MEXICO CITY — Of the half-dozen pieces that form Tania Bruguera’s series “Tatlin’s Whisper,” the one that the Cuban government silenced may have resounded most.
The action art performance themed "War on smog, we are taking action" was held by some environmental activists and volunteers on the commercial center and famous tourist spot Yangren Jie (Foreigners’ Street) in Nanan district, Chongqing municipality in Southwest China on Friday, Febuary 28.
This year marks the 50th anniversary of one of this country’s most beloved theater companies. Founded in New York City in 1963, the Bread and Puppet Theater’s first productions ranged from puppet shows for children to pieces opposing poor housing conditions. The group’s processions, involving monstrous puppets, some about 20 feet high, became a fixture of protests against the Vietnam War. "We don’t have playwrights in the theater.
To some, the Clandestine Insurgent Rebel Clown Army (CIRCA) might appear to be but a ragged bunch of activists sporting false noses, a smudge of grease paint, camouflage pants and bad wigs. And those people may be right. But it is also a highly disciplined army of professional clowns, a militia of authentic fools, a battalion of true buffoons.
In December 2008, Tim DeChristopher, along with his church group, was protesting outside a Bureau of Land Management oil and gas lease auction of 116 parcels of public land in Utah's red rock country. Tim decided to take his protest inside and disrupt the auction itself. Instead, at the door, he was offered a bidder's paddle — which, after a split second of hesitation, he accepted.
Serene colors and technical set pieces create a surreal ambience as performers delicately hover into the black void above the stage. These performers belong to Kinetic Light, an "internationally-recognized disability arts ensemble". In 2022, the ensemble performed Wired, a "potent contemporary aerial dance performance that explores race, gender, and disability stories of barbed wire in the United States".
Adrian Piper disguised her identity, changing her race, sex, and social class in order to experiment in public situations and gauge people’s reactions. She investigated how outwardly visible identity markers (like skin color) impacted others’ perceptions of her character. By manipulating her (apparent) identity to produce reactions, she demonstrated the power and influence of stereotypes (Piper, 1996).
“Cabaret Con-Sensual is an effort comprised of actors, dancers, comedians, producers, writers, and other artists who strive to champion consent and discuss rape-culture through the subversive, yet expressive medium of the performing arts.”
The show was created by Bitsy La Bourbon, founder of the anti rape campaign and non profit organization More Than No.
In the south-western city of Chengdu, by all accounts a city on the edge coping with heavy pollution but also with authorities scrambling to put a lid on simmering discontent. That night police detained a number of artists who managed to stage a silent demonstration, while wearing face masks.
What the Skirt Lifts is a day long protest against gender discrimination initiated by student Arthur Moinet and sanctioned by the Académie de Nantes, made up of local school officials. Both male and female students were encouraged to school wearing skirts. Those who did not feel comfortable wearing skirts were invited to participate by wearing a sticker which read: I am fighting against sexism, are you?
"Superbarrio Gomez and his journey in the construction of a "politics of the possible" (1) , an alternative political imaginary constituted via popular culture and the construction of a national and transnational social movement. Superbarrio makes evident the collapse between politics and performance; he forces us to think beyond the performance of politics in order to understand the politics of performance.
A site-specific art intervention intended as a call to action in response to Brazil's water crisis. Strategically planned to coincide with UN World Water Day, Gota D'Agua gathered onlookers around an abandoned Olympic size swimming pool at the foot of Edificio Raposo Lopes, a towering luxury condominium building situated on a steep incline overlooking Rio de Janeiro.
New York performance artist Matthew Silver is at it again. In his most recent stunt he reminded people that self love can't be achieved through commodities. Chanting "You don't need stuff to love yourself" in his underwear at Columbus Circle he created a spectacle that attracted more and more people to his message.
K-pop fans and users of TikTok claimed tickets to Donald Trump’s Saturday night rally in Tulsa then did not use them, as part of a coordinated effort which helped to leave hundreds of seats empty in a 19,000-capacity venue.
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.
During Wednesday’s Senate hearing on the Equifax data breach, a protester dressed as the “Monopoly Man” from the board game photobombed Equifax CEO Richard Smith’s testimony.
While the CEO discussed his company’s breach that affected 145.5 million people, the protester gazed skeptically through a monocle at the back of his head.
In early January, constructions workers in Wuhan, China staged a Gangnam Style protest in front of their employer's building. Using the Gangnam Style dance, the men sought to bring media attention to their mounting unpaid wages.
Carolee Schneemann is largely associated with her performance art of the 1960s and 1970s, in which she boldly addressed feminist and political issues in ways that shocked and engaged viewers. But she has always maintained that she is a painter, a fact often overlooked in discussions of her larger body of work. At the heart of her approach is her ongoing exploration of the boundaries of painting and drawing, as in Up to and Including Her Limits.
The community is invited to join with local climate activists in the “Earth Day Sing Out” from noon to 1 p.m. and 5 to 6 p.m. Wednesday, April 22, to celebrate the 50th anniversary of Earth Day.
The event is designed to call for an economic stimulus to help prevent future climate crisis.
As the rest of the world continues to dump buckets of cold water over their heads in support of ALS research, some Palestinians have created their own version of the Ice Bucket Challenge to raise awareness about the ongoing crisis in Gaza.
“I performed at Tiananmen Square in 1989, 15 days before the crackdown. I sang A Piece of Red Cloth (一块红布), a tune about alienation. I covered my eyes with a red cloth to symbolize my feelings. The students were heroes. They needed me, and I needed them. After Tiananmen, however, authorities banned concerts. We performed instead at “parties,” unofficial shows in hotels and restaurants”.