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Can Humor Topple Monsters? An interview with Yes Man Andy Bichlbaum on his latest prank against Bank of America and why every protest needs some fun. by Laura Gottesdiener

In March of 2022, JR, with the help of 100 volunteers, unfurled the portrait of five-year-old, Ukrainian refugee Valeriia in Lviv, Ukraine. Leaving Ukraine, JR saw firsthand how difficult it was for women and children to get to safety due to long queues at the border. In response, he released two NFTs of Valeriia as part of his solidarity project titled: Can Art Change the War?

A group of Chicago youth staged a “die-in’ at City Hall to demand that the city defund police and fund marginalized communities instead. The youth, all members of #NoCopAcademy, also announced that the organization is suing Mayor Rahm Emanuel for withholding critical emails regarding construction of the proposed $95 million building for a Police and Fire training center in West Garfield Park.

The project involved creating portraits of garbage pickers from the Jardim Gramacho landfill near Rio de Janeiro, Brazil, using materials found in the landfill itself. Muniz worked with the garbage pickers to create the portraits, which were then photographed and exhibited in galleries around the world. The project aimed to raise awareness of the plight of the garbage pickers and the environmental issues associated with landfill waste.

You could hear their chants from the White House. On June 6, hundreds of activists and protesters gathered on Black Lives Matter Plaza, a two-block section on 16th Street in Washington D.C. that was renamed amid BLM protests.

I Wish This Was began in New Orleans in November 2010. It was inspired by vacant storefronts. There are a lot of them where Candy lives in New Orleans. There are also a lot of people who need and want things. What if we could easily voice what we want, where we want it? How can we influence the businesses and services in our neighborhoods? 

Brief History is part of a series produced by Carlos Motta between 2005 and 2009 that presents two chronologies of events in Latin America: one of U.S. interventions in the region since 1946, and one of the area’s leftist guerrilla movements. One side of the print outlines the interventions’ interconnected narratives in text; the other depicts two bloody handprints and the symbol of the Mano Blanco death squads from 1980s El Salvador.

The Neistat Brothers first attracted public attention in 2003 with their blatantly critical work, iPod’s Dirty Secret. After being refused a replacement battery for an 18-month old iPod, [they] took to the streets of Manhattan on their bikes to sabotage iPod’s omnipresent advertising.

In 2016, photojournalist Gulnara Samoilova was running a successful wedding photography business. Her diverse portfolio of work spans two decades — with images in the permanent collections of The New York Public Library, 9/11 Memorial Museum and Houston Museum of Fine Arts — but weddings had become her staple business. By the year's end, she'd decided to pack it in.