The People’s Bank of Govanhill uses social and activist art practices to involve people in re-imagining the local economy, looking at how we can put feminist economics into practice in the local community.
While meditating in front of a Nepalese Sarasvati statue on New Year's Day in 1991 at her California home, Mayumi received a calling that brought a sudden halt to painting. Having witnessed the horrors of atomic bombings as a child and later, watching her beloved Japan become a leader in nuclear-energy, and seeing the effects of depleted uranium, Mayumi had to pursue a global cause greater than her art or feminism.
With more than 48,000 panels and 94,000 names, the AIDS quilt is a constantly growing testament to the deadly toll the disease has taken on the world. At roughly 1.3 million square feet, it is so large that it can’t be displayed in its entirety in one place. Parts of it are currently on display at the National Mall, with volunteers constantly switching sections in and out.
Since the beginning of Bulgaria's transition to democracy, the monument’s meaning and future has been the subject of heated debates. Opponents to the monument aren’t happy about the presence of such a dominating foreign army monument in the country that is situated higher and more central than national symbols. In recent years, the monument has turned into a canvas for anonymous political statements on multiple occasions.
The “Hyperbolic Crochet Coral Reef,” a unique exhibition and thought-provoking fusion of science, conservation, mathematics, and art, is on display in Washington, D.C., at the Smithsonian’s National Museum of Natural History. By engaging local communities to crochet coral reefs, the exhibition celebrates the reefs' beautiful diversity and speaks to the urgent need to protect these vanishing ecosystems.
Artist Nathaniel Ruleaux leads a community project called “To See If I Could Go Home: A True History Paste-Up” at the Union for Contemporary Art in Omaha on Thursday. His son, Luca, 3, walks away after handing Ruleaux a print to use to demonstrate the project. A member of the Oglala Lakota Nation, Ruleaux often uses his art to bring attention and activism to Native stories.
A young man melting into a puddle of himself is something you don’t see everyday, much less in a busy public square. Yet this humourous but surprisingly effective spectacle is the latest effort by the Red Cross of Argentina to raise awareness about climate change.
The new exhibit “MESH” at Portland Art Museum features Indigenous contemporary artists advocating for change
Visual artist, writer and activist Ka’ila Farrell-Smith says she considers herself a wartime artist.
She is a member of the Klamath tribes and lives in Modoc Point, Oregon. When asked about how history influences her work, the answer weaves through over 150 years of white colonization and Indigenous struggles in the West:
ODBK is an activist organization that aims to create a more equal, diverse, inclusive, transparent and democratic art world. ODBK seeks to do this by diversify and increase the number of people who understand and engage with contemporary art.
Slippery When Wet proposes a wet ontology of Hong Kong—a city in ongoing transfiguration shifting into an uncanny vision of itself. Hong Kong secretes, leaving a trail of ink, tears, humidity, logistic flows, and leaks.
Mary Fisher wears many hats: Artist, author, and HIV/AIDS activist are just a few. The latter is perhaps what she's known best for—her influential speech at the 1992 Republication National Convention is regarded as one of the greatest American speeches of the century, spurring a push toward treatment and compassion towards those who are HIV-positive.
After Afghan artist Malina Suliman's father suffered a brutal attack in their hometown of Kandahar, the Suliman family fled to Mumbai, where they plan on staying until the end of March. Malina is a 23 year-old grafitti artist whose work can be seen throughout Kandahar, including a self-portrait of a skeleton in a burqah that provoked threats from local Taliban. The Suliman family suspects the attack on Mr.
Foreigners out! Schlingensiefs Container (Ausländer raus! Schlingensiefs Container), alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was created by Christoph Schlingensief and directed by Paul Poet.
The Norman Rockwell Museum is very unique. It attracts people of all ages from all around the world to visit. I’ve heard adults saying “I remember selling that copy of The Post door to door!” or seen children’s excited faces when they find something on the scavenger hunt list. The Rockwell Museum has something for everyone, and this summer I was lucky enough to receive an internship there.
“My intention was not to disappear in the environment but instead to let the environment take possession of me” Said Liu Bolin. With his strong photography, Bolin vanishes into the city, creating a powerful statement about our relationship, as humans, to our surroundings.
A viral video of a student dance performance in southern China’s Guangxi Zhuang Autonomous Region has won praise for speaking out against so-called ghost marriages, which many today see as an archaic and even dangerous tradition.
"SOA Cycle, and what it later became, which is called the Democracy Cycle, is a group of seven large works that approach the question of democracy. What is democracy? How is it constructed? How is it implemented? Is it something that is to be thought of in relation to its political influence? Or is it something that plays out in terms of cultural and social, and even emotional terms, for instance?
LOS ANGELES--(BUSINESS WIRE)--Activist and Academy-Award winning actress Susan Sarandon and Grammy, Emmy, and Tony Award-winning and Academy-Award nominated actress Cynthia Erivo starred in a new public service announcement (PSA) during the Oscars titled “Power to the Patients” which focuses on increasing awareness that hospital prices are now a patient’s right prior to receiving care.
Add Colour (Refugee Boat) begins as an all-white boat in an all-white room. Ono’s instruction for this collective, participatory work reads: ‘Just blue like the ocean.’ You are invited to contribute your hopes and beliefs in blue and white.