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We Animals is an ambitious project which documents, through photography, animals in the human environment. Humans are as much animal as the sentient beings we use for food, clothing, research, experimentation, work, entertainment, slavery and companionship. With this as its premise, We Animals aims to break down the barriers that humans have built which allow us to treat nonhuman animals as objects and not as beings with moral significance.

This project features a collection of various artists, in which they submit a project/action/performance of human connection and communication in the busy bustling world of today. Holding this event on the notorious 12/12/12 (the day the world was supposedly supposed to end) gave this project a heightened appeal and awareness.

This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.

Independent producer and longtime WWNO collaborator Eve Abrams brings us Unprisoned: Stories From The System. From New Orleans and Louisiana, the world’s incarceration capital, we meet those serving time inside and outside the criminal justice system.

Often referred to as a ‘living pain’ artist, Petr Pavlensky chooses performance art that often takes form of extreme acts as his political language.

The veteran Malian master puppeteer Yaya Coulibali, born in 1959 in the village of Koula, around 100 kilometres north-east of Bamako, has more than half a century of experience in puppetry and has toured the world to perform his art.

In the late 1960s, in the aftermath of the Watts Uprising and against the backdrop of the continuing Civil Rights Movement and the escalating Vietnam War, a group of African and African American students entered the UCLA School of Theater, Film and Television, as part of an “Ethno-Communications” initiative designed to be responsive to communities of color (also including Asian, Chicano and Native American communities). Now referred to as the L.A.

The Origins of Totalitarianism:Donald Trump reads Hannah Arendt AI video and sound. 2024, 24:30mins YouTube link: https://youtu.be/RzWi51prZlA?si=hTUP4F-_nOSijbba

The idea was born in an instant. A curator attending an opening at the Baltimore Museum of Art was immediately captivated by a painting from an artist she had barely heard of, Mary Lovelace O’Neal.