Projects tagged "United States"

Can 'Caring Across Generations' Change the World?
Practitioner:
Caring Across Generations
Date:
Apr 11 2012
From The NationBy Laura FlandersA new campaign calling itself Caring Across Generations has in mind nothing less than a 180-degree turn in the way that Americans think about themselves, one another, the economy and workers. This group aims to create 2 million quality jobs in the process and put us all on track for a happy, healthy old age too. But first we need to talk, out loud, about care.
De-Cruit
Practitioner:
Stephan Wolfert
Date:
Jan 1 2018
The failure of the United States to adequately meet the mental health needs of its military veterans has been identified as a national crisis.
Brick X Brick
Practitioner:
Public Displays of Affection
Date:
Jan 21 2018
Brick x Brick is a public art performance that builds human “walls” against misogyny. It is organized by the Public Displays of Affection, a collective of artists, designers, educators and organizers that engages in nonviolent direct art action. During the wall performances, participants wear brick-patterned jumpsuits adorned with colorful brick patches bearing statements of misogynistic violence made by US President Donald Trump.
Amazon May Day Strike
Practitioner:
Amazon Employees
Date:
May 1 2020
Essential workers at major companies like Amazon, Instacart, and Target across the United States on Friday protested for better safety protections, working conditions, and pay during the coronavirus pandemic.
Music that Propelled the Indigenous Rights Movement
Practitioner:
Buffy Sainte-Marie
Date:
Aug 3 1969
"The Red Power Movement of the 1960s and 70s was a time of profound social change and progress for American Indians in the United States and Canada. In her outspokenness about the injustices facing Indigenous people, Buffy Sainte-Marie also sang for peace, the environment, women and children—believing that art can have impact and make a difference.
The Occult Activism of 1960s Group WITCH is Still Relevant
Practitioner:
WITCH
Date:
Jan 1 1960
When people think of feminist protests of the 1960s, they most often think of bra burning at the Miss America pageant. This is super lame because bras weren’t even burned at that protest, just discarded into a trash can. It’s hard to imagine why this trope has persisted over the decades. Bras are an investment, so I have a hard time believing that any of my friends would willingly burn expensive (and sometimes really fun) garments.
United States of Attica
Practitioner:
Faith Ringgold
Date:
Sep 15 1971
In September 1971, after years of mistreatment and months of simmering tensions, more than 1,200 of the 2,200 inmates at the Attica Correctional Facility in upstate New York took control of the prison in protest of its substandard conditions and openly racist corrections officers.
Sleep Out
Practitioner:
Covenant House
Date:
Feb 2 2021
Covenant House has started a ‘Sleep Out’ movement that shines light on the youth homelessness crisis and raises funds for young people who seek shelter. "Covenant House empowers young people to overcome homelessness and trafficking by providing them with safe housing, food and clothing, and relentless support. Sleep Out events are held for people who want to join the movement as they give up their bed for one night in NYC.
The New York Times Special Edition
Practitioner:
Steve Lambert, The Yes Men, Not an Alternative!, CODEPINK, Packard Jennings, May First/People Link, Improv Everywhere, Joseph DeLappe, L.M. Bogad, FAIR, Stephen Duncombe
Date:
Nov 9 2008
On November twelfth, 2008, over 80,000 copies of a replica of the New York Times were distributed in several cities around the United States. The paper included 14 pages of “best case scenario” news set nine months in the future. See the The New York Times Special Edition website.
Autonomy Cube
Practitioner:
Trevor Paglen, Jason Applebaum
Date:
Jan 1 2014
Pursuing the possibility of emancipatory use of technology, Paglen, together with Jacob Appelbaum, developed Autonomy Cube (2014). Autonomy Cube is a sculpture and internet router designed to be housed in civic spaces. The sculpture is meant to be both “seen” and “used.” Formally it references Hans Haacke's 'Condensation Cube' (1963-65).
“Untitled” (Portrait of Ross in L.A.)
Practitioner:
Felix Gonzalez-Torres
Date:
Jan 24 1991
Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions.
