"Stand Up, Sisters" tells the story of a rural girl who journeys to Beijing for a family visit, only to be deceived and forced into prostitution, suffering unthinkable hardships. After the founding of the People's Republic of China, these women are rehabilitated. The narrative reaches its peak with her and her younger sisters' victorious achievement of self-reliance.
“The Washington Post” asked the Guerrilla Girls to create a full page for their section on feminism and art, which was published on April 22, 2007. The Guerrilla Girls’ page contains an image of a fake tabloid, called “NOT OK! The Guerrilla Girls’ Scandal Rag,”. The tabloid’s cover features a sensational headline and some statistics, which highlight the fact that national museums rarely feature female artists and artists of color.
Pussy Riot are spreading their protests and activism beyond Russia. Away from Vladimir Putin’s censorship, they’re bringing their voices to Canada – a place where their message of resistance is resonating. On Nov. 1, as a chilling cold filled the streets of Montreal, Pussy Riot kicked off the North American leg of their Riot Days tour with a sold out show at the Rialto Theatre. The tension in the room was palpable.
When the boys were sent on a field trip to a hardware store and girls went to get their hair done, this modern dad didn’t get mad, he got hilarious. He wrote a letter notifying the school that there was a rift in the time space continuum somewhere in the school and that his kids had been sent back to 1968. He requested that the administration fix the timewarp immediately. This kind of humor is a hallmark of creative nonviolence.
Camp Mossandsticks, named after moss and sticks--two of the most rudimentary tools with which one can spark fire--is a site for young women and girls to become resourceful, defiant, and self-sufficient revolutionaries of today. Started on November 6, 2012, the camp hosts workshops to spark the attendees’ inner political flames, challenging them to confront disenfranchisement created by the status quo and to take matters into their own hands.
Dove's "Real Beauty Sketches" campaign is the new face of viral marketing success. The uplifting promotional video generated record-breaking online interest, yielding more than 114 million views the first month. This was thanks in part to the Unilever brand's efforts to spread its message worldwide: Dove uploaded the video in 25 languages to 33 of its official YouTube channels, reaching consumers in more than 110 countries.
Mona Haydar’s first single, “Hijabi (Wrap My Hijab)” is an empowering anthem for women everywhere who wear headscarves.
It’s also a sharp rebuke to those who dare to ask headscarf-clad women what their hair looks like underneath, whether they’re hot in there, and whether it feels too tight.
In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.
We demand that AATA respond to Karen Pence's stated commitment to our field by asking her to publicly take action for the rights of LGBTQIA people, Native people, Black and Brown people, Muslims, survivors of sexual assault, people with disabilities, immigrants, refugees and all people who are in danger as a result of the policies of the current administration.
Born in Nigeria in 1975, Péju Alatise, is a multimedia artist focusing on the experience of women and girls, particularly in her native country but with resonance across the world.
The Youth Activist Art Archive (YAAA) is a dedicated platform that highlights and celebrates the creative efforts of young individuals (26 years old and younger) actively participating in diverse social movements and causes. YAAA acknowledges the vital role and innovative vision of young activists who employ their artistic talents to envision and advocate for a brighter future.
"100 Questions About Sex from Children" is an annual touring sex education exhibition founded and curated by Se A, a leading advocate of inclusive sex education in China. Since its launch in 2021, the exhibition has been held in major cities such as Shenzhen and Guiyang, with plans to expand into regions where sex education and gender awareness remain underdeveloped.
The artist I chose to focus on personally is the photographer Cristina Garcia Rodero. I used photos from her photography essay España Oculta, in which Rodero traveled to small villages in Spain to document the resident’s lives. Our group's main focus is on gender issues, and I personally wanted to focus on activism involving women and representation. Rodero uses photos of rituals and activities among those outside of the majority population.
"But Ms. Hojabri lives in Iran, where women are not allowed to dance, at least not in public. The 19-year-old was quietly arrested in May and her page was taken down, leaving her 600,000 followers wondering where she had gone.
A video collaboration betweenHayley Silverman and Emily Shinada. Using clips from a Japanese pornography film, the video highlights fears of interpersonal connection and explores the objectification of women. It was on view at Alogon Gallery for theWomen Get Fucked exhibition.
Mayday is a neighborhood resource and a citywide destination for engaging programming, a home for radical thought and debate, and a welcoming gathering place for people to work, learn, drink, dance and build together.
Zheng Xi 郑熹, a Ph.D. candidate with a focus on gender studies at Zhejiang University in Hangzhou. Zheng has launched a campaign asking city governments around China to display anti-sexual-harassment logos, complete with a groper’s “salty-pig hand” visual (etymological context here), alongside other commonly displayed public safety logos on places like subway trains and buses.
Colorful portrait of a Muslim woman wearing an American flag colored head scarf. Image on back of a woman with a rose in her hair in black and white with text that states, "We are resilient. We are indivisible. We are greater than fear. We will defend dignity. We will protect each other." -- "The We the People campaign aims to restore hope, imagination, curiosity, and creativity into our country’s dialogue.
On Christmas day in 1993, kids were finding more than they bargained for under their trees: Mattel’s new talking Barbie dolls growled “Dead men tell no lies,” while Hasbro’s macho GI Joe’s chirped “I love to shop with you.”
Breaking the Silence: The Importance of Mustang
Eylem Atakav on how Mustang offers an important challenge to perceptions of gender and female sexuality in Turkey.
As Deniz Gamze Ergüven's acclaimed debut film Mustang screens at the ICA, Eylem Atakav discusses gender and female sexuality in Turkey, looking at the importance of film in making women's experiences visible and changing perceptions.
We are sitting at a dhaba – a roadside tea-shop in Pakistan often frequented by lower-to-middle income men. At our table: four women and camera crew. The reporter from ‘one of the most globally viewed’ [read: western], mainstream British outlets looks me in the eye: “So, how safe do you feel at the moment? We were just surrounded by a group of little boys [because of the cameras], do you think the situation can ever turn on you?"
Started by UK resident Laura Bates, The Everyday Sexism project is an open forum for women to record their stories of experienced sexism. The project was started as a means to show that gender inequality and sexism pervade contemporary society.
In 2012, Sandra Fluke stood up in front of Democratic members of the House Oversight and Government Reform Committee to advocate for the mandatory inclusion of birth control coverage in health insurance. Republicans on the committee refused to allow her to speak.
For artists exploring themes of violence towards humans and animals, there is a fine line between thoughtfully engaging and needlessly shocking the viewer; being sensationally explicit can turn people away while being tacit or innocuous may fail to make an impact.