In 2023, it is impossible to be an apolitical artist in Eastern Europe. As war rages on in Ukraine, art serves as a powerful and necessary tool, according the members of the Sunflower Solidary Community Center in Warsaw: Maria Beburia, Sebastian Cichocki, Kuba Depczyński, Taras Gembik, Yulia Krivich, Kaja Kusztra, Natalia Sielewicz, and Bogna Stefańska.
In his ongoing street art series “The Living Wall,” Russian artist Nikita Nomerz brings life to decrepit buildings in Russia by painting faces on them. Nomerz travels extensively around Russia and makes an effort to paint a character in each place he visits. He talks about his art in this interview with Global Street Art.
A village shop in Coniston is stocked by local producers with everything from farm meat and vegetables to paintings and knitted goods. The produce is all homemade and brought in by local suppliers. Customers are invited to buy goods in the shop for an 'honest' price, there are guideline price tags attached to the items by the producer but customers are expected to pay what they consider an honest, suitable price for the item.
Amid ongoing protests and government repression in Iran, a group of artists at Michigan State University is raising awareness about the women fighting for their rights in the country.
The group hosted a packed crowd one January evening for a night of music, dance, and poetry performances. The pieces, inspired by Iranian stories and icons, show solidarity with the ongoing movement abroad.
“IN an instant all will vanish and we’ll be alone once more, in the midst of nothingness.”
When the actor Wendell Pierce spoke these words in performances of “Waiting for Godot” here last month, he really was in the middle of nothingness, or what looked a lot like it.
The project responds to the urgency that many asylum seekers and refugees have as soon as they touch a new country's soil: working and learning the language. The project, located in the former army barracks 'Caserma Piave' in Treviso, started as a grassroots initiative.
With a grand total of 0 permanent residents and an average winter temperature of --56.2°F, Antarctica is a bit more than your average “no man’s land.” This didn’t deter artist duo Lucy + Jorge Orta, however, who took an expedition to the territory in 2007 on commission from The End of the World Biennale. Nine years later, the duo’s cumulative work created during the program is finally on display in NYC at Jane Lombard Gallery.
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
This is the image confronting Greeks from an Athenian drain . "Hello, I live in the sewers of Athens," says the cockroach. "Yes, me too," says an Athenian walking past, apparently unfazed by the idea of an insect talking to him from a drain.
Fanfiction is political, subversive, radical. Writing Harry Potter as a girl, Hermione as black, or Ron as transgender exposes people to narratives written from the perspective of marginalized communities. But is writing fanfiction a type of activism?
In July and August 2013, O Teatrão, a Coimbra based theatre company, presented the project Arruinados, comprising three theatre performances in three abandoned spaces (‘ruins’), one in each of three cities in the Centre region of Portugal located along the Mondego River:Coimbra, Montemoro Velho, and Figueira da Foz.
“I really wanted to highlight the strength of the human condition. When we work together we’re stronger,” Meredith Stern says of her exhibition “Cooperation Cats: 10 years, 20 prints” at AS220’s Project Space, 93 Mathewson St., Providence, from Feb. 1 to 29.
Renowned Cuban artist Tania Bruguera surprised a Bogota audience in September when she lined up three people directly involved in the Colombian conflict for a chat. The real performance however, started when a waitress emerged with a tray of neatly organised lines of cocaine, and began offering them to members of the audience.
Realizing the lack of a safe community within the Northern Utah Area, Sammy, a highschooler from NUAMES in Davis County, started his project “I Matter” with a series of interviews in which he found this sentiment echoed. That’s why Sammy created “I Matter”, I Matter is an organization just for Northern Utah Teens.
In anticipation of Climate March NYC 2014, Good Old Lower East Side, a non-profit focused on defending tenants rights and disaster preparedness outreach following the wake of Hurricane Sandy, implemented a arts-based intervention called "The LES vs. Hurricane Sandy".
“He describes it as a “family theme park unsuitable for small children” – and with the Grim Reaper whooping it up on the dodgems and Cinderella horribly mangled in a pumpkin carriage crash, it is easy to see why.
Banksy’s new show, Dismaland, which opened on Thursday on the Weston-super-Mare seafront, is sometimes hilarious, sometimes eye-opening and occasionally breathtakingly shocking.
While Trump’s proposal to detain asylum-seeking and migrant families indefinitely remains open to public comment for the next week, families who have already been detained for longer than the 20-day maximum endure painful separations and terrifying uncertainty while they remain in limbo.
User @ArmoredSuperHeavy on Twitter recently posted a master document detailing their explorations into bookbinding, fanfiction preservation, and the online gift economy. Their bookbinding venture, named Dead Dove Publishing, is a project that seeks to preserve and legitimize fanworks and celebrate the fandom gift economy. The document explains their actions and the work they have done since they began two years ago.
In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.
In October and November 2016, Breathing Lights illuminated the windows of hundreds of vacant buildings in Albany, Schenectady and Troy, NY. Warm light filled each window with a diffuse glow that mimicked the gentle rhythm of human breathing. Concentrated in neighborhoods with high levels of vacancy, Breathing Lights transformed abandoned structures from pockets of shadows into places of warmth.
The Ogden Ar(t)chives Mailbox is a community project that was initiated by Ogden poet, Angelika Brewer. The project involves a metal sculpture of a mailbox, which has various decorative elements such as a typewriter, a birdcage, and a heart. The mailbox serves as a platform for the public to submit their creative works such as poems, drawings, letters, or anything that can fit in an envelope.