The crisis is here, let the party begin! April 30, 2009. At first the crisis was just a state of being, a kind of social sadness that paralyzed everything. To break this atmosphere we couldn’t think of anything better than to throw a party. The first thing you need for a party is a good location, so we set out to find a place where social sadness and fear were extremely present. It didn’t take us long to find one: an unemployment office.
On Sunday April 3rd, Art Not Oil coalition member group BP or not BP? occupied the Great Court of the BP-sponsored British Museum with a 'disobedient exhibition'. Called 'A History of BP in 10 Objects', the exhibition featured artifacts submitted by frontline communities around the world who are fighting back against the impacts of BP's operations.
What seemed to be a cruel and bizarre PR campaign took over Amsterdam yesterday as a barge with an apparently drugged polar bear, a Russian child superstar, and a colorful marching band wound through Amsterdam's canals to the city zoo. There, visitors and staff watched Gazprom and Shell reps officiously give the bear to Amsterdam—before being forcibly removed by zoo security and city police.
"The Surveillance Camera Players (SCP) is a small, informal group of people who are unconditionally opposed to the installation and use of video surveillance cameras in public places.
The Vivienne Foundation exists to honour, protect and continue the legacy of Vivienne's creativity and activism.
Since the start of her career in the 1970s, Vivienne was renowned not only for her fashion design, but also her activism. Vivienne always utilised her platform of prestige to make the world a better place.
Buenos Aires in Argentina is the only city in the world where streets named Palestine and Israel intersect on the city grid. Taking advantage of this situation, The Errorist Movement decided to protest against the conflict in Gaza in that location in Buenos Aires.
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
Contra-Tiempo’s first Miami dance performance will bring Ana Maria Alvarez back to her roots. Her father’s family settled in Miami after leaving Cuba in the early ’60s. Most of them, including his four siblings and their spouses and children, still live here, and Alvarez expects much of the clan to attend her show.
“He describes it as a “family theme park unsuitable for small children” – and with the Grim Reaper whooping it up on the dodgems and Cinderella horribly mangled in a pumpkin carriage crash, it is easy to see why.
Banksy’s new show, Dismaland, which opened on Thursday on the Weston-super-Mare seafront, is sometimes hilarious, sometimes eye-opening and occasionally breathtakingly shocking.
La Casa Negra is a moving artist squat that occupies houses destined for demolition as temporary venues for site specific performance art in Barranco (Lima, Peru). Artists use all of the available rooms (kitchen, bathrooms, stairs, backyard) to enact a series of critical art pieces, while using the space as a demonstration of artist resilience in an increasingly gentrifying neighborhood.
In early July 2012, after the Chinese college entrance examination results were announced, the media found that many colleges and universities had gender bias on the admitted scores, and the maximum difference between men and women was up to 40 points. This finding aroused widespread concern and dissatisfaction from the public.
Transfixed by racial, political, and socioeconomic tensions saturating the news, movement artists Jon Boogz and Lil Buck, enveloped by the art of Alexa Meade, switch off the TV and release their emotion into a stirring dance that is both a lament and a spirited call to action.
If you've learned a lot about leadership and making a movement, then let's watch a movement happen, start to finish, in under 3 minutes, and dissect some lessons:
A leader needs the guts to stand alone and look ridiculous. But what he's doing is so simple, it's almost instructional. This is key. You must be easy to follow!
In September 1943, the Nazis prepared for the deportation of all Danish Jews to the concentration camps and death. But Georg Duckwitz, a German diplomat with a conscience, deliberately leaked the plans for the roundup, which was due to begin on Rosh Hashanah, the Jewish New Year. Armed with the information from Duckwitz, Danes swung into action.
In the south-western city of Chengdu, by all accounts a city on the edge coping with heavy pollution but also with authorities scrambling to put a lid on simmering discontent. That night police detained a number of artists who managed to stage a silent demonstration, while wearing face masks.
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.
During Wednesday’s Senate hearing on the Equifax data breach, a protester dressed as the “Monopoly Man” from the board game photobombed Equifax CEO Richard Smith’s testimony.
While the CEO discussed his company’s breach that affected 145.5 million people, the protester gazed skeptically through a monocle at the back of his head.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.
Shift Change Dress is a community fashion & art project that utilizes a shift dress sewing pattern as a medium for communication and action. Participants are encouraged to use the pattern as a blank canvas for their art or message and to share their work with the community.
"Suzanne Lacy is an internationally known artist whose work includes installations, video, and large-scale performances on social themes and urban issues. One of her best-known works to date is The Crystal Quilt (Minneapolis, 1987) a performance with 430 older women, broadcast live on Public Television." (http://www.suzannelacy.com/)