Courtoom sketches were, for many cases, the only glimpses into high profile trails that captivated the nation. Now, over 200 of these sketches by artists will be in the Library of Congress, ranging from cases such as The Rodney King trial, the Watergate scandal, and the Allen v. Farrow custody battle. While the Nation's Library will be collecting these sketches for their historic value, many seek to buy the "art" as an investment.
From 2005-2010 the Ngapartji Ngapartji project was based out of Alice Springs, working with Pitjantjatjara communities throughout Central Australia.
The project created an online Pitjantjatjara language site, two touring theatre works and a documentary Nothing Rhymes with Ngapartji; http://www.nothingrhymeswithngapartji.com/
ODBK is an activist organization that aims to create a more equal, diverse, inclusive, transparent and democratic art world. ODBK seeks to do this by diversify and increase the number of people who understand and engage with contemporary art.
“Mapping skin deep” is an audiovisual public installation consisting of portraits with testimonies from refugee/undocumented immigrants currently residing in Montreal and elsewhere. Their bodies have been scarred in post-production tracing the route they took from their homeland to Montreal, hence mapping them skin deep.
Bob and Roberta Smith has been at the forefront of activist art for 2 decades; so who better to ask about how art is responding to these politically bleak times?
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
The new exhibit “MESH” at Portland Art Museum features Indigenous contemporary artists advocating for change
Visual artist, writer and activist Ka’ila Farrell-Smith says she considers herself a wartime artist.
She is a member of the Klamath tribes and lives in Modoc Point, Oregon. When asked about how history influences her work, the answer weaves through over 150 years of white colonization and Indigenous struggles in the West:
The idea was born in an instant.
A curator attending an opening at the Baltimore Museum of Art was immediately captivated by a painting from an artist she had barely heard of, Mary Lovelace O’Neal.
I was just shy of 18 when I bought the hooded sweatshirt — a metallic silver thing that cost about $10 on the Aeropostale clearance rack — to take with me to Northwestern University in the Chicago suburbs, knowing my parents would be worried when they saw it.
Creative Time, Social Practice Archive: Brinco is an art project, product, and intervention created by the Argentinean artist Judith Werthein for the 2005 inSITE Biennial held on the border of Tijuana and San Diego. Brinco—Spanish for "jump"—is a specially designed shoe the artist created for illegal migrant workers and immigrants who navigate the border region at night.
The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.
A popular theme throughout media is the relationship between technology and art. While art is often bolstered and disseminated through technology, discussions arise of how technology both positively and negatively affects content. Caroline Sinders’ exhibition Within the Terms and Conditions explores the way content has been spread online.
TYRE NICHOLS WAS a photographer with an eye for the natural world. He was especially drawn to landscape portraiture, its calm and innocence. It is said that Nichols liked to crane his lens skyward, capturing what sunlight he could before it dissolved into the horizon. As he drove home after taking photos on January 7, he was pulled over by the Memphis police and what happened next was as tragic as it is terribly commonplace. Tyre Nichols is dead at 29.
Drama Queens Ghana's “MoonGirls” is an Afrofuturistic graphic novel series. Through an Afrofuturistic lens, “MoonGirls follows the adventures of 4 African "supersheroes" with varying superpowers to save the world from a diverse range of forces; from patriarchy, rape culture to pollution and global warming.
A group of clergy members wanted to change the conversation when they heard that a Florida police department was using mug shots of young black men as targets for shooting practice.
“#UseMeInstead,” the religious leaders said, tweeting photos of themselves in hopes that their solidarity would cause cops to “think twice” before pulling the trigger.
But the well-intentioned hashtag is provoking mixed responses.
Daniel Hewson describes the use of protest posters and the work of collective, Burning Museum, and artist, Faith47, in the Fees Must Fall movement taking place in South Africa:
This piece is about multiple layered “creative activism”. There is art, activism, and community building.
According to the Merriam Webster dictionary, a zine is a “noncommercial often homemade or online publication usually devoted to specialized and often unconventional subject matter.”
When Fred Wilson did an installation at the Maryland Historical Society in 1992, he shook up the museum world. Co-sponsored by the historical society and the Contemporary Museum, Mining the Museum did not involve artwork made by the artist; rather, it involved reinstalling items from the historical society's collection in such a way as to make us reconsider them.
MISSION
The mission of the Hip Hop Caucus is to organize young people to be active in elections, policymaking and service projects. We mobilize, educate, and engage young people, ages 14 to 40, on the social, issues that directly impact their lives and communities.
COMPANY OVERVIEW
Over the winter break, I was actually able to see the recently re-decorated Robert E. Lee statue in Richmond, Virginia. After the height of the Black Lives Matter Protests over the past summer, it couldn’t be torn down, but it was fully wrapped with protest art. All phrases and slogans (such as Black Trans Lives Matter, ACAB, Etc.) were in full display over the statue of the infamous Confederate General.
The Ogden Ar(t)chives Mailbox is a community project that was initiated by Ogden poet, Angelika Brewer. The project involves a metal sculpture of a mailbox, which has various decorative elements such as a typewriter, a birdcage, and a heart. The mailbox serves as a platform for the public to submit their creative works such as poems, drawings, letters, or anything that can fit in an envelope.
Faith Ringgold, the 93-year-old doyenne of African American art, a trailblazing master who foreshadowed the recent rise of art activism and Black figuration, is having her first solo museum show in Chicago.
‘‘HAMILTON,’’ the new musical biography of Alexander Hamilton created by and starring Lin-Manuel Miranda, kicks off with a doozy of a question. The houselights rise on Aaron Burr, the third vice president of the United States and, infamously, the killer of Hamilton in a duel in 1804. Burr steps to center stage and reels off several lines of verse: