For more than a week, procedures at some of the largest hospitals in South Korea have been disrupted because thousands of medical interns and residents walked off their jobs. A prolonged walkout could have disastrous consequences.
The National Gallery's long-standing sponsorship arrangement with weapons manufacturer Finmeccanica has ended, following a campaign by Campaign Against Arms Trade to 'Disarm the Gallery.' The arrangement has been terminated one year early and just weeks before the next protest event was planned.
From the two shores of the Mediterranean, Zoukak theatre company and cultural association (Beirut) and Center for cultural decontamination CZKD (Belgrade) collaborates by sharing their experiences and knowledge in working within sociopolitical contexts in the field of art and culture.
The long-awaited New Museum retrospective of conceptual art pioneer Hans Haacke fell victim to internet hackers over the weekend trying to make a political point. The intervention drastically skewed the results of an iPad-based artwork that was meant to record real-time visitor responses.
Driving along an ordinary dirt road, it's hard to miss the Goma Cultural Centre with its bright blue gate, emblazoned with the Congolese flag. "As you can see, we are proud to be Congolese around here," said Belamy Paluku, a volunteer manager at the youth centre.
Born in China in 1941, artist Lily Yeh experienced first-hand the ravages of that country’s civil war when her family became refugees, fleeing to Taiwan as the communists took over. That personal story and the story of Yeh’s global art activism with communities from North Philadelphia to Rwanda and China is the subject of a new documentary film, The Barefoot Artist, now in post-production and ready for viewing later this year.
NEW YORK — Hours after police removed an illicit bust of Edward Snowden from its perch in a Brooklyn park on Monday, artists replaced it with a hologram.
The group of artists — who collectively call themselves "The Illuminator" and are not related to the trio behind the original sculpture — used laptops and projection equipment to cast an image of Snowden in a haze of smoke at the spot where the sculpture once stood.
Inspired by the ecological disaster unfolding across the planet and driven by empowering underrepresented people, Moule, a painter, illustrator, and graphic designer, creates art that makes a statement.
Dressed in a magenta blazer and wearing bright pink lipstick, she is as colourful and spirited as one of her illustrations.
Together with a group of homeless New Yorkers, Wodiczko constructed the Homesless Vehicle as an instrument of survival for urban nomads. A modified shopping cart that facilitates refundable bottle and can collection, it also provides temporary shelter. As a house on wheels intended for New York City sidewalks, the Homeless Vehicle embodies Wodicko’s practice of ‘Interrogative Design’.
The Activist Millennials Project (AMP) serves as the nexus of activism and social justice research and practice for millennials at the intersections of educational institutions (K-12 and postsecondary) and communities. By harnessing a growing diverse network of activists, scholars, artists, social entrepreneurs, and media talent, we believe we can provide useful resources to support the various efforts of millennials to create a more just world.
When I watched them kill Elijah McClain, I couldn’t make any art for days. It had been week after week after week of gut-wrenching stories of Black lives taken from this earth too early. I wasn’t sure if I could handle another one. After seeing the way Elijah pleaded for his life while walking home from the convenience store, it was so hard for me to watch and process.
The trailer for The Danish Girl, released Tuesday, introduces the world to Lili Elbe and her wife, Gerda Wegener. Elbe was a transgender woman and one of the first recipients of transition-related surgeries, which she received over a course of two years starting in 1930 in Germany.
Two design students were awarded the Futurapolis prize last Wednesday for their project to adapt the Furan (underground river) , a response to the migration crisis.
For the past 20 years, Great Bend school district art teachers have been letting their students collaborate on an art project at the Barton County Historical Society Museum. This year, they will ground their efforts in working together to make a mural. Their teachers are trying to instill the fact that art builds community, as it has here for the past two decades.
Amplify HER is a visually dynamic, character driven feature documentary that offers intimate access into the lives of numerous emerging female artists. By combining ecstatic energy and feminine artistry, these talented young women in the global electronic music scene are harbingers for the emerging paradigm.
"Puppets Against Aids was launched by Gary Friedman on 1st December 1988 in time for 'World Aids Day' in Johannesburg, South Africa. During 1987, Friedman had been studying with Muppet master, Jim Henson, in Charleville-Mézières, France. Henson provided the initial financial contribution to launch the African Research and Educational Puppetry Programme 'Puppets Against Aids'.
Russia is the midst of a strict COVID-19 lockdown. Although protesters cannot take to the streets, they are still holding mass demonstrations — digitally.
After a spate of bullying-related suicides of LGBT youth, gay columnist Dan Savage and his partner Terry Miller decided to launch the It Gets Better project to see what they could do about it. They began with a simple YouTube video in which both of them described their experiences with bullying in high school, coming out, their families, and the story of their relationship and the adoption of their sun.
In 2013, Shell sent out press releases about their upcoming event, the Science Slam, which would aim to “celebrate the company’s responsible oil production” and “showcase ideas for renewable energy by scientists and students.” Essentially, Shell organized this event in the hopes that it would allow the multinational oil company to appear as if it is actually concerned about the environment and finding alternatives to oil.
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.