A new, three-minute ad by Coca-Cola, "Small World Machines," starts with a relatively straightforward premise: India and Pakistan do not get along so well. It ends with the promise of peace: "Togetherness, humanity, this is what we all want, more and more exchange," a woman, either Indian or Pakistani, narrates as the music swells. Sounds great. How do we get there? By buying Coke, of course.
Navdanya has a primary membership of more than 6,50,000 farmer families in seventeen states of India namely Uttarakhand, Uttar Pradesh, Himachal Pradesh, Haryana, Rajasthan, Jammu & Kashmir, Madhya Pradesh, Bihar, Jharkhand, Maharashtra, Orissa, West Bengal, Manipur, Tamil Nadu, Kerala and Karnataka.
It has also established 111 Community Seed Banks (CSBs) in 17 States across India.
Under the moniker BomBaebs, Pankhuri Awasthi and Uppekha Jain rap about rape, cultural stereotypes, religious biases, and hypocrisy surrounding sexism and gender biases in India. They open the video with a disclaimer, warning that “This video doesn’t have any explicit or bannable content. It is just that the reality for women in India is Explicit.”
Members of Greenpeace together with environmental advocates dressed as zombies attend a creative protest against water pollution in Manila on September 27, 2012. The protesters delivered a petition urging the establishment of a “Right-To-Know” system for chemicals and the adoption of a policy to eliminate hazardous chemicals released by factories into freshwater bodies.
The Kodaikanal Won't video by Chennai artist Sofia Ashraf, asking Unilver to 'clean up their mess' in connection with the Kodaikanal mercury dumping, has gone viral with over 783,533 views at the time of writing this, in just over two days. It has been shared on social media by prominent personalities such as Nandita Das, Varun Grover, Vishal Dadlani and was even praised by Nicki Minaj, on whose song Anaconda, the rap is based on.
Baadal Nanjundaswamy, a Bangalore based artist who works at an advertising agency uses his art to embarrass the civic authorities into fixing the potholes that litter the roads of Bangalore.
Mukti Caravan, the Campaign on Wheels, is a mobile cultural group of former child bonded labourers. Started by the Bachpan Bachao Andolan (Save Childhood Movement), a movement started by now Nobel laureate Kailash Satyarthi, it involves activists visiting villages to create awareness about need for education, emphasizing on the need for improving access to education and quality of education, to completely eradicate child labour from the society.
She seeks to utilize her feminist art to spread awareness on mental health issues. Sravy is a nomad in her own right, and throughout her experiences in Asia she has noticed that there are stimas surrounding women's autonomy and how they handle mental health struggles.
Myanmar has been engulfed in protest since February 1, when Burmese army general Min Aung Hlaing seized control of the government in a military coup, refusing to accept the landslide election victory of the National League for Democracy and its leader, Aung San Suu Kyi.
The “Wearable/Portable Architecture project” discussed the possibilities of having a locale create portable architecture based on the conditions of its environmental, urban and cultural conditions. It is structured to find ways in providing new arguments and sustaining an artistic impetus to our immediate environment.
A group of women walked from Barisal, Bangladesh to Khulna to join up with the long march that was crossing the city that day. By long, I really mean long: this march traveled a distance of 145 kms, walking most of the way, meeting people, holding street meetings and telling people why the Rampal coal plant shouldn’t be built in the Sundarbans.
In her peppy and helpful online video tutorial, Reshma Bano Quereshi promises to teach her viewers “how to get perfect red lips.”
But unlike the more than 200,000 other online videos dedicated to the application of lipstick, this one goes beyond plumping and priming.
Shake Girl is a massive collaborative effort between fifteen students and two instructors over the course of one quarter (Winter 2008). These students comprise the first edition of the Stanford Graphic Novel Project -- a group dedicated to acheiving this monumental task on an annual basis.
Global corporation Unilever dumped toxic and contaminated waste behind its thermometer factory located in Kodaikanal, a city in the South Indian state Tamil Nadu. In 2001, once word spread about this breach in environmental precautions, Unilever closed its factory. However, it is yet to adequately compensate its workers, many of whom suffered mercury poisoning. The corporation has also yet to clean up its mess and remediate the land.
A social experiment testing the public’s reaction to gay people in China has gone viral.
The blindfolded activists stood in public wearing T-shirts that said “I’m gay would you hug me?” and video of the protest then spread rapidly on Weibo, a hugely popular social media platform in China.
The social experiment follows a recent announcement by Weibo to ban gay content on its platform of 400 million active users.
"Thousands of people, some wearing funeral shrouds, staged demonstrations at the site of the Rana Plaza factory complex on Thursday on the one-year anniversary of the Bangladesh disaster that claimed 1,138 lives.
“Badass Indian Pinups” is a series of paintings by Indo-Canadian artist Nimisha Bhanot, that features paintings of Indian women being confident and sexually liberated.
There are no whistles, no loud speakers, and no placards held up high in this quiet act of subversion. Pimsiri Petchnamrob stands silently in a mass of sharply dressed Bangkok commuters, her hands clutched around a copy of George Orwell's 1984.
Next to her a small group of young men and women, their faces sombre and their heads bowed low, also read books about fictional and real totalitarian worlds in silence.
The Propaganda Machine is a battle cry delivered in the language of extreme metal. On Sahil Makhija’s fourth solo album as Demonstealer, he takes aim at the right-wing politicians, racist nationalists, disinformation artists, and religious extremists who manipulate and exploit the masses, in his native India and all over the world. He doesn’t mince his words; just about every lyric on the album could easily be printed on a protest sign.