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Ge Yulu’s artistic practice playfully pulls at the strings of a social system that, although seemingly all-encompassing, is in fact a malleable structure consisting of individual human beings. For his 2016 project Eye Contact, Ge positioned himself in front of a surveillance camera and stared directly into the lens for hours, then negotiated with a security guard to buy the footage.

At first, you don’t know what you’re looking at. A gray expanse of uneven geometry surrounded by undulating brown. Shift your perspective a bit and it might be a close-up of a distressed textile, with subtle hues and textures surfacing as your eyes adjust. And then the horizon comes into focus. Now you know where you are. In the distance are the classic jutting buttes of Monument Valley, familiar to anyone who’s ever seen a John Ford Western.

The world is shocked by China’s dog meat festival and by videos showing that animals are eaten alive in restaurants in Guangdong. But in that country of 1.3 billon people, a massive shift in ideology is happening. Our friends at PETA Asia are helping millions of people see that animals are not ours to eat, wear, experiment on, use for entertainment, or abuse in any other way.

Up Against the Wall: Art, Activism, and the AIDS Poster is the traveling version of the first major exhibition devoted to the University of Rochester's collection of HIV/AIDS-related posters. It illustrates to a broad audience that "AIDS affects everyone" and through the use of language and imagery, shows how messaging and information around HIV is shared to different groups, audiences, and people throughout the world.

If you visit the Art AIDS America exhibition expecting to see activist slogans and memorial pieces along with some art-world superstars, you won’t be disappointed—Keith Haring, Robert Mapplethorpe and the “Silence = Death” slogan are present and accounted for—but you might also walk through the show scratching your head in confusion.

As the world watches Cairo burn, I can’t help but think that the flames of protest engulfing Egypt were sparked by Mohamed Bouazizi, the Tunisian street vendor who set himself on fire on December 17 after police confiscated his vegetable cart. The desperation that he expressed through his act of self-immolation caught on, literally, and spread across the country, into Algeria, and now to Egypt.

This project features a collection of various artists, in which they submit a project/action/performance of human connection and communication in the busy bustling world of today. Holding this event on the notorious 12/12/12 (the day the world was supposedly supposed to end) gave this project a heightened appeal and awareness.

<br>Care2.com April 9, 2012 By Sarah Vrba There have been regular protests in Moscow in the wake of Vladimir Putin’s re-election to the presidential seat in March. Early last month, thousands of protesters gathered in downtown Moscow in response to what they felt were rigged elections in favor of Putin. Over the last month, organizers have faced an uphill battle as they have attempted to keep protesters motivated.

The Georgian government’s attempt in March to impose a repressive Russian-style “foreign agent” law has galvanised the cultural community in the country. Museum workers and artists have been at the forefront of dramatic protests during which police fired water cannons at crowds waving European Union flags, and say they plan to continue the battle despite the government backing down from the legislation.