“There are many problems in rural areas. For example, agriculture is declining, no one is farming, traditional things are falling apart, farmers are brainwashed by the idea of urbanization, and they don’t like their hometown. They all want to move to the city.”Activist Ou Ning said. Rural construction is an important issue. As an activist, he chose Bishan village in Anhui, China as the field to start his experiment, which is “Bishan Project”.
Yumi Ishikawa, a Japanese actress, freelance writer, and part-time funeral parlor worker, started the #KuToo Movement because she feels it’s unfair she has to wear heels at work. She also feels that being required to wear heels is rooted in a cultural problem, one much deeper than physical discomfort.
Over the course of a semester, fashion hactivist and fashion social justice scholar, Otto Von Busch, facilitated a course on "Critical Fashion and Social Justice," where graduate fashion students at Parsons design school researched, contextualized and at times critiqued case studies on various examples of "fashion social justice." Case studies included traditional fair trade companies and non profit organizations that have used fashi
In this game, you own and operate McDonald's. You have the choice to try to operate ethically or make decisions like using genetically modified soy or administering bovine growth hormone. If you go the ethical route, you bankrupt the company and lose.
The game then forces players to become "the bad guy" gleefully firing workers, plowing over rainforests, and bribing nutritionists in order to stay profitable.
The Ogden Ar(t)chives Mailbox is a community project that was initiated by Ogden poet, Angelika Brewer. The project involves a metal sculpture of a mailbox, which has various decorative elements such as a typewriter, a birdcage, and a heart. The mailbox serves as a platform for the public to submit their creative works such as poems, drawings, letters, or anything that can fit in an envelope.
Long before the red ribbon became an innocuous symbol of AIDS
“awareness” and celebrity philanthropy, there was the pink triangle and
there was ACT UP and there were thousands of people taking to the
streets for their lives. Once a symbol used to mark suspected queers for
death in the Holocaust, ACT UP appropriated the pink triangle for
On August 14th 2014 several prominent statues within the city centre and the southern suburbs of Cape Town got redressed in green blankets, equipped with miner gear or carrying grocery bags. The statues – mainly of which represent colonial figures – were redressed in light of what has come to be known as the Marikana Massacre: the shooting of 34 miners by the local police force of Marikana, South Africa on August 16th, 2012.
I Will What I Want is a campaign launched by Under Armour which speaks to women who do not wait for permission or affirmation in order to go after what they want. The campaign highlights various models and athletes who encourage women to tune out society's standards and pursue their dreams. The campaign began by highlighting Misty Copeland, a soloist at the American Ballet Theater.
Luke Ching Chin Wai is a conceptual artist and labour-artivist in Hong Kong. Since 2013, he has worked undercover in different low-paid jobs in the city, including as a security guard, supermarket cashier worker, and metro cleaner to learn about poor people's working conditions. He then uses these experiences to create art and push for improved labour rights.
A group of protestors and organizers from Sunrise Movement, Earth Guardians, 350 Eugene, Cascadia Wildlands and more staged a bike march culminating with a die-in outside of the Northwest Natural Gas headquarters in Eugene, Oregon.
The protestors lie on the ground outside the NWN building, beneath tombstones donning the dangers of natural gas.
In the broad context of the modern world of art, the work of Beili Liu has always seemed extraordinary in visual terms and deeply profound in thematic development. Born in China and living in the United States, much of her work usually circles themes tightly interwoven with notions of identity, culture, and time.
Daku is an Indian graffiti artist that engages in street art with political and social meaning. Little else is known about the elusive artist, due to the illegal nature of his work. The name "Daku" literally translates to bandit or dacoit in Hindi.
SACRAMENTO, Calif. (AP) — In director Adam McKay’s “Don’t Look Up,” a 2021 satire about two scientists who try in vain to warn the world about a planet-destroying comet, the scientists’ desperate plea for action ultimately doesn’t work.
But don’t take that as McKay’s view on the power of activism to change the course of the climate crisis, the existential threat his movie was really about.
A performance art piece by a student who sat in a cage to protest a draconian lockdown of the Beijing Film Academy (BFA) recently went viral, and was censored just as quickly. Like many other Chinese citizens, university students have been living under strict lockdowns, and are beginning to chafe at the restrictions—and at administrators’ lack of responsiveness to students’ concerns.
from "Laugh, O Revolution: Humor in the Egyptian Uprising" by Anna Louie Sussman, in 2011.
Revolutions can be messy. They can be tragic. As long as the Internet is working, they can be tweeted. And, as Egyptians demonstrated during their 18 days of protest, they can also be funny.
The young Chinese feminists shaved their heads to protest inequality in higher education and stormed men’s restrooms to highlight the indignities women face in their prolonged waits at public toilets.
Play Safe is a documentary film series created and directed by NYU alum Eddie Einbinder. The film, much of which now appears for free on YouTube, was originally released in 2013 after being filmed between 2011 and 2012. It debuted at the International Harm Reduction conference in Vilnius, Lithuania in 2013.
Our Action: We set up “I’m every Woman” as a 3D street installation. It took place on the Boardwalk, Cork City on the weekend of International Women’s week.
Our aims were to promote gender-equality. As a group we identified women as locally and globally dehumanized. We challenged this by honouring women and interacting with people we encountered to celebrate women, both locally and globally.