Projects tagged "Amplifies (issue or campaign)"

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Brief History is part of a series produced by Carlos Motta between 2005 and 2009 that presents two chronologies of events in Latin America: one of U.S. interventions in the region since 1946, and one of the area’s leftist guerrilla movements. One side of the print outlines the interventions’ interconnected narratives in text; the other depicts two bloody handprints and the symbol of the Mano Blanco death squads from 1980s El Salvador.

“Nature’s Nation: American Art and Environment” is an important exhibition organized by the Princeton University Art Museum is on view at the Peabody Essex Museum, in Salem, Massachusetts, from February 2 through May 5, 2019.

While the designer may be more focused on bigger issues, her fashion business is churning on.

The Amplification Project: Digital Archive for Forced Migration, Contemporary Art, and Action (https://theamplificationproject.com) is a community-led participatory public digital archive to which any artist and activist can document, preserve and share their work inspired, influenced, or affected by forced migration.

This action was suggested in the workshop assembly by a neighbor of Arrayán street itself. At the end of this street giving the market there was a wall in a state of collapse that concerned the neighborhood. On several occasions, either neighbors or from the same Peña Bética in front of them, they had given by the City Council, but without results. And every day having to go all the way through that gorge with two

Nine protesters pushing for the Empire State to reopen from its coronavirus lockdown were busted Saturday afternoon outside City Hall, for not obeying social distancing guidelines, sources told The Post. The nine were among about 20 who rallied at Park Row and Spruce Street, holding signs that read, “Not Afraid to Fight” and “Reopen NY” sources said. Some of the protesters were not wearing a mask or face covering, a witness said.

Caleidoscópica Violeta, is a creative space for reflection, dialogue, critique, and praxis of pop contemporary feminism. It is also an initiative that seeks to reflect on the role of women in the history of modern art. Historically, the role of women in art has been stolen by the patriarchy. Recognizing this as a feminist artist, I propose this festival as a way to open new spaces for women protagonists in the arts.

A protest on June 18, 2022 took place in the Guadalquivir River in Seville, where fifty Greenpeace activists used their bodies and environment to stage a demonstrative performance, highlighting the water crisis that the Andalusian region is predicted to face as a result of anthropogenic climate change. The area is at extreme risk of increased temperatures and pervasive droughts, which will impact the river that is the subject of the demonstration.

'Jealousy Ms. Vy' is a creative project of the Institute of Occupational and Environmental Health, in collaboration with musician Khac Hung, singer Min and singer Erik. Through this project, we look forward to empowering and trusting the community, so that we can join hands to combat COVID-19 (aka nCoV-2019).

In this black-and-white image, there are no strands of hair or remnants of makeup to be found, except a shaved head belonging to a South Korean. Jeon photographed this image in 2019 for her exhibition that aimed to "destroy the socially defined idea of a woman” (Kuhn 1). The visuals in this image is a brazen response to the conventional beauty standards that has been gripping South Korean women.

In the south-western city of Chengdu, by all accounts a city on the edge coping with heavy pollution but also with authorities scrambling to put a lid on simmering discontent. That night police detained a number of artists who managed to stage a silent demonstration, while wearing face masks.

At 12:00 noon (New York time) on November 19, 2016, Chinese artist Ning Kong, wearing a wedding dress with hundred dove, appeared at the 911 site in New York. Even though the theme of performance art is calling for peace, the police banned it and showed the handcuffs because doing performance art was not allowed at the 9/11 site. So Kong Ning turned to Times Square, New York, successfully completing her performance art.