From creativetimereports.org:
Artist-activist collective MTL's clickable collages connect disparate aspects of Palestine's geographical and political landscape, offering provocative insight into "how Palestinians suffer and struggle in ways that are parallel to those elsewhere" according to philosopher Michael Hardt.
"Divided we are weak. Together we are strong."
Those were the words tweeted by openly gay football star Michael Sam, thanking his University of Missouri family for their support. He posted the message after arriving at the school and seeing a group of Mizzou students surrounding the perimeter in order to block out a Westboro Baptist Church protest.
Jacques-Louis David was an active member of the French Revolution, and his works often depicted his political affiliations. David’s painting The Lictors Bring to Brutus the Bodies of His Sons portrays the scene of Brutus, an important figure of the Roman Republic, reacting to the death of his sons. Since they wanted to overthrow the government and restore the monarchy, Brutus ordered their death.
The Monument Quilt is an on-going collection of stories of survivors of rape and abuse. By stitching our stories together, we are creating and demanding public space to heal. We are building a new culture where survivors are publicly supported rather than publicly shamed. From 2013-2016, more and more stories will be added to The Monument Quilt as participants make their own squares, host workshops, and organize local displays of the quilt.
MFA Fashion Parsons graduate and fashion designer Lucia Cuba, for her senior collection, created a fashion collection inspired by the victims and used to raise awareness of forced sterilization in Peru.
As a visual art student, I’m interested in hearing your feedback about this project. Thanks
We need to make a call to awaken humanity from their passivity and social indifference and acceptance of criminals who did commit crimes against humanity. When a human suffers we also suffer. Is only one Humankind I’m not from a different species.
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
Ladies’ Room, lasting fewer than six and a half minutes, offers a behind-the-scenes look at a women’s washroom in a nightclub located in a Beijing hotel. A male patron of Cui Xiuwen’s studio first took her there, and she acknowledges being drawn to the ladies’ room precisely because her host did not have access to it.
The Nanny Van is a public art initiative run by REV- and the National Domestic Workers Alliance. This project aims at shorting distances, gaps and obstacles between domestic workers and the proper information of their rights. Therefore, Nanny Van is a smartphone app every person can download in order to access information about the legal conditions and state any kind of questions or claims.
I am a visual activist. Most of what I have done over the years focuses on black LGBTQIA+ and gender-non-conforming individuals from South Africa and other neighbouring countries. It’s about making sure we exist in the visual archive. I call myself a visual activist — or, rather, a cultural activist, because this work is not only about the arts; I’m focusing on education, I’m dealing with culture in a way that confronts a number of issues.
A street photography exhibition located in Beijing’s most crowded tourist attractions, Dongsi Hutong, to get a voice the Chinese government’s censorship of art works in public space. To hedge the city’s regulation , the human body photography were displayed in the street stores of Dongsi Hutong.
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
The Immigrant Yarn Project (IYP), organized and created by Cindy Weil was a massive work of public and democratic (crowd-sourced), yarn-based art honoring our immigrant heritage and promoting tolerance, difference, and community. Weil reached out across the state and beyond to collect yarn-based creations by immigrants and their descendants.
In the mid early 2000s, religious advocates tried a new strategy: promoting the theory of “intelligent design” to be taught in schools. As the Kansas School Board considered the argument, Prophet Bobby Henderson saw an opportunity. His now famous, “Open Letter to the Kansas School Board” began:
Pursuing the possibility of emancipatory use of technology, Paglen, together with Jacob Appelbaum, developed Autonomy Cube (2014). Autonomy Cube is a sculpture and internet router designed to be housed in civic spaces. The sculpture is meant to be both “seen” and “used.” Formally it references Hans Haacke's 'Condensation Cube' (1963-65).
V-Day is a global activist movement to end violence against women and girls. V-Day is a catalyst that promotes creative events to increase awareness, raise money, and revitalize the spirit of existing anti-violence organizations. V-Day generates broader attention for the fight to stop violence against women and girls, including rape, battery, incest, female genital mutilation (FGM), and sex slavery.
This modestly scaled exhibition, featuring work by three (then) young and relatively unknown photographers named Diane Arbus, Lee Friedlander, and Garry Winogrand, had a lasting influence on modern photography.
Global Citizen arranged a virtual concert to celebrate all those who are working during the COVID-19 epidemic, from the healthcare workers to essential workers. The lineup included Lady Gaga, Taylor Swift, Billie Eilish, Jennifer Hudson, and over 30 more artists. The concert took place live on Youtube and ran for around 6 hours.