The user muchachafanzine on instagram is an activist who writes a "decolonial native xicana feminist fanzine". They are an online activist and they spread their message through their page, the zine, and through merchandise. Daisy Salinas began Muchacha Fanzine as a feminist punk zine in 2011. Over the years, Muchacha has grown into a larger, submission-based compilation of work by marginalized voices from around the world.
I met Antoine in 2012, when I first found out I was going deaf, and attended my first ASL Meetup in San Francisco. At that time I was only moderately hard of hearing (HOH), and had no idea what was to come. I didn't stay in the San Francisco Bay Area long to get too involved in the Deaf community.
"Rainer’s early choreography celebrated, among other things, ordinary movements: the expressive capacities of kneeling, of shaking your head, of rolling on the floor. And when she went through periods of sickness, those movements became an even more important part of her repertoire. In her 1966 Hand Movie, an 8mm film she shot on her sickbed, we see a dance she choreographed for just her hand, while her body rests.
On a damp and rainy Sunday in October of 1935, Munro Leaf sat down to write a story. He had been eager to work with his friend – the illustrator Robert Lawson – for some time and so he decided to pen a book which he felt might suit the illustrator’s skills. Lawson was a master at drawing animals but horses, dogs, cats, rabbits and mice had all been done a thousand times already.
Actionplay, a theatre company dedicated to providing autistic, neurodivergent, and disabled teens and young adults equal access to the theatre-making process, is pleased to announce their next production, the new musical comedy The Surface (or, That One Time Atlantis Washed Up On the Beach).
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
Memetro is a non-profit cultural organisation, which has developed a web application for smartphones for all people who have a transitory memory upset. The term ‘memetro’ is a merging of two concepts‘Meme’ from the Spanish expression, and the film ‘Memento’. People with TMG (Transitory Global Memetro) very often forget to validate their ticket of public transport, especially on the subway.
By Summer Dawn Hortillosa
Jersey City’s got an art scene of movers and shakers but few can say they’ve done what David McCauley has in the past two years.
After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
“The Feminist Zine Fest showcases the work of artists and zine makers of all genders who identify on the feminist spectrum, and whose politics are reflected in their work. For the second consecutive year, Barnard proudly hosts the zine fest, welcoming approximately 40 zine-makers eager to share their work.
Artist and disability rights activist Liz Crow has produced another iteration of her long-standing performance project, “Bedding Out.” In an attempt to bridge the divide between her private and public lives, she invited the world to witness the way she exists in the privacy of her own bed. Staged at the Salisbury Arts Centre just outside of London, visitors could watch Crow as she lives in an installed bedroom for 48 hours straight.
In May 2020, a team of artists, activists, folklorists, and people who lost loved ones to Covid-19 came together to make monthly memorial sites in New York City to remember victims of the Covid-19 pandemic. They continued installing memorials around New York City every month during the summer of 2020.
In 2006, 25-year-old Jason DaSilva was on vacation at the beach with family when, suddenly, he fell down. He couldn’t get back up. His legs had stopped working; his disease could no longer be ignored. Just a few months earlier doctors had told him that he had multiple sclerosis, which could lead to loss of vision and muscle control, as well as a myriad of other complications. Jason tried exercise to help cope, but the problem only worsened.
Sunaura Taylor is an artist, writer and activist. Through painting, printmaking, writing and other forms of political and artistic engagement her work intervenes with dominant historical narratives of disability and animal oppression. Taylor's artworks have been exhibited at venues across the country, including the CUE Art Foundation, the Smithsonian Institution and the Berkeley Art Museum.
Anti-opioid activists unfurled banners and scattered pill bottles on Saturday inside the Sackler Wing of the Metropolitan Museum of Art in New York, which is named for a family connected to the powerful painkilling drug OxyContin.
The protest, which was organized by a group started by the celebrated photographer Nan Goldin, started just after 4 p.m., when several dozen people converged at the Temple of Dendur inside the wing.
These two works on canvas were made with my own blood, using the severed distal phalanx of my index finger as the painting instrument. They are connected to my solo anti-war action in Copenhagen in September 2026.
Their central messages are “No to War!” and “Peace & Love!” The index finger—the finger used to pull a trigger—became the central symbol of my refusal to participate in aggression and the killing of other people.
Guerilla Crip performs disability rights poetry in her local woods to protest about the persecution, discrimination and oppression that disabled people in the UK have endured since 2010 in the UK. We are being impoverished, demonised and targeted in society and by successive governments. Enough is enough!
At Carnival, Where Challenging Normal Is the Norm
By NADIA SUSSMAN and TAYLOR BARNES
New York Times MARCH 2, 2014
RIO DE JANEIRO — Standing high atop a truck rigged with speakers, André da Silva Lisboa cried out to hundreds of drummers, dancers and costumed revelers gathering in the sun-drenched avenue below.
“Carnival has arrived,” shouted Mr. da Silva Lisboa, 38, a samba singer. “Come to the streets! We’re freaking out!”
Joseline de Lima was wandering the dusty alleys of her working-class neighborhood in the capital of Togo one day last year, when a disturbing thought crossed her mind: Who would take care of her two boys if her depression worsened and she were no longer around to look after them?
On Sept 21, 2017, the professional committee of dementia and related diseases of China geriatric health association, together with many caring enterprises, jointly launched a public welfare activity entitled "no longer forget", hoping to call on the public to pay attention to Alzheimer's disease and promote early screening.
People with disabilities often suffer a ‘civil death’ due to exclusion primarily related to physical barriers of the built environment. AXS Map is building a social movement around inclusion for people with physical disabilities. AXS Map is a crowd-sourced platform for mapping wheelchair accessibility of buildings and places, and sharing that information across a network.
Unveiling the Unseen
BlindWiki is a location-based audio network where citizens who are blind or partially sighted use smartphones to share their findings by posting sound recordings. The platform does not just contain information about difficulties and barriers but is also a repository for experiences, opinions and stories, generating a creative and collaborative cartography of the unseen.