The Stanford Daily:
There is no word short of “spectacular” that better describes the experience of examining “Pan American Unity,” Diego Rivera’s 1940 mural, housed since 2021 at the San Francisco Museum of Modern Art (SFMOMA). The piece is the crux of SFMOMA’s soon-closing exhibition, “Diego Rivera’s America,” curated by James Oles and Maria Castro.
The running world will come together for a virtual run on Friday, May 8, to celebrate and honor the life of Ahmaud Arbery, who was reportedly shot and killed while out on a run on February 23.
Wheelbarrows full of washable paint were poured along the Kensington road to mark a year since Russia launched its invasion. Four people have been arrested for the protest.
On the Internet people only look at pictures of kittens.
British street artist Banksy has posted pictures and video of works made during a trip to the war-torn Gaza Strip.
One shows a figure reminiscent of Rodin’s “The Thinker” — though, set in a still-standing doorway surrounded by nothing but rubble, the figure seems more distraught than contemplative.
In time for the 30th Anniversary of the famed EDSA People People Revolution, a two-day pop-up museum in Camp Aguinaldo serves as a vivid reminder of a significant period in Philippine History.
The interactive museum, which is composed of nine halls, recreates the martial law victims’ struggle for democracy, including the events that led to the bloodless revolution in 1986.
To state or chant ‘BLACK LIFE’S MATTER’ is not to say other lives don’t matter, it’s a reminder that four hundred years and counting, black lives didn’t matter enough. Not during the dark era of slave trade and its horrors on the African, not after slavery ended and blacks were left holding the short end of the stick.
Just weeks after activists staged an alternative tour of the American Museum of Natural History to call for its removal, among other things, the equestrian statue of Teddy Roosevelt was vandalized early Thursday morning.
This past Valentine's Day the Fresh Juice Party pulled another "art prank;" this time sending chocolate shaped as dead American soldiers and sent them to U.S. government officials, especially to the previous Bush administration. This prank while very effective in its message, is not so effective in terms of timing.
At Souvenir Stands, Selling Tourists on Ending Stop-and-Search
By COREY KILGANNON
New York Times, City Blog, August 27, 2012
Last week, a 37-year-old artist from Oakland, Calif., named Aaron Gach joined the crowds of tourists swarming the sidewalk souvenir stands set up around the perimeter of Battery Park in Lower Manhattan.
A group of Syrian artists in Damascus has created the world's biggest mural made of recycled materials, a rare work aimed at brightening public space in a city sapped by war and sanctions.
The brightly coloured, 720-sq metre work was constructed from aluminum cans, broken mirrors, bicycle wheels and other scrap objects and displayed on a street outside a primary school in the centre of the Syrian capital.
A giant art installation targets predator drone operators
In military slang, Predator drone operators often refer to kills as ‘bug splats’, since viewing the body through a grainy video image gives the sense of an insect being crushed.
This year marks the 50th anniversary of one of this country’s most beloved theater companies. Founded in New York City in 1963, the Bread and Puppet Theater’s first productions ranged from puppet shows for children to pieces opposing poor housing conditions. The group’s processions, involving monstrous puppets, some about 20 feet high, became a fixture of protests against the Vietnam War. "We don’t have playwrights in the theater.
Mandela's notion of manhood changed over time. In the early days, he evoked the image of toughness to deal with an enemy that would not respond to reason. When it became possible to secure peace through talking, Mandela adapted. After his release his image was one of warmth and inclusiveness, embracing those who feared majority rule and even his former enemies.
Protesters left 7,000 pairs of shoes in front of the Capitol building Tuesday to symbolize the number of children killed by gun violence in the United States since the Sandy Hook Elementary School shooting in December 2012.
From 8:30 am to 2 pm, the shoes were displayed on the southeast lawn in the hope of sending a clear message to Congress: Reform gun control legislation or more children will be killed by gun violence.
There was once a time when Israeli songs like A Matter of
Habit were routinely written, aired and became hits. These
were songs of political commentary or protest, songs of hope
and idealism. They represented the aspirations of Israel's
secular liberal (generally Ashkenazi) elite. But that was
long ago.
It was once the most feared address in Berlin, a place easy to enter but very hard to leave. Now the ruins of the former engine room of Nazi terror at Prinz Albrecht Strasse in Berlin have been preserved in a new exhibition space open to the public from tomorrow.
'Gun-sharing' stations in Chicago use art to make a point about gun violence.
Users can’t actually grab a gun from the stations, but its creators hope the installation will send a message about how disturbingly easy it is for a citizen to acquire an assault weapon—as easy as renting a bike. They can also make a donation to the Brady Center and learn more about the campaign's gun safety efforts.
El Sistema, also known as The National System of Youth and Children’s Orchestra and Choir, was established in Venezuela in 1975 by José Antonio Abreu, a Venezuelan educator, musician and activist. The music education program operates within the voluntary sector and is funded publicly.
Media artist Joseph DeLappe announces the completion of “The Drone Project: A Participatory Memorial” on the campus of Fresno State University in California.
Shirin Neshat’s Women of Allah is a photographic series exploring the complex identities of Muslim women in post-revolutionary Iran. Combining black-and-white portraits, Persian calligraphy, and symbolic elements such as guns and veils, Neshat interrogates themes of martyrdom, violence, femininity, and resistance.
On August 16, 2019 thousands of women marched in various cities across Mexico. One particular case may have triggered them, but these marches were an answer to the systematic violence against women and girls in our country.
Marking the six month anniversary of September 11th, a poster designed by artist Hans Haacke appeared on scaffolding and media walls throughout New York City. The poster itself was blank and white, consisting only of die-cut silhouettes of the World Trade Center towers. The posters effectively reminded the pubic that September 11th created a ubiquitous filter through which everyday realities have become measured or seen.