Horror stories about treacherous boat journeys from Africa to the Mediterranean far too often make headline news. The men, women and children fleeing their homes to start a new life in Europe become faceless numbers in the media, and are ‘othered’ by conservative politicians for their own agenda.
Thousands of people marched through Paris on Wednesday evening to protest the killing of a Holocaust survivor in her home over the weekend, in what investigators are treating as an anti-Semitic crime.
Mireille Knoll, 85, was stabbed 11 times and her apartment was set on fire in the attack, French authorities said. Two men in their 20s have been arrested, one a neighbor of Knoll's and the other a homeless man, a judicial source told CNN.
Mansour began rapping in 2003 and has gained recognition in the Middle East, Europe and the United States for her own songs and collaborations with other artists. She performs wearing a traditional Palestinian thawb and has said that she considers herself to be part of a "musical intifada" against the occupation of Palestine, conservatism and oppression of women.
When Behnaz Babazadeh was young, her family moved from Afghanistan to the US. She loved almost everything about her new home — especially America’s amazing selection of candy — but she also loved wearing her familiar pink-flowered headscarf, which she’d grown used to wearing as part of her school uniform in her old home.
Imagine if back in the 1960s, creators Jack Kirby and Stan Lee had found inspiration for The Avengers in Yoruba mythology. Instead of Iron Man, we'd have the warrior Oxaguiã. Taking the place of the blue-eyed, blonde-haired Norse god Thor would be the equally strong and black-skinned Xangô, the ruler of justice — who also happens to carry a hammer.
Khalil Bandib is a Berkeley-based, award-winning editorial cartoonist with a unique perspective. He critiques a myriad of topics, from racism and homophobia to foreign policy and the Patriot Act. Bandib was born in North Africa under a French colonist regime; he brings a non-Eurocentric perspective not typically visible in large corporate media.
Stephanie H. Shih is a Brooklyn-based ceramist who explores Asian American identity through clay interpretations of grocery items. The ceramicist has created life-size painted clay Sriracha bottles, Pocky cartons, soy sauce gallons, and instant ramen as part of a series Shih conceived in 2018 called Oriental Grocery, to explore nostalgic foods of the Chinese American diaspora.
In this series featured in the 2019 Whitney Biennial, artist Alexandra Bell edited headline pages from the New York Daily News in 1989 concerning the case of the Central Park 5. Through redaction, highlighting, and censoring, Bell shows how the teens accused of this crime were painted as a pack of animals by the media.
Whose Chinatown? Examining Chinatown Gazes in Art, Archives, and Collections, brings together an art history of Chinatowns and their communities by historical and contemporary Canadian artists such Emily Carr, Unity Bainbridge, Yucho Chow, Fred Herzog, Paul Wong, Mary Sui Yee Wong, Morris Lum, and aiya哎呀, among others.
The Shifting View on Anthropofagia
Tarsila is closely associated with the establishment of the Brazilian art movement known as cultural “cannibalism,” or “Anthropofagia”: the then-radical idea that a truly Brazilian art would emerge by ingesting all the different cultures that intermingled within the country, rather than simply copying European styles.
Kwame Brathwaite, the photographer and activist whose work gave a visual identity to the “Black is Beautiful” movement, died on April 1. He was 85.
The news was shared by his son, Kwame Brathwaite, Jr., in an Instagram post. “I am deeply saddened to share that my Baba, the patriarch of our family, our rock and my hero has transitioned,” Brathwaite, Jr. wrote. “Thank you for your love and support during this difficult time.”
Unfortunately, those who struggle for a more equal and democratic society are not the only ones who can make use of creative forms of activism. The following example shows how creative strategies can also be employed by those who have less wholesome intentions in mind.
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
It is a clear, fresh New York night in March 1939. You're on a date and you've decided to investigate a new club in a former speakeasy on West 4th Street: Cafe Society, which calls itself "The Wrong Place for the Right People".
In a single hour, Beyoncé's Lemonade re-wrote the textbook definition of what a visual album should look like. The genre-bending music it introduced will define the struggles a generation was enduring in 2016, specifically for black women. The project transcends every definition pop has ever had; blending R&B, contemporary rock, country, reggae, soul and hip-hop in its 12 tracks, occasionally fusing several of these into a single song.
Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.
Creative Time, Social Practice Archive: Brinco is an art project, product, and intervention created by the Argentinean artist Judith Werthein for the 2005 inSITE Biennial held on the border of Tijuana and San Diego. Brinco—Spanish for "jump"—is a specially designed shoe the artist created for illegal migrant workers and immigrants who navigate the border region at night.
The Stanford Daily:
There is no word short of “spectacular” that better describes the experience of examining “Pan American Unity,” Diego Rivera’s 1940 mural, housed since 2021 at the San Francisco Museum of Modern Art (SFMOMA). The piece is the crux of SFMOMA’s soon-closing exhibition, “Diego Rivera’s America,” curated by James Oles and Maria Castro.
Eight years after his death, the annual August Wilson Monologue Competition provides high school students from around the country an opportunity to carry on the African-American playwright’s legacy. That legacy includes Pulitzer Prizes for “Fences” and “The Piano Lesson,” two installments of Wilson’s 10-play series set in his hometown of Pittsburgh that examined 20th-century black life through the personal and political struggles of everyday people.
On July 2nd, 2013, after attending the Gas Exporting Countries Forum (GECF) conference, Bolivian President Evo Morales departed Russia from Vnukovo Airport in Moscow aboard his presidential plane. However, a "leak" suggested that Edward Snowden was aboard, which led Spain, France, and Portugal to close their airspace to the aircraft, to then be grounded in Austria.
"Black Lives/White Light and TABLETRIBES, a D.C.-based tech startup, are coupling art and technology to create The Radius Project, which aims to take conversations surrounding Black Lives Matter beyond newsfeeds and comment sections...TABLETRIBES is a social networking app that allows users interested in similar topics to connect with each other offline...Their goal is to globally scale empathy development by developing opportunities for users to e
Mayday is a neighborhood resource and a citywide destination for engaging programming, a home for radical thought and debate, and a welcoming gathering place for people to work, learn, drink, dance and build together.
‘‘HAMILTON,’’ the new musical biography of Alexander Hamilton created by and starring Lin-Manuel Miranda, kicks off with a doozy of a question. The houselights rise on Aaron Burr, the third vice president of the United States and, infamously, the killer of Hamilton in a duel in 1804. Burr steps to center stage and reels off several lines of verse: