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Dropping a Han Dynasty Urn (1995) by Ai Weiwei is a highly provocative work of art. This series of three black and white photographs portray the artist holding a 2,000-year-old Han dynasty urn that, frame by frame, he drops, it falls, and shatters. As much a work of photography as a work of performance art, in each still an unaffected Ai looks directly at the camera aware of his destructiveness.

A Moving Mural bursts a singular visual message into action. The outline of a design is decided upon by the participants of an event.

Activist Boniface Mwangi on confronting corruption in his homeland, and director Sam Soko on recording his campaign Kenyan director Sam Soko’s debut documentary feature, Softie, opens with the film’s protagonist, Boniface Mwangi, sourcing 1,000 litres of pigs’ blood. “I’ve found a van for you. When do you want it? When are you getting the blood?” Mwangi asks.

There are no whistles, no loud speakers, and no placards held up high in this quiet act of subversion. Pimsiri Petchnamrob stands silently in a mass of sharply dressed Bangkok commuters, her hands clutched around a copy of George Orwell's 1984. Next to her a small group of young men and women, their faces sombre and their heads bowed low, also read books about fictional and real totalitarian worlds in silence.

In early 2012, a group of artists, activists and assorted other odd balls got together to form People's Tours. The idea was to give walking tours in the Boston area. Standard enough. But instead of the usual history, we would talk about social justice, contested spaces, important protests, and shady corporations. So far, the group has consisted of Dave Taber, Heather McCann, Kristin Parker, Neil Horsky, and Tim Devin.

"Energy costs surged with the Feb. 2022 launch by Russia of full-scale war in Ukraine and hit hard for farmers reliant on tractors, harvesters and other fuel-guzzling equipment. Prices also soared for other inputs that underpin intensive farming, notably fertilizers. French farmers were already struggling to compete in the increasingly globalized economy.

“Semiotics of the Kitchen” is a feminist video art that examines the symbolism of women's confinement within domestic spaces, utilizing the framework of a televised cooking show. In this piece, Rosler assumes the role of an "anti-Julia Child," wielding a series of kitchen utensils in alphabetical order, some archaic and peculiar, assigning them arbitrary names before forcefully miming their use.

The website 'Street art utopia' has an amazing collection of pictures of street art from Belgium, NYC, to Brazil and Israel Palestine. Talented people sharing their art publicly for the streets and the world to see! Activism: reclaiming a public space, maybe...not sure, but it is public art with various messages...

The Movement for Black Lives recognized a great opportunity to register a whole lot of people to vote: the opening weekend of Black Panther. According to activist Kayla Reed, the campaign has already inspired similar drives all over the country.