereotypical ideas about Black culture.
In this series featured in the 2019 Whitney Biennial, artist Alexandra Bell edited headline pages from the New York Daily News in 1989 concerning the case of the Central Park 5. Through redaction, highlighting, and censoring, Bell shows how the teens accused of this crime were painted as a pack of animals by the media.
By NAZANIN LANKARANI
PARIS — Five years after his rise to the top of the Chinese contemporary art market, Yue Minjun has something new to smile about.
Best known for his large-scale paintings depicting his own smiling face, Mr. Yue, who is based in Beijing, has long been a star of the Chinese contemporary art scene, having achieved commercial success through a highly singular aesthetic.
Spain is known for its beautiful scenic views, rich history, and rich culture. When we focus on Spain it mainly for the things that attract tourism. Often when living in paradise you forget the shadows that hold secrets are not far behind. I have uncovered a deep dark truth that hides within the cities - Sexual violence and the brutal inequality that women face in Spain.
Máximas de Seguridad, a survival manual written and illustrated by Jhafis Quintero creates a new voice for the voiceless, vulnerable and underprivileged groups in prisons and creates empathy for those that are labeled as dangerous by society. The manual aims to provide empathy and humanity in light of the public scrutiny that ex-prisoners endure in the transition to social reintegration.
Thelma Golden, curator at the Studio Museum in Harlem, talks through three recent shows that explore how art examines and redefines culture. The "post-black" artists she works with are using their art to provoke a new dialogue about race and culture -- and about the meaning of art itself.
By Joe Laur
Members of the creative collective Neozoon, a group of artists based in Paris and Berlin, are staging a protest against using animal furs as fashion by turning fur coats into street art graffiti.
Apparently, they are taking furs and fur garments and reshaping them into animals in action on streets, along alleyways, against walls and even on trees in parks.
El Estudiante Militante is a giant puppet built by the members of Papel Machete and students of the University of Puerto Rico during the first three days of the 2010 student strike at a cultural camp established by the theater group in solidarity with the striking students. The puppet was built with materials inside the campus of the University.
The New York-based artist has created a free-to-download poster in support of the ESEA community. Produced in response to the Covid-related surge in anti-Asian hate crimes, it can be used in a variety of ways to raise awareness and support the cause.
To mark the 200th anniversary of Karl Marx, PL Henderson offers an appreciation of one of Frida Kahlo’s greatest paintings, which was heavily influenced by Marx's creative thinking.
Chinese Artist Zhang Bingjian has embarked on an artistic project to promote transparency in China and Chinese government. His motivation? Discovering the extent of the corruption going on in his country. Zhang told the Toronto Star: “The chief prosecutor announced that 3,000 officials had been convicted for corruption in a single year. I remember being shocked, a little angry and then confused.”
The ad agency Badger & Winters in collaboration with immigrant rights nonprofit organization Refugee and Immigrant Center for Education and Legal Services (RAICES) installed 20 cages with mannequins representing immigrant children inside across New York City. Each cage had a sign that said #NoKidsInCages and played audio of a child crying.
As the audience enter, Olivier de Sagazan is pacing the stage, deep in thought. A slight, barefooted figure dressed in suit and tie, he circles in and out the shadows, head bowed, sometimes muttering to himself. As the audience settle and hush, his footsteps gradually become more audible (the floor is mic-ed) and begin to pound like a calling drum.
Seeking to use war-time waste for social good, Saught was set up by Pamela Yeo, Adeline Heng and Ng Sook Zhen in December 2010. Based in Singapore, the company uses the metal from de-activated landmines to create pieces of jewellery. The organisation employs citizens from conflict-ravaged regions, offering a source of employment for those who may have lost as a result of the fighting in their nation.
Australian recycling initiative MobileMuster, a free mobile phone recycling program that accepts all brands and types of mobile phones, teamed up with artist Chris Jordan and college students from Melbourne, Australia to create a public installation. The installation, which is composed of over 8,000 discarded mobile phones, was presented in Melbourne during the Sustainable Living Festival, which takes place in February.
As part of the commemoration of this year’s World Art Day (April 15), Ghanaian-based Tapioca Foundation and Imposters Art Collective have embarked on a campaign to educate the public about environmental sustainability.
The project, which was launched in Ada in the Greater Accra Region, is intended to use art pieces to highlight issues relating to environmental protection and climate action to boost awareness in local communities.
"This is the video that Coca-Cola, PepsiCo, and Nestlé don’t want you to see.
The big brands want you to believe they are taking steps to reduce single-use plastic BUT they are actually working hand in hand with the fossil fuel industry to produce even MORE!
Watch now to learn that the actual “Story of the Bottle” has devastating effects on our health, planet, and communities!
These graffiti artists were given carte blanche over an entire warehouse to do with what they wanted. The result? Everything from the soundtrack from the videography, editing and the painting is just absolute brilliance.