It’s certainly a long way from Grand Theft Auto. Henry David Thoreau’s classic “Walden” is the inspiration for what Smithsonian Magazine is calling “the world’s most improbable video game”: Walden, a Game.
The “Wearable/Portable Architecture project” discussed the possibilities of having a locale create portable architecture based on the conditions of its environmental, urban and cultural conditions. It is structured to find ways in providing new arguments and sustaining an artistic impetus to our immediate environment.
Australian recycling initiative MobileMuster, a free mobile phone recycling program that accepts all brands and types of mobile phones, teamed up with artist Chris Jordan and college students from Melbourne, Australia to create a public installation. The installation, which is composed of over 8,000 discarded mobile phones, was presented in Melbourne during the Sustainable Living Festival, which takes place in February.
STONY CREEK, Conn. — Last year we saw images of farmland underwater everywhere. And, according to the USDA statistics, median farm income earned by farm households was forecast to be in the red, i.e., underwater. Bren Smith’s operation started out underwater and will remain there for the foreseeable future, because he farms the sea.
Denes's project "Tree Mountain-A Living Time Capsule" in Finland is a monumental earthwork involving the planting of 11,000 trees by 11,000 people on a reclaimed gravel pit. It's designed to grow over the next 400 years, serving as a testament to environmental stewardship and the potential for regeneration.
Khalil Bandib is a Berkeley-based, award-winning editorial cartoonist with a unique perspective. He critiques a myriad of topics, from racism and homophobia to foreign policy and the Patriot Act. Bandib was born in North Africa under a French colonist regime; he brings a non-Eurocentric perspective not typically visible in large corporate media.
As leaders across the world are getting ready to gather together to discuss climate change—and what to do about it—at the UN Climate Change Summit in New York next week, hundreds of young people across the world are going on birth strike to pressure policymakers into action.
In the early hours of Sunday 10th November, Extinction Rebellion activists staged an action on the river Thames in London. A classic suburban house was seen floating down the river, sinking into the water in yet another attempt to send an SOS to the government on climate inaction and draw attention to the threat humans face from climate change and rising sea levels.
"This is the video that Coca-Cola, PepsiCo, and Nestlé don’t want you to see.
The big brands want you to believe they are taking steps to reduce single-use plastic BUT they are actually working hand in hand with the fossil fuel industry to produce even MORE!
Watch now to learn that the actual “Story of the Bottle” has devastating effects on our health, planet, and communities!
PARIS — At the end of the Dior fashion shown in Paris last September, a woman got up from the audience and walked down the runway carrying a yellow banner painted with the words “We Are All Fashion Victims.”
Delhi- based graffiti artist who goes by the name Daku went around South Delhi, one of the poshest places in the city, and painted on overflowing garbage cans.
"Around 30 people gathered on Victoria Island Monday morning to advocate for the return of the endangered American Eel to the Ottawa River.
The event mixed art with activism, with attendees carrying windsocks decorated to look like as eels as they marched to Parliament Hill.
The marquee creation was an 8.2-meter-long replica of an eel, which had to be carried by six walkers."
Two climate activists scrawled blue ink across a series of Andy Warhol screen prints at the National Gallery of Australia in Canberra, Australia this week to raise awareness of the country’s fossil fuel subsidies.
Images and video of the protest posted to social media show the two activists also trying to glue their hands to the famous print series titled Campbell’s Soup I, which is framed and under glass.
WHAT WOULD WE FEEL IF WE COULD HEAR EACH TREE FALLING IN THE WORLD?
333HZ is an installation translating deforestation monitoring data into a sensorial experience.
If a tree falls in a distant forest, and no is around? does it make a sound?
Tate Modern considers activists' wind turbine for art collection: Liberate Tate, an art collective who object to BP sponsorship, have offered the 16 metre turbine blade to the gallery
A 1.5 tonne, 16.5 metre-long wind turbine blade carried last month to the Tate Modern by artists objecting to the gallery's sponsorship by oil company BP is being considered for the national art collection.
A major exhibition by Ai Weiwei this autumn features a new series of monumental sculptural works in iron, cast from giant tree roots sourced in Brazil during research and production for last year’s survey exhibition, ‘Raiz’, at the Oscar Niemeyer-designed OCA Pavilion in Ibirapuera Park, São Paulo.
The 9,000 bottles of water on display at an art gallery in Beijing last month appeared identical to those of Nongfu Spring, one of China’s most popular spring water brands, with one jarring difference. Inside each bottle was brown, murky groundwater collected from a Chinese village.
Without water, life would not exist. And yet, those of us in developed countries take it for granted; our shelves are stocked with hundreds of branded bottles, and it is freely given at restaurants, at schools, and even in parks. We seem to have an unslakable thirst for it; attained in excess, we throw it away like dirt—just as many developing countries liken its value to gold.
“A Foreigner Makes Beijing’s Smog into Rings” has become a tittle used by a multitude of popular public accounts on Wechat, the most commonly used chatting app in China, which makes more and more Chinese netizens know the story of Daan Roosegaarde, a Dutch artist and “social designer”, who has been making effort to combine the energy saving technology with visually enjoyable art.
Tina Piña, better known as Mother Pigeon (@motherpigeonbrooklyn), is an artist and self-described “high priestess of the pigeon religion,” whose passion for New York City’s often-overlooked bird has helped her carve out a unique creative niche centered around pigeons—as well as a lifestyle geared towards helping New Yorkers appreciate the misunderstood creatures.
Linha Vermelha was created in 2016 by the non-profit organization Academia Cidadã (Citizenship Academy). At that time there were fifteen active contracts for oil and gas drilling and we were inspired by the “Red Line Action” in Paris, during COP21 and decided to create this campaign.
With people in Turkey and Syria still reeling from Monday’s devastating 7.8 magnitude earthquake, many in the art world have united in support of the relief efforts for the disaster. The death toll has now surpassed 22,000, with close to one million people now in need of food amid freezing temperatures.
A juried exhibition of fiber art created by the Artist Circle Alliance to protest the Trump administration’s actions and policies.
This is a traveling exhibition to 13 venues across the U.S. All work in the exhibition, as well as the nearly 560 pieces submitted for jurying, are shown on our website.
From an Art Net News Article: ""The installation is called Ghost Forest, a term used to describe vast acreages of woodland that have died out–often due to rising sea tides, which overwhelm forests near estuaries with saltwater, choking out their ability to get nutrients from the earth. In 2012, Sandy caused seawater levels to surge, leaving swaths of ghost forests in its wake.
A performance in support of a bill banning the catch of cetaceans for cultural and educational purposes in Russia. The bill was supposed to pass readings in the lower house of parliament but unfortunately it was postponed; this activity is meant to help generate support for it to pass. The action was timed to coincide with the World Whale and Dolphin Day (Feb 19).