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"For those who haven’t seen it, Big Bang Big Boom (2010) is yet another fabulous animated graffiti parable from the Blu art collective. Their work is endlessly fascinating — animated creatures sliding seamlessly from walls, through sand, along pipes and under bridges into stop-motion interaction with beach garbage and

On December 2014 I've been artist in residence at MANY MINI RESIDENCY a short-term residency program organized by Sarrita Hunn and Ryan Thayer and hosted by GYB BYG in Mexico City. During my 12 hour residency I’ve worked on the case of the 43 students from Normal Rural de Ayotzinapa who went missing while in the custody of Iguala’s police force in September 2014.

Two weeks ago, the University released the final version of its diversity and inclusion action plan, which could not have been compiled without the exhaustive efforts of students throughout last semester.

A performance of empathy, democracy and power, created fresh in each city where it is presented, with local artists, activists, government officials and other citizens. The project takes as its departure point the formal structures of local government. An emphasis on the formal elements helps us engage, play, critique and enliven, among other things.

"The traveling mini-exhibition aims to gather a snap-shot of contemporary cultural production. Editors collect items and contributions are ongoing." (From site.)

In 2017, the political party Ahora Buenos Aires (Now Buenos Aires) was running in the legislative election for the first time. It is not easy being a small left-wing party in the City of Buenos Aires, therefore imagination is an essential part of a campaign if you want to get the attention of the media and voters.

Room13Delmar is a tricycle-based mobile studio conceived as a sculpture: a cross between a vending tricycle and a ‘Mary Poppins’ bag that unfolds to create a space for creativity on the sidewalk, at a senior center and at a veterans medical center, north of Delmar in the city of St. Louis, Missouri.

Brief History is part of a series produced by Carlos Motta between 2005 and 2009 that presents two chronologies of events in Latin America: one of U.S. interventions in the region since 1946, and one of the area’s leftist guerrilla movements. One side of the print outlines the interventions’ interconnected narratives in text; the other depicts two bloody handprints and the symbol of the Mano Blanco death squads from 1980s El Salvador.

The Arte Útil archive presents a growing archive of over two hundred case studies that imagine, create and implement beneficial outcomes by producing tactics that change how we act in society.