The incident began when two clowns, Hannah Morgan and Louis Jargow, scaled the steel barricades protecting the landmark. The clowns began spanking and climbing the beast, traditional ways of coaxing a bull into anger in preparation for a Castilian corrida, or bullfight.
"I decided to shoot pictures of men who made comments to me on the street. I had always hated this invasion of my privacy and now I had the means of my revenge. As I walked along Houston Street with my fully automated Nikon, I felt armed, ready. I passed a man who muttered ‘Wanna fuck?’ This was standard technique: the female passes and the male strikes at the last possible moment forcing the woman to backtrack if she should dare to object.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Across the street, another woman lies face down, sunbathing on a large sheet of tinfoil. The sentence "White Supremacy Is Terrorism" is inked across her white skin, which is turning pink under the hot sun.
If you scanned the public service announcements in your subway car this morning—and happened to be adequately caffeinated—you might have noticed something slightly off. There's Melissa C., of small-time "See Something, Say Something" fame, with her gold hoops and salmon-pink hoodie. She's smiling next to the familiar MTA logo, but her message isn't just about reporting a suspicious bag on the platform and feeling heroic.
There were still bloodstains outside the Midwood Mobil gas station on Friday night; a fresh sign taped to a lamppost read “A Hate Crime Happened Here.” This is the place where, less than a week prior, 28-year-old O’Shae Sibley, a gay Black dancer and choreographer, made a pit stop with friends after a Jersey beach day.
Nine protesters pushing for the Empire State to reopen from its coronavirus lockdown were busted Saturday afternoon outside City Hall, for not obeying social distancing guidelines, sources told The Post.
The nine were among about 20 who rallied at Park Row and Spruce Street, holding signs that read, “Not Afraid to Fight” and “Reopen NY” sources said. Some of the protesters were not wearing a mask or face covering, a witness said.
For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.
Taken from the website:
Dyke Action Machine! (DAM!) is a two-person public art project founded in 1991 by artist Carrie Moyer and photographer Sue Schaffner. Between 1991 and 2004 DAM! blitzed the streets of New York City with public art projects that combined Madison Avenue savvy with Situationist tactics.