Long before the red ribbon became an innocuous symbol of AIDS
“awareness” and celebrity philanthropy, there was the pink triangle and
there was ACT UP and there were thousands of people taking to the
streets for their lives. Once a symbol used to mark suspected queers for
death in the Holocaust, ACT UP appropriated the pink triangle for
A Norwegian physician who has volunteered in Gaza for decades said Friday that Western leaders, including U.S. President Joe Biden, are complicit in Israel's intensifying assault on the Palestinian enclave's hospitals, which are overwhelmed with airstrike victims and displaced people seeking refuge.
Greta Thunberg has launched a campaign video of a housing burning to the ground as she calls for more action on climate change.
The shocking clip shows a family waking up, having breakfast and talking as their home is engulfed by flames and clouds of smoke.
The video was released by the Swedish climate activist's Fridays for Future, which has partnered with LA-based creative agency FF.
This act of art and activism displayed in the photograph was created in 1994 by the group La Radical Gai at the height of the HIV and AIDS epidemic that decimated many communities in Madrid. The first case of AIDS in Spain was documented in 1982. Since that time, 85,000 people in Spain have been diagnosed with AIDS and 60,000 people have died from the deadly virus (Soriano, Ramos, Barreiro, Fernandez-Montero, 2018).
Five hundred volunteers with shovels gathered at a huge sand dune on the outskirts of Lima, Peru, and over the course of a day moved it by several inches. Alÿs developed the idea after first visiting Lima in October 2000. The political context was inescapable: “This was during the last months of the Fujimori dictatorship. Lima was in turmoil with clashes on the streets, obvious social tension and an emerging movement of resistance.
For his latest project, Mark Manzi found himself outside of his comfort zone. For the Amsterdam-based photographer and designer, People of Japan was an attempt to break from his photography-first portfolio. “In the past, my work was very image-focused, whereas with this book I wanted to scan objects, collect receipts, record noises, add copy, and really create something visually striking,” he says.
For those of you unfamiliar with the wonderful Worth1000, it’s a website that hosts creative contests of all kinds, most notably for photoshoppers who are outstanding at what they do. Hell, just look at the first question on the site’s FAQ list and you’ll have a basic idea of how good some of these people are at making terrific photoshops.
On December 1, 1994 also known as World AIDS day, participating members from LSD (Lesbianas Sin Duda), La Radical Gai, and other allies sought out to protest against the push back of rejection that many of them were receiving from the medical and social perspective.
"The Red Power Movement of the 1960s and 70s was a time of profound social change and progress for American Indians in the United States and Canada. In her outspokenness about the injustices facing Indigenous people, Buffy Sainte-Marie also sang for peace, the environment, women and children—believing that art can have impact and make a difference.
Young women in South Korea are fighting for a new future. The #MeToo movement which has highlighted sexual harassment and abuse around the world has taken a surprising hold in this socially conservative country.
Join acclaimed director Velcrow Ripper (Scared Sacred, Fierce Light) on a journey deep inside the revolution of the heart that is erupting around the planet, as he asks the question, “How could the crisis we are facing become a love story?”
Chen Boer's first heroine film, which she co-wrote and directed, was "Daughter of China," about female soldiers in the Northeast Anti-Japanese United Army. They didn't have much filmed material at the time, but as a feminist, Chen Boer clearly wanted to record the sacrifices and contributions of Chinese women in the War of Resistance against Japanese Aggression.
Foreigners out! Schlingensiefs Container (Ausländer raus! Schlingensiefs Container), alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was created by Christoph Schlingensief and directed by Paul Poet.
Mona Haydar’s first single, “Hijabi (Wrap My Hijab)” is an empowering anthem for women everywhere who wear headscarves.
It’s also a sharp rebuke to those who dare to ask headscarf-clad women what their hair looks like underneath, whether they’re hot in there, and whether it feels too tight.
What would it be like if we switched positions with whales in captivity?
Nothing like this – but at least prankster Rémi Gaillard had some fun trying to recreate the scenario.
Most brands have expressed eternal love for emojis in recent years, as they try to talk the talk of young people today. Not so fast, says Always' "Like a Girl" campaign, which points out in a new ad that the images of women in the standard Unicode emoji set are woefully stereotypical.
Prison inmates in Mexico have suffered from coronavirus infections at a higher rate than the country as a whole, and pandemic lockdowns have reduced their already limited contact with the outside world.
But one group of women inmates at a prison west of Mexico City have managed to benefit, as the lockdown spurred a wave of professionals with time on their hands to donate online classes.
On June 17, 2013, Russell Brand (a stand-up comedian and actor) visited MSNBC’s
'Morning Joe' news show to promote his international stand-up tour, 'The Messiah Complex', but he also managed to mock the 'Morning Joe' news anchors, as well as the mainstream media. Clips of this particular interview immediately went viral on YouTube, and one of the videos is linked to this page (see the first link below).
DISAPPEARED IN AMERICA is an ongoing project by Visible Collective/Naeem Mohaiemen that uses films, installations, and lectures to trace migration impulses, hyphenated identities, and the post-9/11 security panic. Excerpts of the project have been shown at various venues, including the 2006 Whitney Biennial.
Whose Utopia? is a color film which is 19 minutes 58 seconds long. It was originally commissioned by the Siemens Arts Program back in 2005. The projector-style video is based on the work and social lives of assembly line workers at OSRAM’s light bulb factory in the Pearl River Delta in China. This area has received huge numbers of immigrants from inland provinces seeking work and better lives in the wake of Beijing’s booming economy.
Benjamin Von Wong’s latest art-as-activism installation looks like something Photoshopped onto reality. A large brass-looking faucet, suspended in the air, pours a river of plastic out of its spout.
In 2012, VOW Media worked with young girls - who have been victimized by, or are at the risk of falling victim to “loverboys”, as well as girls who have gone through severe traumatic experiences, such as repeated emotional, physical and/or sexual abuse – in a series of workshops where they learned how to utilize different forms of media to create their very own self-portrait with photography, radio, and video.
Play Safe is a documentary film series created and directed by NYU alum Eddie Einbinder. The film, much of which now appears for free on YouTube, was originally released in 2013 after being filmed between 2011 and 2012. It debuted at the International Harm Reduction conference in Vilnius, Lithuania in 2013.
Two design students were awarded the Futurapolis prize last Wednesday for their project to adapt the Furan (underground river) , a response to the migration crisis.
The Nanjing Yangtze River Bridge, completed in 1968, is one of China’s most iconic infrastructural projects and a potent symbol of national pride. Spanning over 6,700 meters across the Yangtze River, it was the first double-decked road-rail truss bridge designed and built entirely by Chinese engineers, without foreign assistance, during a time of intense geopolitical isolation.