Projects tagged "Installation"

Butterflies for Bealtaine
Practitioner:
Amelia Caulfield, Sinead Cullen & Margaret Organ
Date:
May 1 2020
*We would like to thank everyone who who participated in a very successful first Butterflies for Bealtaine* For the month of May, we invited all ages to creatively respond to the theme of The Butterfly and to share a change they wish for on a personal, community or global level. In Ireland as in many parts of the world we have been in a quarantine situation because of the global pandemic. This environment informed our project.
Water Bar
Practitioner:
Works Progress Studios
Date:
Mar 6 2016
Northeast Minneapolis is going to have the first full-fledged water bar of its kind, an establishment where you can sit and drink a variety of local tap waters to your heart’s content. Their delightful motto: “Water is all we have.”
Women to the Front: Perspectives on Equality, Gender, and Activism
Practitioner:
Nancy Rivera, Scotty Hill, Salt Lake City Arts Council
Date:
Mar 16 2020
Women to the Front: Perspectives on Equality, Gender, and Activism is an exhibit that showcases 15 female artists with ties to Utah who infuse their art with activism. The exhibit commemorates the centennial of the 19th Amendment and the 150th anniversary of the first vote cast by a woman in Utah.
Chicago Gun Share Program
Practitioner:
The Escape Pod, The Brady Center To Prevent Gun Violence
Date:
May 10 2018
'Gun-sharing' stations in Chicago use art to make a point about gun violence. Users can’t actually grab a gun from the stations, but its creators hope the installation will send a message about how disturbingly easy it is for a citizen to acquire an assault weapon—as easy as renting a bike. They can also make a donation to the Brady Center and learn more about the campaign's gun safety efforts.
The Great Wall of Los Angeles
Practitioner:
Judy Baca
Date:
Apr 11 2001
The Great Wall of Los Angeles represents a minority perspective/p.o.v. of the history of the city. Judy Baca first began the mural in 1974 through SPARC at the rise of the Chicano movement. The project was a part of the community and completed by Baca, other local artists and local youth volunteers. This mural is effective in depicting the racial tension of the past, but maybe it would be enhanced by a prospective future.
I'm Blue (If I Were _____ I Would Die)
Practitioner:
American Artists
Date:
Mar 15 2019
If you assign no sound to the redaction in I'm Blue (If I Was █████ I Would Die), it has the same amount of syllables as its referent, the first line of the chorus from Eiffel 65's 1999 chart-topping single, I'm Blue. The last word in that line is spelled out "da," but when you listen to Jeffrey Jey's compressed scatting, it sounds more like "die."
Interwoven Threads: The Art of Community and Sensory Expansion
Practitioner:
Sebastián Mahaluf
Date:
Sep 1 2023
Sebastián Mahaluf stands out as an artist deeply engaged in weaving the complex threads of human connection, community, and the interplay of personal and collective experiences. His notable work, "CONTRADICTION AND TENSION," showcases his approach to art as a participatory experience that bridges individual perceptions with communal narratives.
Melting Man: Red Cross-Sponsored Activist "Melts" On Sidewalk
Practitioner:
Red Cross
Date:
Dec 10 2008
A young man melting into a puddle of himself is something you don’t see everyday, much less in a busy public square. Yet this humourous but surprisingly effective spectacle is the latest effort by the Red Cross of Argentina to raise awareness about climate change.
A Dallas Drinking Fountain
Practitioner:
Lauren Butterfly Woods
Date:
Oct 2 2013
"FOUNTAINS: A public artwork in three parts by lauren woods
Lynn Neuman: Showing How Quickly Plastic Amasses
Practitioner:
Lynn Neuman
Date:
Jan 1 2011
Lynn Neuman, director of New York City–based Artichoke Dance, became preoccupied with single-use disposability after she started wondering about waste and who was responsible for it. For some of her performances, she has collected massive quantities of discarded plastics, like bags and six-pack rings, and invited community members to contribute their own. “There’s a real aha moment when people see how quickly plastic amasses,” she says.
DebtFair
Practitioner:
Occupy Museums
Date:
May 7 2013
Occupy Wall Street's art offshoot, Occupy Museum, has a new initiative: deconstructing the commercial art fair model. They are calling this art fair antithesis the DebtFair. Last May at the Frieze Art Fair, Occupy Museum distributed flyers and protest literature for an Un-Frieze event.
“Untitled” (Portrait of Ross in L.A.)
Practitioner:
Felix Gonzalez-Torres
Date:
Jan 24 1991
Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions.
Buses in Seoul install 'comfort women' statues to honour former sex slaves
Practitioner:
Dong-A Transit bus company
Date:
Aug 7 2017
Buses serving several routes in central Seoul have acquired a new and highly controversial passenger: a barefoot “comfort woman”, wearing a traditional hanbok dress with her hands resting on her knees.
I want a president
Practitioner:
Zoe Leonard
Date:
Oct 11 2016
Installed on the occasion of the 2016 U.S. presidential election, I want a president renders a poignant portrait of the cultural and political climate in the early 1990s in New York City with words that still resonate today.
