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In October and November 2016, Breathing Lights illuminated the windows of hundreds of vacant buildings in Albany, Schenectady and Troy, NY. Warm light filled each window with a diffuse glow that mimicked the gentle rhythm of human breathing. Concentrated in neighborhoods with high levels of vacancy, Breathing Lights transformed abandoned structures from pockets of shadows into places of warmth.

David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.

With World Comics India, the organization he started, Sharad has pioneered a cheap and easy medium for poor people to communicate meaningfully on issues that are neglected by the conventional media. While the urban elite dominates public media, the grinding day-to-day concerns of millions are rarely heard. Layers of discrimination and abuse heaped on huge numbers of people keep their problems out of sight and out of mind.

The work of South African artist Mary Sibande tells the tale of her alter-ego Sophie, a domestic worker who finds refuge in dreams where she emancipates herself from the ghoulish realism of an ordinary existence, cleaning other people's homes. Exploring the construction of identity within post-apartheid South Africa, Sibande's work probes the stereotypical contextualisation of the black female body.

These are called "anti-homeless spikes." They're about as friendly as they sound. Photo courtesy of CC BY-ND, Immo Klink and Marco Godoy. As you may have guessed, they're intended to deter people who are homeless from sitting or sleeping on that concrete step. And yeah, they're pretty awful.

From creativetimereports.org: Artist-activist collective MTL's clickable collages connect disparate aspects of Palestine's geographical and political landscape, offering provocative insight into "how Palestinians suffer and struggle in ways that are parallel to those elsewhere" according to philosopher Michael Hardt.

By Summer Dawn Hortillosa Jersey City’s got an art scene of movers and shakers but few can say they’ve done what David McCauley has in the past two years.

Luke Ching Chin Wai is a conceptual artist and labour-artivist in Hong Kong. Since 2013, he has worked undercover in different low-paid jobs in the city, including as a security guard, supermarket cashier worker, and metro cleaner to learn about poor people's working conditions. He then uses these experiences to create art and push for improved labour rights.

A site specific intervention аs part of the group exhibition Sculptural, organized and partly financed by the Museum of Contemporary Art, Skopje. The text INVEST IN FUTURISM is a quotation of a gaffe uttered by the Macedonian PM on public TV stating his plans to incorporate contemporary art in their right wing populist programme and the infamous project Skopje 2014.