Sari Red (1988), by Pratibha Parmar, is a visual poem. Made in memory of Kalbinder Kaur Hayre, a young Indian woman killed in 1985 in a racist attack in England, Sari Red eloquently examines the effect of the ever-present threat of violence upon the lives of Asian women in both private and public spheres.
By Maha ElNabawi
It was a landmark day when prominent women’s rights activist Doria Shafiq bravely led a march of 1,500 women to storm the gates of Parliament on 19 February 1951. After several hours of unrelenting protest, Shafiq was finally received inside the office, where the council agreed to consider the demands of Egyptian women.
Tong Wenmin is a Chinese performance artist affiliated with works exploring movement, interaction, and humanity. Her art is a relationship between human behavior and the natural world, a round dynamic between physicality and environmental elements. One of her most compelling works, "FLYING THE WIND," is outstanding in merging performance art with a deeper exploration of the interaction between humans and nature.
A creative action against the introduction of mandatory immigration checks and upfront charging in the UK’s National Health Service, including a systematic social media campaign under the hashtag
For Nicholas Galanin, a Tlingit and Unangax̂ artist and musician, memory and land are inevitably entwined. The 45-foot letters of Never Forget reference the Hollywood sign, which initially spelled out HOLLYWOODLAND and was erected to promote a whites-only development.
The late, late snow has finally disappeared from Berlin’s streets. Visible once again, here and there, are the “stumble stones” –Stolpersteine in German – with their brief, tragic messages.
Many Berlin tourists will enjoy the night life. They may also look upwards – at the giant TV tower, the Brandenburg Gate, at ancient and less ancient churches. There is a wide assortment of memorial monuments, some impressive, some uninspiring.
Sophie Calle's works discuss the issue of "privacy", the composition of an individual's identity at the social level, and the relationship between "private" and "public/group/society", including personal information, personal records, public surveillance, and other topics. An obvious feature of her works is the unique and extremely subjective criteria of judgment and reference for measurement.
A wiretapping scandal rocked the small Balkan nation in 2016 when opposition leader Zoran Zaev began publishing excerpts of secret recordings that were made by the national security service which targeted up to 20,000 people, including government officials, journalists and religious leaders. The leaked conversations appeared to expose widespread corruption among ministers, including alleged vote-rigging and a murder cover-up.
The Nahmads have been dealers in Modern art since Giuseppe Nahmad set up in Milan in 1957. But they have been the Warren Buffetts of the business, sticking to the tried and true. Now Joseph Nahmad, one of Giuseppe’s grandsons, is plunging into the shark pool of Contemporary art.
As part of an international workshop (10-11 October 2015) with the Center for Artistic Activism, 17 trans activists and artists from 13 European countries developed a creative campaign to mark some of the spaces in Berlin which have symbolic significance for trans people.
a picture is worth... provides youth with the opportunity to find their voice, surface their values and connect with others in creative and affirming ways. The project integrates academic skills such as literacy, the development of critical thinking, communications, community engagement, photography and technology with values of integrity, self-awareness, empathy and leadership.
Slippery When Wet proposes a wet ontology of Hong Kong—a city in ongoing transfiguration shifting into an uncanny vision of itself. Hong Kong secretes, leaving a trail of ink, tears, humidity, logistic flows, and leaks.
Most nights since a coup returned Myanmar to military rule on Feb. 1, a spectral symbol of protest has glowed on a mildewed side of a building.
Where the next illumination will appear in Yangon, the country’s biggest city, is a mystery. But, suddenly, a projected image appears in the dark. Three fingers raised in a rebellious pose. A dove of peace. The smiling face of Daw Aung San Suu Kyi, whose government was ousted in the army putsch.
Traditional wind turbines may require vertical shafts higher than 40m and spinning blades over 50m long in order to capture wind energy efficiently. While these devices are some of the best at capturing clean energy, their height and shape put large limitations on the way that they can be used.
“Most people can’t imagine a futurist Africa,” says Ethiopian photographer Aïda Muluneh. She challenges this in her project, Water Life, exploring real-world issues with an otherworldly twist.
Muluneh went to Dallol, Afar, Ethiopia, an extreme landscape where it is dry and hot to capture the essence of water to life. Through her work, Muluneh highlights how water scarcity is mainly a burden on women.
Most cheLA activities are organized around a series of workshops, which may act in combination, are designed as areas of aesthetic, technological and theoretical concentration, and structured to promote their development. Its core activities are research and experimentation residences. As participants in the Parque Patricios neighborhood life, within the Federal Capital, are evident human needs.
The Arte Útil archive presents a growing archive of over two hundred case studies that imagine, create and implement beneficial outcomes by producing tactics that change how we act in society.