Main Gallery

SORT Random (lowest)Random (highest)Date (lowest)Date (highest)Views (lowest)Views (highest)Favorited (lowest)Favorited (highest)Social shares (lowest)Social shares (highest)Post Date (lowest)Post Date (highest)

"The Last Shift Office Chair" is a project that features chairs to die for ... literally.

In March 2016, Chinese feminist activists had planned to launch a crowdfunding campaign against sexual harassment advertisements, and they worked hard to raise 40,000 yuan in a month and a half. However, after perfunctory, evasive, and rejection by the relevant departments, anti-sexual harassment advertisements finally failed to go online.

Originally written for the Onion, “Amèrikan Takes Over the Fashion New World,” is an article that speaks of a fictitious company that has broken through the clothing market. This company was created as a way to inform the consumer of the appropriation different companies often get away with due to their consumers lack of knowledge.

A new series of video commentaries with Davey Drumpf, The Donald's long-lost third cousin, twice removed. His views are several degrees to the Left of the Don's. First installment: Co-housing vs. Weaponized Xenophobia.

The Guerilla Girls are a group of feminist activist artists, who use facts, humor, and outrageous visuals to expose gender and ethnic bias and corruption in politics, art, film, and pop culture in their artworks. In 1989, they designed this billboard for the Public Art Fund (PAF) in New York, aimed to criticize the museum institutions for under-representing female artists and objectifying women.

The Fourth of July is upon us, so it’s time once again to sing what is arguably our most baffling national ditty, “Yankee Doodle Dandy.” Maybe you’ve noticed: Some of the lyrics seem like the work of a prankster on acid. Who else could have conceived a vignette as bizarre as a man riding a pony into town, then sticking a feather in his cap that, for unknown reasons, he insists on calling “macaroni”?

At first, you don’t know what you’re looking at. A gray expanse of uneven geometry surrounded by undulating brown. Shift your perspective a bit and it might be a close-up of a distressed textile, with subtle hues and textures surfacing as your eyes adjust. And then the horizon comes into focus. Now you know where you are. In the distance are the classic jutting buttes of Monument Valley, familiar to anyone who’s ever seen a John Ford Western.

Ali Ferzat, the daring political cartoonist from Syria, fearlessly wields his pen as a powerful weapon against oppressive regimes. His illustrations pierce through the fabric of authoritarianism, revealing the raw truth that lies beneath. Despite facing unimaginable brutality, Ferzat's indomitable spirit remains unyielding.

This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.