This action, to be released to the wider public this Friday, March 15th, was the design of t-shirts in support of British Charity, Comic Relief, an organization dedicated to bringing positive and lasting change to vulnerable youth communities in Europe (specifically in the U.K.) and various countries in Africa and, most critically, addressing the root causes of their poverty.
"Featuring giant ocean dice that originally appeared in the booklet "drift" by Max Mulhern, these dice were launched in international waters to create a visually stunning ode to chance and luck. This project can also be found under the title: "the greatest floating craps game on earth"." --AquaDice website
PARIS — At the end of the Dior fashion shown in Paris last September, a woman got up from the audience and walked down the runway carrying a yellow banner painted with the words “We Are All Fashion Victims.”
What the Skirt Lifts is a day long protest against gender discrimination initiated by student Arthur Moinet and sanctioned by the Académie de Nantes, made up of local school officials. Both male and female students were encouraged to school wearing skirts. Those who did not feel comfortable wearing skirts were invited to participate by wearing a sticker which read: I am fighting against sexism, are you?
Civil activists set up a giant loaf of bread on the small square of a bus stop near the Cathedral Store in Center to remind passersbys that a large number of their fellow citizens live below the poverty threshold.
About 6 months before the fall of the Berlin Wall in November 1989, installation artist Marc Thompson began conceptualizing and constructing an installation that would reflect the absurdities of the divided city. Thompson´s work was part of the Ressource Kunst exhibition.
Princess Hijab is an anonymous female street artist working primarily in Paris, France. Her art centres on veiling the main characters of subway advertisements using black paint. Few facts are known about Princess Hijab.
Luzinterruptus turns their art activism towards the overabundance of dog doo littering the city’s streets.
The studio inflated 500 poop-scoopin' plastic bags and placed a lightbulb inside each one.
Installation lasted nine hours.
Creative Graffiti at the Urban Culture Festival in Germany
By Loredana Loy
A street art project by by KD Key Detail from Minsk, Belarus--created and featured at the IBUg 2013 Urban Culture Festival in Zwickau, Germany.
The project is entitled "Bon Appetit." Images speak louder than words. Links and photos below.
Voina art collective members covertly brought a large laser projector into the attic room of a hotel located across the street from the Russian White house (also called the Russian Parliament Building). From there they projected a large image of a skull and bross bones across the front of the white house building. Other group members on the ground then stormed the building gates and successfully entered the secure zone in front of the building.
On the afternoon of September 11th, nearly a hundred people hugged each other to feel the beauty of the hug on the Paris Square in front of the Brandenburg Gate in Berlin, under the leadership of the Chinese artist Gao Brothers. At the beginning of the event, the Germans have not yet adapted to the behavior of embracing strangers, but encouraged by Gao brothers, people have opened their arms and gave the strangers around them a warm hug.
For the November issue of women’s magazine ELLE UK, agency W+K London teamed up with feminist cofounders of Vagenda, Holly Baxter and Rhiannon Lucy Cosslett, to rebrand feminism.
Frustrated with the way women are stereotyped and portrayed, Vagenda created a ‘Sod The Stereotypes’ manifesto.
Máximas de Seguridad, a survival manual written and illustrated by Jhafis Quintero creates a new voice for the voiceless, vulnerable and underprivileged groups in prisons and creates empathy for those that are labeled as dangerous by society. The manual aims to provide empathy and humanity in light of the public scrutiny that ex-prisoners endure in the transition to social reintegration.
The Rev Lucy Winkett is having trouble sleeping. This is because her church on Piccadilly has decided to erect a full-size copy of the Israeli separation barrier to block off her Christopher Wren church. And because she lives above the shop, the grim presence of this temporary structure is with her all the time. "Politics aside, living beside the 26ft wall is having a curious effect on those who are here.
Mansour began rapping in 2003 and has gained recognition in the Middle East, Europe and the United States for her own songs and collaborations with other artists. She performs wearing a traditional Palestinian thawb and has said that she considers herself to be part of a "musical intifada" against the occupation of Palestine, conservatism and oppression of women.
In March of 2022, JR, with the help of 100 volunteers, unfurled the portrait of five-year-old, Ukrainian refugee Valeriia in Lviv, Ukraine. Leaving Ukraine, JR saw firsthand how difficult it was for women and children to get to safety due to long queues at the border. In response, he released two NFTs of Valeriia as part of his solidarity project titled: Can Art Change the War?
After a first illegal exhibition on the walls of the Cité des Bosquets, JR settles in the heart of this neighborhood and the neighboring projects of La Forestière, in Clichy-sous-Bois, where the 2005 riots started in the French suburbs.
The first portraits are displayed on the walls of the last popular neighborhoods of the capital, in Eastern Paris.
In 1987 with AIDS deaths in the thousands and government policy still criminally indifferent, activists formed ACT UP (AIDS Coalition to Unleash Power) with the purpose of turning grief and fear into rage and action.
Since her breakout show, Penis Nailed to a Board, held at south London’s City Racing gallery in 1992, British artist Sarah Lucas has never shied from making a statement. Working with sculpture, photography and installation, the Goldsmiths graduate and prominent YBA member has honed her provocative and playful oeuvre to question culturally prescribed notions of femininity and sex.
Hostile architecture—urban design features like ground spikes that deter the homeless from lying down or slanted benches that prevent lingering—inscribes exclusion into our streets. In response, a Chinese artist will launch the Free Butt Plug Catalogue, an art-activism project that documents fifteen such spikes and anti–loitering benches across London and pairs each with a commercially available butt plug of the same shape.
This action was suggested in the workshop assembly by a neighbor of Arrayán street itself. At the end of this street giving the market there was a wall in a state of collapse that
concerned the neighborhood. On several occasions, either neighbors or from the same Peña Bética in front of them, they had
given by the City Council, but without results. And every day having to go all the way through that gorge with two
At age twenty-eight, Waltraud Hollinger changed her name to VALIE EXPORT, in all uppercase letters, to announce her presence in the Viennese art scene. Eager to counter the male–dominated group of artists known as the Vienna Actionists—including Günter Brus, Otto Mühl, Hermann Nitsch, and Rudolf Schwarzkogler—she sought a new identity that was not bound by her father's name (Lehner) or her former husband's name (Hollinger).