Kheris Rogers, an 11-year-old entrepreneur from Los Angeles, has made history at New York Fashion Week as the youngest fashion designer ever to present. Kheris became an internet sensation earlier this year after her sister posted photos of her promoting her unapologetic Flexin' in My Complexion apparel line.
Action as a response to viral video of Attorney Aaron Schlossberg's racist rant against Spanish speaking customers and employees at a midtown restaurant. The "Latin Party" included food, music, and dance celebrating Latina/o culture in the US.
From FB event page:
New York artist Donna Choi wanted to create a “weird, memorable way” to discuss fetishization of Asian women, so she put together a satirical series about how to diagnose Yellow Fever—the specific obsession many Western men have with Asian culture.
The over-the-top series is a discussion of race crafted for the attention span of the Internet.
I emailed with Choi about her thinking behind the Yellow Fever series.
From an article in BoredPanda:
"If you’ve ever felt like your voice and opinion doesn’t matter in the vast world, then Seth is here to prove you wrong. This New Yorker runs the ‘Dude With Sign’ Instagram account where he uploads photos of himself protesting the strangest, weirdest, most random things. And the best thing is, we can relate to most of what he’s written on his signs.
Sirens of the Lambs is created by the enigmatic street artist, Banksy. This piece was first spotted on the streets of New York City on October 10, 2013, it went viral on social media and people are posting and reposting about it. Sirens of the Lambs is a truck full of stuffed animals – plush cows, chickens, pigs, lambs, bears – that first appeared in the Meatpacking neighborhood of NYC.
In 1932, Bennett Cerf, cofounder of Random House Publishing, acquired the rights to publish James Joyce’s Ulysses in the United States, believing that the book would be as successful as it had been throughout Europe. But Cerf had a problem. The book was banned in the United States and would be seized as soon as it came off the printing press, which would lose Cerf millions of dollars.
On Monday, a grassroots, anti–corporate tax-dodging coalition called Flip the Debt crashed a "Fix the Debt" party at St. Anselm's College in New Hampshire hosted by Honeywell CEO David Cote to tell the gathered deficit hawk disciples that paying their "damn taxes" would be a better solution than crippling the nation with fiscal austerity measures.
Catcalls of NYC is an organization that uses Instagram and everyday intervention as a platform of raising awareness about street sexual harassment. The group receives direct messages from people who have been catcalled on the street. The group goes to the location of the harassment and writes the catcall on the sidewalk in chalk. The Instagram account CatcallsofNYC then posts on their account a picture of the chalk writing.
The exhibition "Unpacking the 21st Century: Artists Engaging the World" included work by five New York City area artists that examined a range of social and political issues and offered companion special events.
In 1991, Gonzalez-Torres lost his partner Ross to AIDS (the artist would face the same fate in 1996). In a tragic and highly personal tribute to Ross, Gonzalez-Torres took a picture of his still-indented empty bed - an image of universal intimacy and loss - and placed it on two dozen commercial billboard spaces throughout New York.
Restore the Fourth is a privacy movement started in the summer of 2013, in reaction to Edward Snowden's revealing of the National Security Administration's extensive spying on American and foreign citizens. The movement seeks to uphold the Fourth Amendment of the Constitution, which protects American citizens against unfounded search and seizure of their property or identity.
Taken from the website:
Dyke Action Machine! (DAM!) is a two-person public art project founded in 1991 by artist Carrie Moyer and photographer Sue Schaffner. Between 1991 and 2004 DAM! blitzed the streets of New York City with public art projects that combined Madison Avenue savvy with Situationist tactics.
The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.
Join acclaimed director Velcrow Ripper (Scared Sacred, Fierce Light) on a journey deep inside the revolution of the heart that is erupting around the planet, as he asks the question, “How could the crisis we are facing become a love story?”
For more than 20 years, Metronome, which includes a 62-foot-wide 15-digit electronic clock that faces Union Square in Manhattan, has been one of the city’s most prominent and baffling public art projects.
During her concession speech yesterday, Hillary Clinton uttered a simple, terrifying sentence: "Donald Trump is going to be our president." For many Americans—New Yorkers especially—the sickening reality of a Trump presidency is impossible to fathom. A few hours later, a rogue therapist set up shop in the 14th Street tunnel between Sixth and Seventh Avenues.
This blogger documents all the cool things that are on their way to extinction in New York. A mix of preserving history and nostalgia through old school photography and new media. This website creates a nostalgic internet record of pre-internet New York.
The Harlem Festival of Culture not only pays homage to the past but also envisions a brighter future. It serves as a platform to showcase the rich diversity and dynamism of Harlem's artistic community, while also acting as a catalyst for social change and community empowerment. The festival boasts a lineup of artists from various genres and backgrounds, including jazz, soul, hip-hop, gospel, blues, rock, Latin, and Afrobeat.
Kanami Kusakima, also known as the woman who dances in Washington Square Park with the long black hair and the paint, was happy to allow the Mayor's Office of NYC use her image as a promotional tool for a "post-coivd" New York. Yet, she has had multiple encounters with police who want to shut her performance down.
Plants growing through urban cracks and concrete remind us of the power of nature. Whether its a tree or a blade of grass pushing its way through cement, an underlying chaos( or natural order) lives just beneath the surface of physical and mental organizational structures created by man.
If you scanned the public service announcements in your subway car this morning—and happened to be adequately caffeinated—you might have noticed something slightly off. There's Melissa C., of small-time "See Something, Say Something" fame, with her gold hoops and salmon-pink hoodie. She's smiling next to the familiar MTA logo, but her message isn't just about reporting a suspicious bag on the platform and feeling heroic.
Unleashed by anxiety over the pandemic, the nationwide rise in anti-Asian hate has served as a call to action for many Asian American artists to take a stand: To actively challenge the historic negative stereotype of the vice- and disease-ridden Yellow Peril; to dismantle the pernicious and divisive myth of the model minority that pits achievements by Asian Americas as judgements against other communities of color; and to advocate for social justice, eq
Xu Bing, the internationally acclaimed Chinese artist, has brought his “Phoenix” installation to the majestic nave of the Cathedral Church of St. John the Divine on Manhattan's Upper West Side. The two phoenixes, both Feng, the male, and Huang, the female, faced the decoratively carved bronze doors of the Cathedral, as if poised to take flight in the middle of the night.
If the way to one’s heart really is through the stomach, Rirkrit Tiravanija must have more than his share of admirers. Now at GAVIN BROWN, the Buenos Aires-born artist with a history of dishing out tasty edibles in his exhibitions invites viewers to enjoy a bowl of soup in his interactive show, Fear Eats the Soul.
The Guggenheim Museum in New York City temporarily closed off its entrance on Saturday afternoon, November 11, after eight artists and cultural workers took to the institution’s iconic spiral ramp to denounce the Israeli military’s ongoing killing of Palestinian children in Gaza.