Made by Danish filmmakers Lotte Løvholm, Karen Andersen & Nanna Nielsen, Lagos in the Red follows Nigerian performance artist Jelili Atiku. Atiku uses his body as a prop as a means of sensitizing people to the problems that Nigeria - both as a people and a country - face.
Following her sensational first ablum dedicated to the Black queer community via house and dance music, act i: RENAISSANCE, Beyonce released act ii: COWBOY CARTER in late March . The album is speculated to have come from her 2017/2018 performance of "Daddy Issues" at the Country Music Awards with the Dixie Chicks where the artist felt "unwelcomed".
Ge Yulu’s artistic practice playfully pulls at the strings of a social system that, although seemingly all-encompassing, is in fact a malleable structure consisting of individual human beings. For his 2016 project Eye Contact, Ge positioned himself in front of a surveillance camera and stared directly into the lens for hours, then negotiated with a security guard to buy the footage.
The Survivaball made its first appearance in 2006, when "Halliburton representatives" attended a conference on catastrophic climate change and demonstrated the functionality of the large inflatable suits ("a gated community for one"), which keep corporate managers safe from global warming. Not long afterward, in Berlin, the Yes Men learned they also work as disruptive, arrest-resistant tools.
Text by David Artavia
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An ad from Calvin Klein on Mother's Day featuring a pregnant transgender man and his trans partner has sparked a wave of backlash on social media.
Eyewear style icon Ray-Ban is being praised throughout the lesbian, gay, bisexual and transgender (LGBT) blogosphere for a new advertisement that's both gay-inclusive and trendy to boot.
Released as part of their "Never Hide" campaign in connection with the company's 75th anniversary, the new ad features two sharply-dressed gay men out for a romantic stroll on a busy sidewalk.
Jessica Williams talks about women's experiences with street harassment in New York with a satirical approach on how to avoid this unwanted attention.
http://www.cc.com/video-clips/5ndnit/the-daily-show-with-jon-stewart-jes...
Ladies’ Room, lasting fewer than six and a half minutes, offers a behind-the-scenes look at a women’s washroom in a nightclub located in a Beijing hotel. A male patron of Cui Xiuwen’s studio first took her there, and she acknowledges being drawn to the ladies’ room precisely because her host did not have access to it.
One of the defining features of politics in the 21st century has been the way online cultural phenomena can cross over into the “real” world.
Unfortunately, perhaps because the internet seems to bring out the worst in people, those phenomena have largely been, well, awful.
Often in military style video games we kill without much regard for the enemy. They are faceless or stereotypical, the Nazi or evil Cold War–era Russian. They are enemies that were fought on the battlefields of great wars, or they are aliens that have no resemblance to humans save for a general humanoid form.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
I am a visual activist. Most of what I have done over the years focuses on black LGBTQIA+ and gender-non-conforming individuals from South Africa and other neighbouring countries. It’s about making sure we exist in the visual archive. I call myself a visual activist — or, rather, a cultural activist, because this work is not only about the arts; I’m focusing on education, I’m dealing with culture in a way that confronts a number of issues.
The video DON’T COVER UP, STEP UP is a public service announcement raising the issue of gender-based violence. In the video, a vlogger teaches her fans how to cover up bruises with makeup after she has been beaten by her husband. There is a twist in the story as the husband enters the scene at the end of the video.
Zanele Muholi, the self-proclaimed visual activist and photographer, investigates the fraught relationship between post-apartheid South Africa and its queer community, who, despite being constitutionally protected since 1996, remain a constant target of abuse and discrimination.
A set of strategies to highlight the high cost of medicine and lack of transparency in the pharmaceutical industry including a funny and disturbing satirical website, video, and press conference to promote their fake organization, the Association of Honest Pharmaceutical Representatives.
Isabelle Wenzel's series of photographs entitled 'Building Images' is a striking view on the idea of the office/ workplace. Not only do her images ironically translate the uncomfortable positions office workers endure sitting in a single position for 8 hours a day, but she also takes on a feminist approach by focusing on feminine models in her photographs that center upon the contorted body and office fashion worn.
The screen portrayal of a cancer sufferer whose illegal import of foreign medicines into China spurred national policy changes has become a box-office smash as audiences flock to a rare Chinese film on a hot-button issue.
Dying To Survive is based on Lu Yong, who was arrested in 2013 after illegally importing a generic cancer drug in a case that sparked public debate about high medical costs.
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
In February 2017, authorities in Chechnya -- a republic of Russia located in the North Caucasus -- arrested a man they suspected to be under the influence of a controlled substance. As is procedure, they searched his phone. According to a report from the Human Rights Watch, they found “explicit material” (most likely shared nude photos and gay pornography), and the contact details of dozens of gay men.
One of the oldest forms of human expression is art, so it’s no surprise that art is constantly used to critique another of humanity’s oldest practices, violence and war. In the world of art activism, the power of creativity and innovation has been used to create commentary about war since the beginning of time. Art that speaks out against the atrocities of violent conflict embodies empathy, care, and a plethora of other human emotions.
The Story of Stuff Project launches a new video. What is instructional, educational, and inspirational is a call for all the people in America to exercise their citizenship rather than their right to consume.
Here is what Annie Leonard (co-founder and spokes person for the project) has to say about this new film:
In the 2012 presidential election, did you know that one of the underdog anti-party runners was Gumby?!
In the attached video, you will hear Gumby offer transportation alternatives (Pokey and friends), challenges of not believing in vice presidents, and the importance of people and clay-people working together.
A group of South Korean activists is determined to send copies of The Interview across the North Korean border, despite threats from the state to respond with “cannons or missiles” if the plan succeeds.
WeiweiCam is a self-surveillance project by artist Ai Weiwei that went live on April 3, 2012, exactly one year after the artist's detention by Chinese officials at Beijing Airport.[1] At least fifteen surveillance cameras monitor his house in Beijing[2] which, according to Ai, makes it the most-watched spot of the city.[3] He described his decision to put himself under further surveillance as a symbolic way to increase transparency in the Chinese g