Thich Nhat Hanh reads his poem "For Warmth" in Vietnamese, Krista Tippett reads the translation in English, excerpted from the episode "Mindfulness, Suffering, and Engaged Buddhism."
A performance by artist Santiago Sierra, titled THE NAMES OF THOSE KILLED IN THE SYRIAN CONFLICT, BETWEEN 15th OF MARCH 2011 AND 31st OF DECEMBER 2016, took place for a total duration of eight days from May 21 to 29, across four cities on three continents.
The user muchachafanzine on instagram is an activist who writes a "decolonial native xicana feminist fanzine". They are an online activist and they spread their message through their page, the zine, and through merchandise. Daisy Salinas began Muchacha Fanzine as a feminist punk zine in 2011. Over the years, Muchacha has grown into a larger, submission-based compilation of work by marginalized voices from around the world.
In the past, prostitution was intrinsically tied to religion ritual and public policy, and it wasn't considered a taboo. Taking up from the idea of ancient sandals worn by prostitutes, the artist has created platform shoes that specifically focused on their protection and safety nowadays, with a GPS tracker that can send emergency signals to 911 or a sex workers' rights group.
TEL AVIV
Thousands of people took to the streets in Israeli cities Saturday for a fifth straight week to protest the government of Prime Minister Benjamin Netanyahu concerning proposed judicial reforms.
Demonstrators from non-governmental organizations, lawyers, and technology sectors staged the protests/
Police closed roads leading to squares in Tel Aviv during the day and took security measures in the surrounding area.
Foreigners out! Schlingensiefs Container (Ausländer raus! Schlingensiefs Container), alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was created by Christoph Schlingensief and directed by Paul Poet.
Thousands of people protested in Ghana’s capital Accra on Wednesday against the expansion of its defence cooperation with the United States, in a rare public display of opposition to the growing foreign military presence in West Africa.
Demonstrators blowing vuvuzelas and beating drums filled Accra’s business district, holding placards criticising a new deal with Washington that they say threatens Ghana’s sovereignty.
The Confined Hearts Project is creating 1468 terracotta anatomical human hearts, one for each person seeking asylum in Australia but being held in detention on Manus Island and in Nauru. Hundreds of people of all ages, backgrounds and cultures have been involved in making the hearts to date.
V-Day is a global activist movement to end violence against women and girls. V-Day is a catalyst that promotes creative events to increase awareness, raise money, and revitalize the spirit of existing anti-violence organizations. V-Day generates broader attention for the fight to stop violence against women and girls, including rape, battery, incest, female genital mutilation (FGM), and sex slavery.
Girl Be Heard is a theatre company founded by Artistic Director, Ashley Marinaccio and Executive Director, Jessica Greer Morris, which melds talent and background to create social justice theatre. The company has performed throughout New York City and worldwide to tackle global issues. Their productions include 9mm America, a Theatrical Uprising Against Violence, Girlpower: Survival of the Fittest, Trafficked, Project Girl: Congo, and Child Bride.
Late last year, the New York Times published an op-ed short film written and narrated by Jay Z. The clip was called “The War on Drugs Is an Epic Fail,” and that kind of title was explicit enough for everyone to grasp the entertainment mogul’s general argument, whether they knew anything about drug war or not.
To state or chant ‘BLACK LIFE’S MATTER’ is not to say other lives don’t matter, it’s a reminder that four hundred years and counting, black lives didn’t matter enough. Not during the dark era of slave trade and its horrors on the African, not after slavery ended and blacks were left holding the short end of the stick.
El Sistema, also known as The National System of Youth and Children’s Orchestra and Choir, was established in Venezuela in 1975 by José Antonio Abreu, a Venezuelan educator, musician and activist. The music education program operates within the voluntary sector and is funded publicly.
The Hong Kong 1 July protests are a surprising sight on the often chaotic stress. This day marks the transfer of Hong Kong from the United Kingdom to China (PRC) and is a public holiday it was originally thought to be a day of celebration. However, now it is mostly known for hundreds of thousands of people flooding the streets who protest for democracy, universal suffrage, and other political concerns.
It started as an experiment: what happens when you equip a vibrant youth community with the resources to express themselves through hip hop and electronic music? Last summer I traveled to Goma, Democratic Republic of Congo to find out and the results were more beautiful than I could have imagined.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
One of the most pressing questions before us in the United States now is how to resolve the tension between our personal visions and needs, on the one hand, and the demands of being a member of a community, on the other.
A popular theme throughout media is the relationship between technology and art. While art is often bolstered and disseminated through technology, discussions arise of how technology both positively and negatively affects content. Caroline Sinders’ exhibition Within the Terms and Conditions explores the way content has been spread online.
Opponents of military rule in Myanmar have marched, observed "flower strikes" and sought alternative ways to communicate after most users were cut off from the internet, undaunted by the bloody suppression of protests during the past two months.
UK design students focusing on the use of design that moves beyond exclusivity, wealth, entitlement, and privilege, have created a coat that is also a shelter. The functional pocketed coat that converts into a tent and a sleeping bag, is intended for Syrian refugees. The students under the guidance of Dr.
Activism through print media is often done through duplication: posters, flyers, magazines, manifestos. But with these media, each individual duplicate holds the same, political message.
In Felix Gonzalez-Torres's "Untitled" (Death by Gun) (1990), a stack of posters are placed in the gallery space for people to take with them. As the pile is depleted, more posters are printed.
This exhibition
is a collection of work by displaced Syrian artists. With the support of the British Council, 'Syria: Third Space' demonstrates the roles that artists play in supporting recovery and resilience. It seeks to show how artists can break boundaries, support and unite communities, re-interpret and offer alternative viewpoints through their practice.
Syria: Third Space
Marisela Escobedo was 52 when she was shot dead on a sidewalk outside of the Government Palace of Chihuahua City, northern Mexico. She had set up camp in one of Mexico’s most dangerous cities – a place where people won’t leave their homes at night to protest day and night against corruption and impunity in her daughter’s murder case.
Republic of Moldova – “Before the war, Eva was a happy, carefree little girl, a first-grader full of joy who loved going to school, practicing taekwondo and drawing,” Olga recalls. Determined for her six-year-old daughter to have a joyful, stable childhood, Olga did all she could to help Eva thrive.
Mandela's notion of manhood changed over time. In the early days, he evoked the image of toughness to deal with an enemy that would not respond to reason. When it became possible to secure peace through talking, Mandela adapted. After his release his image was one of warmth and inclusiveness, embracing those who feared majority rule and even his former enemies.