To state or chant ‘BLACK LIFE’S MATTER’ is not to say other lives don’t matter, it’s a reminder that four hundred years and counting, black lives didn’t matter enough. Not during the dark era of slave trade and its horrors on the African, not after slavery ended and blacks were left holding the short end of the stick.
The image is stark. And shocking.
A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."
Artists: Cindy Maguire, Assistant Professor Art Education Adelphi University and Teaching Artist with Artistic Noise and girls ages 13-17 from the Brentwood Residential Center on Long Island.
In “Speech/Acts,” a group exhibition organized by Meg Onli at the Institute of Contemporary Art in Philadelphia, Kameelah Janan Rasheed and Tiona Nekkia McClodden stood out as artists who take up voices, histories, and experiences that can help audiences move forward and endure in the future.
The artist in close collaboration with AMI (Assembly of Indigenous Migrants of Mexico City) has created a series of monographs made by students, through ‘tequio’: a communal system of organisation expressed in collaborative practices, mandatory and unpaid work. The goal of the project is to offer information about the lifestyle and culture of these indigenous communities, which live in Mexico City.
"SOA Cycle, and what it later became, which is called the Democracy Cycle, is a group of seven large works that approach the question of democracy. What is democracy? How is it constructed? How is it implemented? Is it something that is to be thought of in relation to its political influence? Or is it something that plays out in terms of cultural and social, and even emotional terms, for instance?
Welcome To Palestine
by Saed Bannoura
Israeli daily Haaretz, reported that 470 of the 1200 persons that Israel blacklisted as “pro-Palestinian” and part of the Welcome To Palestine campaign, were not activists; two of them were a French diplomat and his wife.
Last August, as protesters marched in Ferguson, Missouri, after the death of Michael Brown, the 18-year-old unarmed teen shot by a police officer, another group of activists began thinking about how to incorporate the creative community into the movement. The result is Manifest:Justice, a free pop-up art show taking place in Los Angeles.
Acción #CronicaDaMorteAnunciada que consistió en la creación de 9 estandartes con informaciones sobre asesinatos a “País do Santo” para denunciar sus muertes por motivos de racismo afroreligioso en la ciudad de Belém, Brasil.
Khalil Bandib is a Berkeley-based, award-winning editorial cartoonist with a unique perspective. He critiques a myriad of topics, from racism and homophobia to foreign policy and the Patriot Act. Bandib was born in North Africa under a French colonist regime; he brings a non-Eurocentric perspective not typically visible in large corporate media.
There are over 200,000 migrant domestic workers living in Lebanon
today — a large number when you considered that Lebanon’s population is
only a little over 4 million. Most migrant workers live with their
Lebanese employers, cleaning their houses, washing their clothes,
cooking their food and looking after their children. Yet these workers
are not included under Lebanon’s labor laws — they are not entitled to
The tiny German town of Wunsiedel has for decades seen crowds of neo-Nazis pass through its streets in annual demonstrations, but this year something was different.
While the extremists received a frigid welcome in past years, they were met with colorful banners, cheering locals and a booth of free bananas during their latest march on Nov. 15.
Legendary activist and artist Ed Bereal will be able to have his work displayed again in the newly reopened Portland Art Museum. He is a complex figure, gaining fame in LA in the 1960s for his abstract works and radical performances. His work also includes critiquing politicians in a satirical way.
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
Grandmas diving for seafood while immigrants wrestle with identity. Scrambling for self-worth in the face of suicide. Rock music in the face of fear. A noir murder mystery. Musings on death.
Action as a response to viral video of Attorney Aaron Schlossberg's racist rant against Spanish speaking customers and employees at a midtown restaurant. The "Latin Party" included food, music, and dance celebrating Latina/o culture in the US.
From FB event page:
The Nanny Van is a public art initiative run by REV- and the National Domestic Workers Alliance. This project aims at shorting distances, gaps and obstacles between domestic workers and the proper information of their rights. Therefore, Nanny Van is a smartphone app every person can download in order to access information about the legal conditions and state any kind of questions or claims.
In the wake of hate crimes against Asian-Americans, the New York designer has moved his studio to Chinatown and refocused his energies toward advocacy and fundraising on behalf of the AAPI community. As he said, ‘I can no longer separate Phillip the person from Phillip Lim the brand.'
The video: https://www.youtube.com/watch?v=Rg58d8opQKA
From Flavorwire:
“Another world is possible!” — so goes the popular activist chant at rallies and marches. Yet one of the most difficult aspects of sustaining a grassroots political movement can be imagining that other world and persisting even when it seems far away.
From 2005-2010 the Ngapartji Ngapartji project was based out of Alice Springs, working with Pitjantjatjara communities throughout Central Australia.
The project created an online Pitjantjatjara language site, two touring theatre works and a documentary Nothing Rhymes with Ngapartji; http://www.nothingrhymeswithngapartji.com/
Born to Heal, a documentary exploring the life of Native American healer, Russell FourEagles, and a handful of the lives he has touched.
Growing up in a tarpaper shack in the north woods, Russell FourEagles was born to be a healer. His grandmother chose him to learn the accumulated wisdom from over 200 generations of family healers.
This special EDition is a revolutionary chant against the menacing cantankerous demonic , satanic COVID 19. And again doubles as a bold and poetic supplication to the great Almighty God to release us off this pandemic bondage. This Edition is a poetically driven spiritual prayer for freedom of expression and freedom after expression.
The Scheherazade Project is a Performing Arts Non-profit based in Washington DC. Co-founders Lisa Leibow and Julia Alvarez were inspired by Scheherazade in the Arab classic 1001 Nights and created The Scheherazade Project.
For more information, our website is https://thescheherazadeproject.org/The-Scheherazade-Project