Coal Seam Greed was going to be a simple satire showing Katso and Nowhereman posing as a mining company called Reed Gas and erecting notices stating their intent to explore for unconventional gas or CSG in inner-city Brisbane. The idea was that residents would see the signs, phone and leave messages in response, which would then be incorporated into the video.
After a spate of bullying-related suicides of LGBT youth, gay columnist Dan Savage and his partner Terry Miller decided to launch the It Gets Better project to see what they could do about it. They began with a simple YouTube video in which both of them described their experiences with bullying in high school, coming out, their families, and the story of their relationship and the adoption of their sun.
In May 2010, as oil from the Deepwater Horizon disaster continued to spread in the Gulf of Mexico, growing outrage from residents in New Orleans at the response by government agents and corporate executives, opened up new horizons of political possibility.
Japan has begun discharging nuclear wastewater into the ocean four times a year, each time lasting 17 consecutive days. Under their 30-year plan, it is estimated that approximately 1.34 million tons of wastewater from the Fukushima nuclear power plant will be released into what was once a clean and fertile sea. Countless marine species are forced to leave their natural habitats. About 7.6 billion people in the world face life threats.
For the first time since its controversial installation in 1989, the I.M. Pei-designed Louvre Pyramid has been decorated in a museum-sanctioned act of anti-capitalist activism.
The Bed-Stuy Aquarium (also known as the Hancock Street Bed-Stuy Aquarium) is a makeshift goldfish pond located on a sidewalk in the Bedford-Stuyvesant, Brooklyn neighborhood of New York City. The pond, originally formed by a puddle from a leaky fire hydrant, garnered attention from locals and the press beginning at the time of its creation in August 2024.
Tate Modern considers activists' wind turbine for art collection: Liberate Tate, an art collective who object to BP sponsorship, have offered the 16 metre turbine blade to the gallery
A 1.5 tonne, 16.5 metre-long wind turbine blade carried last month to the Tate Modern by artists objecting to the gallery's sponsorship by oil company BP is being considered for the national art collection.
A Straight Journey is a documentary of Chinese homosexual people. It is the first time for Chinese gays and lesbians to make their debut and speak out via one of the largest Chinese Internet service providers. Two Chinese photographers Masa and Mojo took a journey across 11 China's cities making portraits of 48 gays, lesbians and their families from 2014-2015.
"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.
El albañil anarquista Lucio Urtubia falsificó miles de cheques del First National City Bank, en la segunda mitad de los años setenta, hasta prácticamente llevar el banco a la ruina. Urtubia donó el dinero así generado a diversos movimientos de guerrilla europeos y latinoamericanos.
Richard Turere, 13, has devised an innovative system to protect his family's livestock from the wild beasts. He created "Lion Lights," which keeps the predators away from the family's enclosure. The Kenyan boy will speak about his invention at the TED 2013 conference.
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate.
A set of interactive experiences at the Sziget festival in Budapest, aimed at social change to improve every day life of trans and gender-nonconforming persons.
Brooklyn deli re-brands as artisanal emporium to protest rent hike
The owners of an imperiled Boerum Hill deli have staged an “artisanal takeover” of their 25-year-old corner store, re-branding products with yuppified names and jacking up prices to illustrate the kind of shop that could afford the 250-percent rent hike they say the store’s landlord is demanding.
Carlos Hernández Chávez is a Mexican-American muralist who brings the spirit of 20th-century Mexican muralism into modern New England. Chávez’s murals address key social justice themes, including immigration, workers’ rights, and cultural identity, challenging viewers to acknowledge and reflect on pressing societal issues.
When you design an economy to be based on short term profit to the benefit of giant corporations, the results over the long term will be a country so hostile to human life that the unreasonable and unthinkable becomes an every day reality. Wealth inequality, mass poverty, a crumbling welfare state aside, the prison system perfectly illustrated the madness of the American capitalist system.
The work of South African artist Mary Sibande tells the tale of her alter-ego Sophie, a domestic worker who finds refuge in dreams where she emancipates herself from the ghoulish realism of an ordinary existence, cleaning other people's homes.
Exploring the construction of identity within post-apartheid South Africa, Sibande's work probes the stereotypical contextualisation of the black female body.
"Artbus is a non-profit organization devoted to the promotion and dissemination of contemporary art. Supported by contributions from individuals, foundations and corporations Artbus facilitates public access to current artistic expressions and fosters creativity and production by living artists.
With the support of the Amy Rossborough Foundation and several other Yale University affiliated departments, Tamara Leacock, while a senior at Yale University, designed a collection and produced a fashion show that explored through fashion, dance, and carnival an intimate portrait of HIV. The goal of the production was to display HIV in a setting that was intimate, personalized, and displayed with a human face.