Cosmic Generator presents a network of characters working in nonsensical, and at times absurd, economies. Artist Mika Rottenberg uses footage from actual discount dollar stores in Calexico, CA; Mexicali, Mexico; and Yiwu, China to recreate the imaginary “life” of a product, from its production in the factory to the moment it is sold.
A couple of weeks ago, a group of activists working with Rainforest Action Network’s Energy and Finance campaign hit the streets of San Francisco to bring a little truth about Bank of America’s misdeeds to its customers—not in the lobbies of the bank’s local branches, but at its ATMs throughout the city.
The artist has assembled a set of 300 installations around New York City, based around the concept of fences and borders, to showcase the ‘narrow-minded’ attempts used to ‘create some kind of hatred between people’
Coal Seam Greed was going to be a simple satire showing Katso and Nowhereman posing as a mining company called Reed Gas and erecting notices stating their intent to explore for unconventional gas or CSG in inner-city Brisbane. The idea was that residents would see the signs, phone and leave messages in response, which would then be incorporated into the video.
Text by Jessica Stewart
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In Virginia, one artist is helping his community reclaim a controversial monument in the name of Black Lives Matter. The Robert E. Lee Monument now stands as the only remaining Confederate statue on Richmond's historic Monument Avenue. While litigation ties up the statue's removal, light projection artist Dustin Klein is using his art to change the meaning of this contentious monument.
The Globe and Mail Inc.
Written by SUSAN KRASHINSKY
MARKETING REPORTER
TORONTO
PUBLISHED JUNE 25, 2015
UPDATED MARCH 25, 2017
This is one persnickety refrigerator.
Molson Coors Brewing Co.'s newest instalment of a now two-year campaign is attempting a new take on national pride in time for Canada Day.
Nowhereisland was an island which journeyed from the High Arctic region of Svalbard to the south west coast of England in summer 2012. As it made this epic journey, it travelled through international waters, whereupon it became the world's newest nation - Nowhereisland - with citizenship open to all.
From an Art Net News Article: ""The installation is called Ghost Forest, a term used to describe vast acreages of woodland that have died out–often due to rising sea tides, which overwhelm forests near estuaries with saltwater, choking out their ability to get nutrients from the earth. In 2012, Sandy caused seawater levels to surge, leaving swaths of ghost forests in its wake.
order Crossers comprise a series of lightweight robotic sculptures that poetically explore the notion of borders and boundary conditions. The inflatable sculptures rise up to several stories high and extend across a given threshold. Their choreographed performance, originating on both sides of the border, would stage a symbolic connection.
Charities working on the Greek island of Lesbos have made a massive peace sign out of discarded life jackets to honour refugees who've died trying to cross the Mediterranean.
More than 100 volunteers used 3,000 vests to form the symbol on a hill outside the village of Molyvos.
More than one million refugees and migrants have reached Europe by sea since the start of 2015.
Zheng Xi 郑熹, a Ph.D. candidate with a focus on gender studies at Zhejiang University in Hangzhou. Zheng has launched a campaign asking city governments around China to display anti-sexual-harassment logos, complete with a groper’s “salty-pig hand” visual (etymological context here), alongside other commonly displayed public safety logos on places like subway trains and buses.
For more than 20 years, Metronome, which includes a 62-foot-wide 15-digit electronic clock that faces Union Square in Manhattan, has been one of the city’s most prominent and baffling public art projects.
Western Flag depicts the site of the 'Lucas Gusher' - the world's first major oil find - in Spindletop, Texas in 1901, now barren and exhausted. The site is recreated as a digital simulation the center of which is marked by a flagpole spewing and endless stream of black smoke.
Operation Christmas was a campaign launched by the Colombian military during the Christmas season to encourage FARC guerrillas to demobilize.[1] The military selected nine 75-foot trees along paths the insurgents used and decorated them with Christmas lights and a message encouraging them to come home.
Thousands of empty shoes replace marchers at cancelled climate protest in Paris
After French authorities cancelled two climate protests in the wake of the Paris attacks, thousands of would-be marchers kept empty shoes in their place.
The moving installation coincides with the COP21, a climate summit of 195 UN nations in the French capital.
The protest was called by Avaaz
Benjamin Von Wong’s latest art-as-activism installation looks like something Photoshopped onto reality. A large brass-looking faucet, suspended in the air, pours a river of plastic out of its spout.
The “Hyperbolic Crochet Coral Reef,” a unique exhibition and thought-provoking fusion of science, conservation, mathematics, and art, is on display in Washington, D.C., at the Smithsonian’s National Museum of Natural History. By engaging local communities to crochet coral reefs, the exhibition celebrates the reefs' beautiful diversity and speaks to the urgent need to protect these vanishing ecosystems.
Does it vex you, the environmental impact of Olafur Eliasson’s Ice Watch? Do you hear about the transportation of 30 icebergs from the Nuup Kangerlua fjord in Greenland to be displayed in London as a memento mori for our inhabitable environment and judge the project a bit of an own-goal, sustainability-wise? You would not be alone – on personal evidence, this seems a popular response.
Swedish lesbian, gay, bisexual and transgender (LGBT) rights advocates offered their colorful stance on Russia's controversial anti-gay legislation over the weekend.
Six months before Hurricane Maria wreaked havoc in the Caribbean, a group of Puerto Rican artists were invited to participate in a residency program in Miami by local art organizations. The artists were offered abandoned storefronts-turned-studios at a historic downtown mall, where they’d exhibit their work during Miami Art Week in December to engage an art world that often overlooks the island territory.
“I am a silkworm.” Liang Shaoji has repeatedly used this phrase to describe his work, underscoring his preoccupation with the materiality of silk and the technology of sericulture, or silk farming. For more than twenty-five years, Liang Shaoji has raised silkworms and trained them to spin silk onto different objects in his Nature series.
The Couple in the Cage documents the travelling performance of Guillermo Gómez -Peña and Coco Fusco, in which they exhibited themselves as caged Amerindians from an imaginary island. While the artists’ intent was to create a satirical commentary on the notion of discovery, they soon realized that many of their viewers believed the fiction, and thought the artists were real “savages”.
“Art is so often only experienced through looking,” artist Caitlin Rose Sweet explained to The Huffington Post. “It’s a short pathway from the eyes to the brain. I want the whole body involved.”