Hunger King
Practitioner:
Jani Leinonen
Date:
May 6 2014
From Public Delivery: Located behind a resplendent Opera House in Budapest on the same road as Louis Vuitton sits Hunger King, a place that seems to be just like any other burger joint. However, it is anything but. Hunger King is a regular fast food outlet that is pushed onto the masses; Hunger King is a critical sociopolitical art installation that highlights Hungary’s significant crises of social inequality and homelessness .
Lebanon rape law: Wedding dresses hang in Beirut sea front protest
Practitioner:
Lebanese Activists
Date:
Apr 22 2017
Activists campaigning to change Lebanon's law on rape have staged a macabre protest on Beirut's famous sea front. What appeared to be more than 30 white wedding dresses were hung from nooses, strung up between the palm trees. Lebanese law currently allows a rapist to be exonerated if he marries his victim. The activists are pressing to have the legislation abolished at an upcoming session of parliament.
A Vegan Meat Locker with a Heartbeat
Practitioner:
Jonathon Horowitz
Date:
May 13 2010
"Brooke Shields is one of 200 famous faces that the artist Jonathan Horowitz identifies as vegetarian in head shots he has hung on the white-tile walls of a former meat locker in the south Village. Horowitz, 44, swore off meat at the age of 12, after his parents took him to a bullfight on a vacation in Mexico.
Snwmn 4 Carbn Pricng
Practitioner:
PriceCarbonPLZ
Date:
Feb 15 2021
500+ snowmen appeared outside the office of Senator Chuck Schumer in Melville Monday, Feb. 15, 2021. The snowmen appear to be placed there by climate activist @pricecarbonplz. (Source: Newsday, https://www.newsday.com/long-island/photos-of-the-day-1.50139710)
Brandalism
Practitioner:
Brandalism
Date:
Nov 27 2015
Brandalism, an organization out of the UK that aims to reclaim public spaces from advertisers, used Black Friday to protest "partner" brands to the COP21 Climate Conference. Anonymous artists contributed subvertisements that criticized these brand for their hypocrisy in saying they are advocates for the environment when more often than not they are the worst contributors to the problem.
Dismaland
Practitioner:
Banksy
Date:
Aug 20 2015
“He describes it as a “family theme park unsuitable for small children” – and with the Grim Reaper whooping it up on the dodgems and Cinderella horribly mangled in a pumpkin carriage crash, it is easy to see why. Banksy’s new show, Dismaland, which opened on Thursday on the Weston-super-Mare seafront, is sometimes hilarious, sometimes eye-opening and occasionally breathtakingly shocking.
The Bushwick Collective transforms neighborhood
Practitioner:
Joe Ficalora, The Bushwick Collective
Date:
Jan 1 2011
Conceived and curated by Bushwick native Joe Ficalora, the Bushwick Collective has evolved into an extraordinary open-air gallery since its first mural surfaced in 2011. Attracting a wondrous array of local, national and international artists, it showcases first-rate street art -- from legendary Blek Le Rat stencils to huge collaborative walls by such world-renowned artists as Case Ma'Claim and Pixel Pancho.
Molson’s newest red beer fridge touts Canada’s multicultural side
Practitioner:
Molson Canadian and Google
Date:
Jun 25 2015
The Globe and Mail Inc. Written by SUSAN KRASHINSKY MARKETING REPORTER TORONTO PUBLISHED JUNE 25, 2015 UPDATED MARCH 25, 2017 This is one persnickety refrigerator. Molson Coors Brewing Co.'s newest instalment of a now two-year campaign is attempting a new take on national pride in time for Canada Day.
Injustice
Practitioner:
Jaehee Cho (Director); Atit Kothari (Producer); Zixu Ding (Programmer); Stephanie Fawaz (Writer); Yeongmin Won (Artist); Tiffa Cheng (Artist)
Date:
Apr 16 2016
Injustice is an interactive VR experience themed around racially motivated police brutality. Guests witness an act of racial discrimination in front of them, forcing them to make moral and ethical decisions on the spot. Injustice is an experience aimed at exploring the emotional impact of VR space vs. traditional film.
How do you get to Flushing Creek?
Practitioner:
Cody Ann Herrmann
Date:
Dec 1 2018
Flushing Creek is so hidden by industrial sites and highways, it’s almost invisible to those passing through the Flushing neighborhood of Queens. “I lived in Flushing my whole life and didn’t know that I lived near waterways until I was 20 years old,” Cody Ann Herrmann told Hyperallergic.
Art, Politics, Activism, Oakland And Angela Davis
Practitioner:
Angela Davis
Date:
Jan 19 2023
When the U.S. government came after Anglea Davis, art came to her defense. Targeted by the Federal Bureau of Investigation as one of its “10 Most Wanted” in 1970, tracked down, jailed and accused of three capital crimes, artists and activists around the world rose to her defense. She would be found not guilty on all counts.

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