David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.
Typical mediums of street art include spray paint, stickers and stencils. But mobilized digital media projection has become the latest tool in some activist's artilleries. Vanguards of this innovative technique include members of The Illuminator project. Created in March 2012, The Illuminator is a cargo van equipped with audio and video projection capabilities.
In 2009, the College Republicans used tens of thousands of dollars from student fees to bring Karl Rove to speak at the University of Wisconsin-Milwaukee. Many groups of activists responded.
Through the use of mythical and archetypal iconography, Bourgeois translated her encounters into a very individualized symbolic imagery, employing things such as swirls, arachnids, cages, surgical equipment, and sewed appendages to represent the feminine mind, beauty, and mental agony.
Benjamin Von Wong’s latest art-as-activism installation looks like something Photoshopped onto reality. A large brass-looking faucet, suspended in the air, pours a river of plastic out of its spout.
Gender equality charity Women of the World (WOW) is launching a one-day festival of activism that invites people from all generations, genders and backgrounds to take part in conversations around sexual violence.
The theatre has luxurious red velvet upholstered seats, grand ceilings and gilded trimmings. The rows of chairs stretch back into the ostensible blackness, with light beaming from the projector room. Ahead, archival footage of stylish black travelers pack the screen as an unseen narrator discusses the hardships of mid-20th-century black travel.
"There is a tragic timeliness to Flyaway Productions' Meet Us Quickly With Your Mercy. As the nation grapples with systemic racism and police brutality, as well as the COVID-19 pandemic, choreographer Jo Kreiter's new aerial work seeks to amplify the call for ending the mass incarceration that disproportionately affects people of color.
From October to December 2020, Chinese university students nationwide launched a viral movement to install “menstrual pad mutual aid boxes” in women’s restrooms—free, wall-mounted containers stocked with disposable pads on a take-one, replace-one basis. Nearly 250 campuses joined within weeks. Some sustained their boxes for over a year, while others saw them vanish after bureaucratic pushback, logistical hurdles, or dwindling volunteer resources.
Wajiha Jendoubi is an actress and one of Tunisia's best-known comedians. To be a woman comedian in this North African nation can be a challenge, but the country's gender gap is narrowing for the first time in almost a decade and Wajiha sees Tunisia as a country that stands for women's rights and supports it.
Essential workers at major companies like Amazon, Instacart, and Target across the United States on Friday protested for better safety protections, working conditions, and pay during the coronavirus pandemic.
Willie Mae Rock Camp for Girls is a non-profit music and mentoring program that empowers girls and women through music education, volunteerism, and activities that foster self-respect, leadership skills, creativity, critical thinking, and collaboration.
“He describes it as a “family theme park unsuitable for small children” – and with the Grim Reaper whooping it up on the dodgems and Cinderella horribly mangled in a pumpkin carriage crash, it is easy to see why.
Banksy’s new show, Dismaland, which opened on Thursday on the Weston-super-Mare seafront, is sometimes hilarious, sometimes eye-opening and occasionally breathtakingly shocking.
Sublevarte, a Collective of Mexican artists, was born out of the ENAP (National School of Fine Arts) of UNAM (the National Autonomous University of Mexico), during the student strike of 1999-2000, the longest student strike in history.
Chilean students ran for 1,800 consecutive hours around Chile's presidential palace, La Moneda, from June 13 to August 27, 2011 to protest the cost of education. The 1,800 hours stand for the 1,800,000,000 Chilean pesos, or approximately US$4 million which would cover the cost of higher education for 300,000 students. They carried Chilean flags and signs with "Free Education Now" written on them.
For this edition of ADE, Stichting NDSM-werf invited art- and activist group Tools for Action + Floor to use their terrain as a public practice space for RÆV REHEARSAL. They invite the public to rehearse new forms of assembly. With a Bluetooth speakers system, floating inflatable sculptures, and a minimalist techno beat, they move through the city like a radiating dancing swarm.
For years, workers in Florida’s tomato fields have endured poverty wages and terrible working conditions. In 1993, a small, community-based organization called the Coalition of Immokalee Workers (CIW) formed to demand an end to these unfair labor practices.
Using Performance Art to Alert Drivers to Look Out for Pedestrians
A series of three street performances taking place this Thursday and Friday carries a simple message - remember to see and stop for pedestrians.
"SOA Cycle, and what it later became, which is called the Democracy Cycle, is a group of seven large works that approach the question of democracy. What is democracy? How is it constructed? How is it implemented? Is it something that is to be thought of in relation to its political influence? Or is it something that plays out in terms of cultural and social, and even emotional terms, for instance?
Initially organized to respond to holes in service provision following Hurricane Katrina, Burners Without Borders has since 2005 "emerged as a community led, grassroots group that encourages innovative, civic participation that creates positive change locally." One ongoing project headed by BWB's Will Ruddick is a complementary currency program in Mombasa, Kenya.