"Work-from-home lawyers and museum staff convened by webinar on 11 and 12 March, for an annual conference on Legal Issues in Museum Administration, hosted by the non-profit American Law Institute with the support of the Smithsonian Institution. This year’s focus was decidedly shaped by the Covid-19 pandemic, which has squeezed museums financially and pushed ever more museum activity into the digital realm.
An oversized facsimile of Rush poppers, tipped over, pouring out its viscous contents: this example of underground gay iconography blown up to almost belligerent proportions perfectly represents the aims of Party Out of Bounds: Nightlife as Activism Since 1980, a new exhibition at La MaMa’s La Galleria. The group show, curated by Emily Colucci and Osman Can Yerebakan, gathers together works by a small yet distinct menagerie of queer artists.
Resonate, Reverberate, Roar (Re-Re-Roar) is a growing archive of original sounds that express an experimental, independent, and socially progressive spirit. The sounds on Re-Re-Roar include field recordings, interviews, songs, speeches, experimental music, and more. Re-Re-Roar is a site for research and activ[ist] listening, with the purpose of distributing sounds of resistance to eager ears around the globe.
A big yellow banner hangs off the Central Methodist Church in Cape Town, South Africa proclaiming that *"Jesus was the first to decriminalise sex work - John 8:7"*
If you’ve spent a decent amount of time on Twitter, you’re probably familiar with the concept of K-pop fancams. The short clips of live performances, primarily by South Korean acts, often dominate replies on the app and are hated by many. This week, however, the social phenomenon has taken over in a different way: to fight for the rights of Black Lives Matter protesters seeking justice after the death of George Floyd.
In 2012, VOW Media worked with young girls - who have been victimized by, or are at the risk of falling victim to “loverboys”, as well as girls who have gone through severe traumatic experiences, such as repeated emotional, physical and/or sexual abuse – in a series of workshops where they learned how to utilize different forms of media to create their very own self-portrait with photography, radio, and video.
On March 24, 1992, a fake inter-office memorandum from the then Mayor of the City of New York, David Dinkins, was leaked to the press. A handwritten Post-it note was attached which read "Thought you might be interested in seeing what the Mayor's up to! 'Mayor to Sell the Brooklyn Bridge!' Think this will fly?? I love New York!!!"
Unas clientas esperan tranquilamente en un banco, cuando empieza a sonar una extraña canción en el hilo musical. Una clienta se sale de la cola y comienza a bailar con brío flamenco, y sorprendentemente el resto de clientes se le unen en una compleja coreografía con mucho desparpajo.
What would a chemical attack on NYC look like? How would poisonous gases spread, through the lines of the subway and above ground? These are some of the questions the NYPD and a team of researchers hope to answer this July, when they’ll disperse colorless, odorless, and apparently harmless gases called perflourocarbons around the city and track their movement.
Michelle Obama tweeted her own portrait holding a sign reading #BringBackOurGirls and soon countless celebrities echoed this meme online. Throughout a week, this trending hashtag had been turned into a social-media supernova. The #BringBackOurGirls campaign spurred by online sharing brought the outrage against Chibok schoolgirls kidnapping to the global stage.
Serene colors and technical set pieces create a surreal ambience as performers delicately hover into the black void above the stage. These performers belong to Kinetic Light, an "internationally-recognized disability arts ensemble". In 2022, the ensemble performed Wired, a "potent contemporary aerial dance performance that explores race, gender, and disability stories of barbed wire in the United States".
Dozens of moms organized a breastfeeding protest at an Australian mall after nursing mom Luci White was asked to leave the food court.
White says she was finishing up her lunch at Bendigo Marketplace, about 90 minutes outside Melbourne, when her 7-month-old son, Zaydd, started crying for milk. White started nursing him, but other patrons, an older man and a mom of two, started to complain.
The Improv Everywhere team created separate walking lanes for tourists and New Yorkers on a Fifth Avenue sidewalk. Department of Transportation “employees” were on hand to enforce the new rules and ask pedestrians for their feedback on the initiative. Enjoy the video first and then go behind-the-scenes with the photos and report below.
The U.S./Iraq War Memorial is an augmented reality public art project and memorial, dedicated to the thousands of individuals who have died on both sides of the conflict.
Horror stories about treacherous boat journeys from Africa to the Mediterranean far too often make headline news. The men, women and children fleeing their homes to start a new life in Europe become faceless numbers in the media, and are ‘othered’ by conservative politicians for their own agenda.
Find the Future: The Game is a pioneering, interactive experience created especially for NYPL’s Centennial by famed game designer Jane McGonigal, with Natron Baxter and Playmatics.
Working in a grocery store has earned me and my co-workers a temporary status. After years of being overlooked, we suddenly feel a sense of responsibility, solidarity, and pride. On a private Facebook group page for my company, Trader Joe’s, one employee from Washington State posted a picture of a company-issued work shirt hanging from the ceiling of the store. A sign attached to the shirt read not all heroes wear scrubs.
Regina Galindo is a Guatemalan performance artist that uses her body as a means to explore many of the human rights violations in Guatemala. In one of her performances, " no perdemos nada con nacer," or " we don't lose anything by being born," the artist "disposes" of herself in a plastic bag.