Projects tagged "Violence & War"

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Brisbane, Australia — The flash mob descended on Brisbane’s city square, wearing double denim and blond wigs in the style of a legendary Australian singer as they danced with wild abandon to one of his 1980s hits.

This past Valentine's Day the Fresh Juice Party pulled another "art prank;" this time sending chocolate shaped as dead American soldiers and sent them to U.S. government officials, especially to the previous Bush administration. This prank while very effective in its message, is not so effective in terms of timing.

The development of the Nights from the oriental oral and literary traditions of the Middle Ages into a classical work for Western readers is a fascinating one. The notebook of a Jewish book dealer from Cairo around the year 1150 contains the first documentary evidence for the Arabic title. The oldest preserved manuscripts, comprising a core corpus of about 270 nights, appear to date from the 15th century.

The Balloon Project, is a three-year-in-the-making Art Installation by Yan Kong in support of world refugees and migrants. It pays tribute to human spirit, courage and survival. The Balloon Project is a multimedia work incorporating mechanical engineering and visuals to fuse art and politics. 32 balloons inflate and deflate to simulate refugee and migrants' breathing while fleeing their countries to seek safety and freedom in the world.

Chinese artist and activist Ai Weiwei has recreated the image of drowned infant Alan Kurdi that in 2015 became the defining symbol of the plight of Syria’s refugees. For the recreation, Ai lay on a pebbled beach on the Greek island of Lesbos. His pose was similar to that of Kurdi’s lifeless body, which washed up on a beach near the Turkish town of Bodrum and was captured in a September 2015 photo.

Mending Baghdad is a four-and-a-half-by-six-and-a-half-foot quilt memorializing Baghdad as it looked during the American bombing on the first nights of the Iraq war. The purpose of the project is to bring people together to do something symbolically curative for Iraq. The artist, Clare Wainwright, worked up the image in about two days, but left it deliberately unfinished.

National Public Radio (NPR): There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood. But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."

In the capital of one of the world's most dangerous countries, a hooded, masked man jumped out of a car on an assault mission.

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It’s the summer of 1971 and tourists flock around one of Washington DC’s most famous hotspots – the Capitol steps. Journalist Art Goldberg recalls ‘a squad of soldiers moving through the space. They are grubby-looking troopers, clad in jungle fatigues. Jumping a low fence, they begin shouting at a group of tourists. “All right! Hold it! Hold it! Nobody move. Nobody move!” Their voices full of tension and anger. A man runs from the crowd.

"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.