"Brooke Shields is one of 200 famous faces that the artist Jonathan Horowitz identifies as vegetarian in head shots he has hung on the white-tile walls of a former meat locker in the south Village. Horowitz, 44, swore off meat at the age of 12, after his parents took him to a bullfight on a vacation in Mexico.
While this protest draws quick and reactive attention and awareness to the issue at hand; it does fail to make clear the message that they intend to protest. The audience, which seems to be the general public, may focus on the scandal of the protest. The the vulgar display people as a bloody pieve of meat. Yet, these shocking images do draw the viewer to the cruel way animals are handled by the meat industry.
Our project aims to show people that joy can be an act of resistance and resilience in the face of global justice issues when harnessed in the right way. The sharing of joy can also act as a connector in a society that continues to grow more polarised through the division of social media and mainstream media.
Nowhereisland was an island which journeyed from the High Arctic region of Svalbard to the south west coast of England in summer 2012. As it made this epic journey, it travelled through international waters, whereupon it became the world's newest nation - Nowhereisland - with citizenship open to all.
As the death toll from Israel’s attacks on the besieged Gaza Strip continues to rise, a guerrilla projection on May 13, 2021 illuminated a building in Brooklyn’s Dumbo neighborhood with messages of solidarity with Palestinians.
There is no embassy of Iran in Jerusalem.
We ask why.
We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments.
The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
This is a project about bushmeat: the hunting of wild meat in the forests of sub-Saharan Africa, for our purposes specifically the Democratic Republic of Congo. This bushmeat food-cart serves up information and interpretations of the
The People’s Bank of Govanhill uses social and activist art practices to involve people in re-imagining the local economy, looking at how we can put feminist economics into practice in the local community.
(Honoring our Origins, Ourselves and our Dreams) is an all-womyn and womyn-identified crew from the northeast San Fernando Valley dedicated to creating awareness through public art.
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.
A site specific intervention аs part of the group exhibition Sculptural, organized and partly financed by the Museum of Contemporary Art, Skopje. The text INVEST IN FUTURISM is a quotation of a gaffe uttered by the Macedonian PM on public TV stating his plans to incorporate contemporary art in their right wing populist programme and the infamous project Skopje 2014.
An artist in Culiacan, Mexico—which has the highest rate of gun deaths in the country—has found a way to transform the agents of death into seeds of life.
In 2008, artist Pedro Reyes started running television ads urging locals to exchange their guns for food coupons to be redeemed at local stores.
The campaign—Palas Por Pistolas, or “Shovels for Guns"—collected 1,527 guns, which Reyes publicly smashed with a steamroller.
Civil activists set up a giant loaf of bread on the small square of a bus stop near the Cathedral Store in Center to remind passersbys that a large number of their fellow citizens live below the poverty threshold.
You enter a narrow corridor where backlit Plexiglas panels offer three compelling narratives about whiteness and blindness: Nelson Mandela’s imprisonment and hard labor in Robben Island’s limestone quarry under a blinding sun; Bill Gates’ purchase of the Bettmann and United Press International archives, consisting of 17 million images, and their subsequent burial deep underground in a limestone vault for the sake of preservation, after Gates’s company C
A village shop in Coniston is stocked by local producers with everything from farm meat and vegetables to paintings and knitted goods. The produce is all homemade and brought in by local suppliers. Customers are invited to buy goods in the shop for an 'honest' price, there are guideline price tags attached to the items by the producer but customers are expected to pay what they consider an honest, suitable price for the item.
We built a conversation space where members of the public were invited to enjoy a free cup of tea. We used a vertical garden which spelled out the word 'TEA' in easily available plants and herbs that can be used to make tea.
In 2013, a group of ten women incarcerated at York Correctional Institution in Connecticut, calling themselves “Women of York,” created this work of art inspired by Judy Chicago’s The Dinner Party. The installation includes six entry banners and ten place settings arranged on a triangular table, each dedicated to a woman of personal significance to the artist.
Traditional wind turbines may require vertical shafts higher than 40m and spinning blades over 50m long in order to capture wind energy efficiently. While these devices are some of the best at capturing clean energy, their height and shape put large limitations on the way that they can be used.
In the "D", "D" doesn't really stand for "Detroit", but "Demolition." Take a look around and you'll notice a great number of buildings marked on the front with a circled "D" in faint chalk. Off to the side, many of these same buildings will also have a noticeable dot, courtesy of our own native son, Tyree Guyton.
‘In Her Shoes’ was a street exhibition of stories from women and men affected by the 8th Amendment of the Irish Constitution. These stories were selected from the ‘In Her Shoes’ project Facebook page. We hung copies of the stories on ribbon between trees and provided pens, paper and a seating area for people to sit down and write a response to the stories if they chose.
We were aiming to raise awareness and empathy around the theme of loneliness and disconnection, by engaging with passers by on a personal level and helping them to think about what they could do to make others feel less disconnected.