In 2017 Ge Yulu became a national sensation in China. That year, he submitted his final project as a student at the Central Academy of Fine Arts in Beijing, revealing the unnamed road in Beijing that he had claimed in 2014 as his own. Because the Lu character in his name means road, he erected a sign for Geyu Road that blended seamlessly into the setting.
Often in military style video games we kill without much regard for the enemy. They are faceless or stereotypical, the Nazi or evil Cold War–era Russian. They are enemies that were fought on the battlefields of great wars, or they are aliens that have no resemblance to humans save for a general humanoid form.
In Tunisia, a country gripped by economic uncertainty and still in the midst of rebuilding its identity after the Arab Spring, hip-hop culture is viewed as part of an ongoing dissident movement. Just a few events, such as the recent Mafia Wallitili Festival in the heart of downtown Tunis, offer the local hip-hop community an opportunity to share their values with the broader population.
In the south-western city of Chengdu, by all accounts a city on the edge coping with heavy pollution but also with authorities scrambling to put a lid on simmering discontent. That night police detained a number of artists who managed to stage a silent demonstration, while wearing face masks.
At the press preview for Sharon Hayes’s new full-floor exhibition “There’s So Much I Want to Say to You” at the Whitney Museum there was a podium and a microphone set up in the center of the gallery that would eventually be used by director Adam Weinberg and curator Chrissie Iles to introduce the artist and her restless work.
Daphne Koller and Andrew Ng founded Coursera, a social entrepreneurship company that partners with top universities in the world to offer courses online for anyone to take, for free. Coursera envisions a future where the top universities are educating millions of students. The technology enables the best professors to teach hundreds of thousands of students.
In March 2016, Chinese feminist activists had planned to launch a crowdfunding campaign against sexual harassment advertisements, and they worked hard to raise 40,000 yuan in a month and a half. However, after perfunctory, evasive, and rejection by the relevant departments, anti-sexual harassment advertisements finally failed to go online.
Visual artist Alexandre Orion removes soot in an artful manner to produce skulls in the tunnels of the polluted city of Sao Paulo. Orion does so in an attempt to create intervention, raise awarenes, and decrease pollution. "From the ocular cavities of so many dead, his work looks out on the living and interrogates people passing by; it quietly criticizes our omission, our comfortable acceptance of pollution." ( Jose De Souza Martins)
Ai Weiwei’s Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. However realistic they may seem, these life-sized sunflower seed husks are in fact intricately hand-crafted in porcelain.
Peggy Digg’s The Domestic Violence Milk Carton Project consisted of an image printed by Tuscan Dairy Farms on over one million milk cartons, which were distributed during January and February of 1992 throughout New York, New Jersey, Connecticut, Maryland, Delaware, and Pennsylvania. This wide-reaching project sought to both raise awareness of domestic violence and distribute a helpline.
A young and beautiful girl posted a piece of paper selfie every day on Instagram, the most popular social network at the moment. In just over 4 months, with 184 selfies, her fans quickly rose to 90,000. In the photo, she is sometimes sweet and lovely, sometimes sexy and attractive, and sometimes turned into a healthy and positive "organic girl"... Now there are nearly 150,000 people around the world who follow her every day.
The 21st annual Environmental Film Festival is being held in Washington DC from March 12 to March 24, 2013. Shining a spotlight on environmental issues and eco-activism, the festival features films that are both directly and tangentially related to concerns for the natural world.
Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.
Non-profit organizations and a multitude of Guatemalan girls protested together demanding justice and security from the government. Guatemala's insecurity and cases of girls' disappearances have increased over the years. The protest started outside the Government Ministery (Ministerio de Gobernación) early in the morning, where protestors gathered riding their bikes.
In the late 1960s, in the aftermath of the Watts Uprising and against the backdrop of the continuing Civil Rights Movement and the escalating Vietnam War, a group of African and African American students entered the UCLA School of Theater, Film and Television, as part of an “Ethno-Communications” initiative designed to be responsive to communities of color (also including Asian, Chicano and Native American communities). Now referred to as the L.A.
Jenny Hozler has mined declassified U.S. government documents for the series Redaction Paintings meticulously silk-screened works that depict blacked-out handprints of American soldiers accused of committing crimes in Iraq.
Cleve Jones's powerful vision for memorializing those lost to AIDS was realized in October 1987 in Washington D.C. It showcased the artistic contributions of people who'd lost loved ones to the virus from a number of US metropolitan centers. The quilt has continued to grow for the nearly 40 years since. By 1992, the AIDS Memorial Quilt included panels from every state and 28 countries.
During this time rent prices in the Lower East Side/ East Village were rising due to the presence of many community gardens. In response to this, then Mayor Giuliani decided to sell the 198 gardens in question. Streets into Gardens was an effective project that engaged the neighborhood into a collective of change.