"MASK" is an art exhibition that explores the uses and meanings of masks, and ones feelings about them. Masks throughout history have taken many forms and have served many purposes. They have been used in construction, scientific research, technical manufacturing, medicine, the theater, and warfare.
You’ll find Johanna Toruno on the streets of NYC plastering pictures of her flower-filtered poetry, Kendrick Lamar, and Selena on blank walls, street lights and buildings. When I came across The Unapologetically Brown Series on Instagram I was intrigued not only by the name but by the concept of being unapologetic and brown as the premise for a body of street art.
Following the backlash of Netflix's support of Dave Chappelle's "The Closer" comedy special, which featured racist transphobic "jokes", Hannah Gadsby took a deal with Netflix to create a comedy special featuring genderqueer comics. The show, titled 'Gender Agenda', was tapped in the Alexandra Palace Theatre in London and released on Netflix on March 5, 2024.
When Fred Wilson did an installation at the Maryland Historical Society in 1992, he shook up the museum world. Co-sponsored by the historical society and the Contemporary Museum, Mining the Museum did not involve artwork made by the artist; rather, it involved reinstalling items from the historical society's collection in such a way as to make us reconsider them.
Filling Stomachs to Open Minds on Immigration
In Sweden, Dinners Melt Cultural Barriers
STOCKHOLM — Last year, when Ebba Akerman, 31, was teaching Swedish to immigrants in the suburbs of this city, she ran into one of her students on the train and asked him whether he enjoyed living in her country.
Just weeks after activists staged an alternative tour of the American Museum of Natural History to call for its removal, among other things, the equestrian statue of Teddy Roosevelt was vandalized early Thursday morning.
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
When Behnaz Babazadeh was young, her family moved from Afghanistan to the US. She loved almost everything about her new home — especially America’s amazing selection of candy — but she also loved wearing her familiar pink-flowered headscarf, which she’d grown used to wearing as part of her school uniform in her old home.
Natalie Ball’s work challenges dominant stories of Native American identities, taking to task the historical and visual legacies that misrepresent what it means to be “Indian.” She dives deeply into Indigenous histories and forms of knowledge, the use of language, and a wide range of materials—including animal hides, clothing, and synthetic hair—to create a new narrative around Indigenous experiences and identities.
Elisa and Lily chose to create StyleLikeU as an alternative to this disempowering status quo. In 2009, the duo picked up a home video camera and launched their "Closet" series, documenting diverse individuals who were challenging fashion industry norms in their style.
Adrian Piper's "Funk Lessons" (1982-84) was a series of performances and collaborative events in which the artist taught white participants about black funk music, its culture, and its history, aiming to deconstruct stereotypical ideas about Black culture.
The two sources linked in this post are separate reviews of the incident currently occurring in Baltimore. It illustrates the factor of hindsight.... what supposedly began as a peaceful protest, in one article, is portrayed as clearly intended to fight back for #blacklifesmatter... however, "(CNN)The arrest and death of Freddie Gray in Baltimore has stoked protests and accusations of police brutality.
At the New Orleans Swing Dance Festival the all African-American dance troupe The Rhythm Ambassadors were presented along side an African-American iteration of the Preservation Hall All-Star band with African-American vocalist Taryn Newborne to deliver the message that the African-American Lindy Hoppers were going to be protest until their rhythm is better presented...i.e.
When Patricia Stonefish returned home to the United States from Egypt in 2014, she brought with her a new outlook for conceptualizing women's self defense. Having seen firsthand the benefits and empowerment of Taekwando/ Hapkido/ Gumdo classes for Egyptian women during and after the revolution in 2011, she decided to put her decade of martial arts training to good use on home turf.
Legendary activist and artist Ed Bereal will be able to have his work displayed again in the newly reopened Portland Art Museum. He is a complex figure, gaining fame in LA in the 1960s for his abstract works and radical performances. His work also includes critiquing politicians in a satirical way.
See below for a link to the performance of the song at the Academy Awards.
From Salon: How Common and John Legend’s performance of “Glory” fired up Oscar night’s idling empathy machine by Sonia Saraiya
(NEWS 8) — A day after pulling double-duty as both the host and musical guest on "Saturday Night Live," actor-writer-comedian-musician Donald Glover was garnering attention on Sunday for another reason.
Social media blew up this weekend with reactions to Glover's new music video for "This is America," released under the name of his musical alter ego, Childish Gambino.
Play Safe is a documentary film series created and directed by NYU alum Eddie Einbinder. The film, much of which now appears for free on YouTube, was originally released in 2013 after being filmed between 2011 and 2012. It debuted at the International Harm Reduction conference in Vilnius, Lithuania in 2013.
In the late 1960s, in the aftermath of the Watts Uprising and against the backdrop of the continuing Civil Rights Movement and the escalating Vietnam War, a group of African and African American students entered the UCLA School of Theater, Film and Television, as part of an “Ethno-Communications” initiative designed to be responsive to communities of color (also including Asian, Chicano and Native American communities). Now referred to as the L.A.
UndocuNation, a performance and visual art conglomeration, took place this past Friday at International House. The Center for Race and Gender at Berkeley, CultureStr/ke, and the Theater and Dance Performance Studies department here at UC Berkeley helped put on the show specifically for Berkeley students. The show’s main focus was on the complex issues of undocumented immigration, and what that can mean for students especially.
In 2005, Emad Burnat got a video camera to record the birth of his son. That same year, Israel's security barrier went right through his village of Bil'in in the West Bank. The fence cut off some fields and olive groves on the other side.
When protests broke out against the establishment of the barrier, Burnat became the unofficial cameraman for the weekly anti-wall protests that drew support from around the world.
Imagine affecting the global cultural Landscape through art and technology use. Imagine one-mile long installation in 100 city locations worldwide, each mile-long install is of 250 bronze plaques of different Peacemakers. Then imagine its own App that when any smartphone is pointed at one of the plaques an entire timeline biographical history of that peacemaker becomes available.
Beyoncé’s album Renaissance is grounded in black queer ballroom culture. It debuted at no. 1 on the Billboard 200 and had the third highest album debut of 2022.
Kwentong Bayan: Labour of Love is a community based comic book project, created by Toronto-based artists Althea Balmes (Illustrator) and Jo SiMalaya Alcampo (Writer) in close collaboration with caregivers and supporters, about the real life stories of Filipina migrant workers in the Live-in Caregiver Program.