The Pilobolus Dance company, famous for their beautiful aesthetics of shadow play formed out of the dancer's bodies, started the #PilobolusVOTEproject, encouraging people to form the words VOTE with whatever material they had around them, take a picture of it and to upload it on instagram with the hashtag #PilobolusVOTEproject.
What is GoTopless.org?
We are a U.S.-based organization founded in 2007 by spiritual leader Rael and we claim that women have the same constitutional right that men have to go bare-chested in public.
From 1993 to 1998, Spanish activist group Lesbianas Se Difunden (LSD) produced and published a collection of texts and visuals called Non-Grata (Snyder 10), using erotic images of the female body and sexual relationships to capture their audiences’ attention. Within these graphic publications would be calls for queer activism, female freedom, anti-capitalist critiques, and the overall necessity for protest (Snyder 10).
It's My Body! was initially a project for Stephen Duncombe's Media Activism class during Spring 2012. We designed and developed the concept for the class, but have yet to set up the actual website. The images below show the site's layout.
A changing cast of theater workers — actors, seamstresses, lighting technicians and prop masters — are protesting the privatization of a stage once graced by some of Europe’s greatest thespians, from Sarah Bernhardt to Vittorio Gassman.
After being contacted by a member of the Occupy Wall Street Alternative Banking group , illustrator Marc Scheff agreed to do a few drawings for a deck of cards depicting some of the people and institutions responsible for causing the Great Recession.
Low-income tenants at a public housing project in Rhode Island — many of them working mothers with young children — wanted an affordable day care center in their building. With petitions, pickets, and letters to the city council, they built up a steady drumbeat of pressure on the key decision maker, the local Housing and Urban Development (HUD) director. At a certain point they decided to escalate with direct action.
El Antimuseo es un proyecto curatorial que questiona los mecanismos de legitimación del arte. El grupo considera su trabajo " el proceso social donde se produce el valor simbólico y económico de la obra de arte, así como en el análisis de la estructura y límites de la institución."
En las palabras de ANTIMUSEO:
Wallhunter's Slumlord Project is an innovative project in Baltimore, Maryland that will use street art to expose and publicize vacant and dilapidated housing and the responsible parties for those conditions. The project will use different street art forms to display art that will attract community interest and support community identity.
I have been composing and singing a selection of our President's tweets. I have two goals for this ongoing project. One is to laugh which helps all of us deal with the high anxiety of our times. The second is to shine new light on the absurd, troubled and baffling mind of our 45th President. There’s something utterly satisfying when I hear his words sung in an earnest lilting voice. I hope it compels you to think and listen in a whole new way.
"Surround Congress”: as soon as we’d heard this, in our minds we were there. To make the Government resign and demand they start a new constituent process seemed like a great idea. We immediately got to work.
Both shows are supported by funds from New York State Council on the Arts, New York City Department of Cultural Affairs in partnership with the City Council, and Materials for the Arts (MFTA).
"Printing Lost Culture of Ukraine" November 13 – December 15, 2023
Monday – Friday, 10 am – 7 pm, free admission
Ukraine House New York, 360 Merrick Road, 3rd Floor, Lynbrook, NY 11563
In 2019 before the annual San Fermin festival 54 protesters from around the world representing AnimaNaturalis and PETA held a demonstration against the cruel sport of bullfighting. The celebration of culture and religion subsequent to the murder and torture of dozens of bulls is the spectacle of San Fermin that draws an army of international tourists to the small city of Pamplona.
In May 2010, as oil from the Deepwater Horizon disaster continued to spread in the Gulf of Mexico, growing outrage from residents in New Orleans at the response by government agents and corporate executives, opened up new horizons of political possibility.
On Saturday, October 19, 2013, Creative Time and the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum presented Between the Door and the Street, a major work by the internationally celebrated artist Suzanne Lacy, perhaps the most important socially-engaged artist working today.
The protracted queue. That was the first thing I noticed when I arrived. It was winding, unending and impossible to see exactly where it began. I asked one of the security guards if he had any indication as to the waiting time. His response was a “your guess is as good as mine” shrug. As the mammoth line snaked around the building, my heart sank further – it is a myth that Brits love to queue; we feel compelled to, we don’t love it.