Join acclaimed director Velcrow Ripper (Scared Sacred, Fierce Light) on a journey deep inside the revolution of the heart that is erupting around the planet, as he asks the question, “How could the crisis we are facing become a love story?”
"This project was launched in the wake of the police shooting of 16-year old Brooklyn resident Kimani Gray. Blue NYPD barricades left in piles around the city were spray-painted with the names of people killed by police, then re-deployed in public space."
David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.
The group of students from NYU took to the streets of Manhattan to shout back against sexual harassment and bring awareness to the Everyday Sexism project. Armed with business cards that said "#shoutingback" on one side, and "Real men don't catcall" on the other side, the group waited for men to yell at the women while they walked down the street.
"This project took aim at a public relations campaign produced by The Union Square Partnership, a local Business Improvement District (BID) attempting to privatize the north end of NYC’s Union Square park and install a high-end celebrity chef restaurant. They hosted historical walking tours of the park for decision-makers, as a means of getting buy-in for their development initiative.
On a freezing Friday in January, Khmer-American artist Kat Eng sits in front of retail giant H&M’s Time Square store working on a manual sewing machine. For eight hours, Eng stitches together U.S. dollar bills while wearing a surgical mask and bloodstained shirt. Her performance “</3 Less Than Three” protests the way fast fashion and consumer culture creates oppressive conditions for Khmer workers.
No Home Gallery is a traveling gallery that curates exhibitions and happenings in various living and studio spaces in New York City. In an attempt to make contemporary art accessible and inviting, No Home offers emerging artists and art enthusiasts a forum for collaboration and creation.
Unleashed by anxiety over the pandemic, the nationwide rise in anti-Asian hate has served as a call to action for many Asian American artists to take a stand: To actively challenge the historic negative stereotype of the vice- and disease-ridden Yellow Peril; to dismantle the pernicious and divisive myth of the model minority that pits achievements by Asian Americas as judgements against other communities of color; and to advocate for social justice, eq
The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.
February 24, 2023 will mark one year since the Russian invasion and occupation of Ukraine began. Russia is attempting to take over Ukrainian territory and destroy its rich, vibrant culture. Ukrainians are fighting for their country and right to exist as free, independent people. For months, Ukrainians have endured relentless bombardment, destruction, and hardship.
Beyoncé’s album Renaissance is grounded in black queer ballroom culture. It debuted at no. 1 on the Billboard 200 and had the third highest album debut of 2022.
Actionplay, a theatre company dedicated to providing autistic, neurodivergent, and disabled teens and young adults equal access to the theatre-making process, is pleased to announce their next production, the new musical comedy The Surface (or, That One Time Atlantis Washed Up On the Beach).
Zimmerman a composer who uses art, dance, tech, and even robots in his shows. You might call this interdisciplinary. Wagner called it total art, or gesamtkunstwerk.
The Guggenheim Museum in New York City temporarily closed off its entrance on Saturday afternoon, November 11, after eight artists and cultural workers took to the institution’s iconic spiral ramp to denounce the Israeli military’s ongoing killing of Palestinian children in Gaza.
By Rebecca Davis and Meena Hart Duerson
Those who believed the Occupy Wall Street movement was all but dead after its dramatic removal from Zuccotti Park last fall may have been surprised to see the group pop up again in the days after Hurricane Sandy.
But this time, they weren’t organizing protests – they were calling on their large network to come to the aid of those hit hardest by the storm.
An Egyptian-born activist was arrested yesterday for spray-painting subway billboards that call enemies of Israel “savages” — amid a wave of vandalism unleashed on the inflammatory ads, which have divided the city.
Mona Eltahawy, a self-described “liberal Muslim,” strolled up to one of the signs at the crowded 1/2/3 train mezzanine at the Times Square station and sprayed pink paint on the ads.
At the press preview for Sharon Hayes’s new full-floor exhibition “There’s So Much I Want to Say to You” at the Whitney Museum there was a podium and a microphone set up in the center of the gallery that would eventually be used by director Adam Weinberg and curator Chrissie Iles to introduce the artist and her restless work.
The ad agency Badger & Winters in collaboration with immigrant rights nonprofit organization Refugee and Immigrant Center for Education and Legal Services (RAICES) installed 20 cages with mannequins representing immigrant children inside across New York City. Each cage had a sign that said #NoKidsInCages and played audio of a child crying.
TROY, N.Y. Three loud blasts from a steam whistle screamed out as the rain drizzled on the riverbank here. And the fleet of seven eclectic handmade ships slowly moved away.
Project Catalyst specializes in designing culturally rich entertainment experiences that re-imagine the empowering possibilities of cinema and media from a multicultural perspective. Project Catalyst exemplifies the efficacy and essential value of art and cinema at the intersections of social justice and the modern technologies of everyday life.