The AIDS Memorial Quilt— NAMES Project
Practitioner:
Elizabeth Taylor
Date:
Jan 1 1980
The AIDS pandemic began in the early 1980s and brought with it a surge of emotions from the public: they were afraid, angry, fearful and defiant. The arrival of AIDS also brought with it a condemnation of the LGBT community. These emotions, along with the view on the LGBT community, paved the way for a new generation of artists.
Patterns as Priorities: Aerial Supermax Prison Photos Echo Shapes of Suburbia
Practitioner:
Christoph Gielen
Date:
Apr 5 2013
by Pete Brook
Camp Mossandsticks
Practitioner:
Camp Mossandsticks, Alex Tsocanos
Date:
Nov 6 2012
Camp Mossandsticks, named after moss and sticks--two of the most rudimentary tools with which one can spark fire--is a site for young women and girls to become resourceful, defiant, and self-sufficient revolutionaries of today. Started on November 6, 2012, the camp hosts workshops to spark the attendees’ inner political flames, challenging them to confront disenfranchisement created by the status quo and to take matters into their own hands.
Abercrombie and Fat
Practitioner:
Jes Baker
Date:
May 20 2013
Jes Baker, 26, created a campaign called Abercrombie and Fat in response to the CEO of Abercrombie and Fitch. In 2006, the CEO released a statement that his target consumer is the cool, All American kid who has a lot of friends. He continues to say that his business is exclusive and a lot of people do not belong in his clothes.
Hip Hop Caucus
Practitioner:
Hip Hop Caucus
Date:
Sep 1 2004
MISSION The mission of the Hip Hop Caucus is to organize young people to be active in elections, policymaking and service projects. We mobilize, educate, and engage young people, ages 14 to 40, on the social, issues that directly impact their lives and communities. COMPANY OVERVIEW
People React to Being Called Beautiful
Practitioner:
Shea Glover
Date:
Dec 4 2015
Shea Glover, age 18, began a senior project that became an activist/social campaign. Shea approached people throughout her high school and asked them if they would pose for her senior project. To each person she would say, I'm taking pictures of things I find beautiful". Recording the entire encounter revealed the diverse reactions of each student and teacher. Some erupted with laughter, others a huge grin, while some embarrassment.
Healing through sound and community art
Practitioner:
Guadalupe Maravilla
Date:
Feb 25 2025
Glowing softly in the West Texas desert night, artist Guadalupe Maravilla’s Mariposa Relámpago, was once an ordinary school bus but is now a richly decorated, mobile site for remembrance and healing. Like much of the artist’s work, this piece commemorates and confronts the artist’s journey to the United States as an unaccompanied, undocumented minor fleeing civil war in El Salvador in the 1980s.
Art Cannot Provide a Way Out
Practitioner:
Claire Bishop
Date:
Aug 1 2012
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond:
Day after Debt
Practitioner:
Ahmet Ögüt
Date:
Nov 23 2014
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
Julius Eastman: Gay Guerilla
Practitioner:
Julius Eastman
Date:
Jun 4 1980
Julius Eastman was a Black and Queer avant garde, minimalist composer and performer from the 1960s-1980s. He used his platform to advocate for the rights and livelihoods of Black and queer people through his unique musical aesthetic and the controversial naming of his pieces, including "Gay Guerrilla," "Evil N-word" and "Crazy N-Word"
THE SLAVE SERIES: QUILTS BY GWENDOLYN A. MAGEE
Practitioner:
GWENDOLYN A. MAGEE
Date:
Apr 24 2014
The image is stark. And shocking. A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."
CRIPPING CHOREOGRAPHY
Practitioner:
Yvonne Rainer
Date:
Mar 9 2021
"Rainer’s early choreography celebrated, among other things, ordinary movements: the expressive capacities of kneeling, of shaking your head, of rolling on the floor. And when she went through periods of sickness, those movements became an even more important part of her repertoire. In her 1966 Hand Movie, an 8mm film she shot on her sickbed, we see a dance she choreographed for just her hand, while her body rests.
Maleteros
Practitioner:
Mark Bradford
Date:
Jan 1 2005
Malteros are the porters who transport luggage and goods between the border of the US and Mexico. Working with a group of maleteros in 2005, artist Mark Bradford collaborated on a system of maps and signs that placed the marginalized work of the unofficial maleteros alongside that of the sanctioned labor of policemen and taxi drivers.

Pages