After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
MIAMI — Officials at the recently inaugurated Pérez Art Museum Miami confirmed on Monday that a valuable vase by the Chinese dissident artist Ai Weiwei had been deliberately destroyed by a visitor in what appeared to be an act of protest.
Elisa and Lily chose to create StyleLikeU as an alternative to this disempowering status quo. In 2009, the duo picked up a home video camera and launched their "Closet" series, documenting diverse individuals who were challenging fashion industry norms in their style.
David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.
Almost all of Rivera's art told a story, many of which depicted Mexican society, the Mexican Revolution, or reflected his own personal social and political beliefs, and In the Arsenal is no different. The woman on the right side of this painting in Tina Modotti, an Italian photographer and revolutionary political activist, who is holding ammunition for Julio Antonio Mella, a founder of the internationalized Cuban communist party.
Museums and art galleries are not usually the sites of feminist political protest. Yet over the past couple of years, before the lockdown, gallery visitors all over the UK had noticed a small, determined activist whose modus operandi is “Small signs, big questions, fabulous wardrobe”.
Several nights of Halloween celebration in Shanghai provided a vivid, if indirect, commentary this week on the malaise gripping the world’s second-largest economy.
At the end of 2005, Liu Boln was living in Beijing and working as an artist’s assistant. Beijing’s art world at this time was thriving. On November 16, 2006 when Suo Jia Cun was forcibly demolished, Liu decided to use his works to make a stand against this atrocity. He wanted to show the state of artists in society, that their living and working places had not been protected.
'White Walls Say Nothing’ is the first feature-length film of its kind to explore art and activism in the streets of Buenos Aires.
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have barely known political or economic stability.
Late last month, Chinese citizens took up a creative means of protest over the nation’s strict “zero-COVID” policy. In a place with little tolerance for large public demonstrations, protesters have been holding up blank pieces of paper. Their ingenuity inspired a local artist Yolanda He Yang to stage a public art demonstration to subtly communicate their dissent.
This month marks ten years since the start of the Syrian Civil War, an ongoing conflict that has cruelly cut the lives of hundreds of thousands short, and irrevocably changed the course of millions more. An estimated 5.6 million have fled the country over the past decade, mostly to the neighbouring countries of Turkey, Lebanon and Jordan, with many settling in camps they’ve since to come to call their permanent homes.
When dancer Sheen Jamaal saw a video of protestors doing the Cupid Shuffle in New Jersey, inspiration struck to do something similar in New York. He immediately called his friend and collaborator Allison “Buttons” Bedell, and the seed for the Dance For George protest was planted.
Art in Odd Places (AiOP) presents visual and performance art in unexpected public spaces. AiOP also produces an annual festival along 14th Street in Manhattan, NYC from Avenue C to the Hudson River each October.
Through her work, South African art activist Athenkosi Kwinana aspires to deepen the understanding of Albinism in her native country, where she has faced discrimination in most aspects of her life from childhood days on. Working with both drawing and printmaking, Kwinana creates large self-portraits that aim to constructively reimagine the representation of Albinism in the country’s black communities and African contemporary art as whole.
On this International Women’s Day, we wanted to celebrate the commitment of a very special human being. Her name is Zaria Forman, a leading artist in contemporary art with a cause. She is not only an exceptional human being; she is also an incredible American drawer who uses art to convey the emergency of climate change.
In the broad context of the modern world of art, the work of Beili Liu has always seemed extraordinary in visual terms and deeply profound in thematic development. Born in China and living in the United States, much of her work usually circles themes tightly interwoven with notions of identity, culture, and time.
By 2010, the Nigerian film industry, also referred to as “Nollywood,” had become the second-largest film industry in the world. Today, the accessibility of digital video technology continues to enable prolific amateur filmmakers to produce wildly popular low-budget and direct-to-DVD films, which deal with timely issues of religion, poverty, and corruption.
Jo’Artis Ratti is sure he looked intimidating to the police officers who were suddenly confronted by his agitated dancing at a California protest Sunday.
“I’m 210 pounds,” said Ratti, 35. “I have tattoos on my neck. I don’t have a passive energy; I’m very enthusiastic. And I know this looks unfamiliar.”
The US artist Nan Goldin has staged her first public protest since she launched her activist group PAIN (Prescription Addiction Intervention Now), shaming members of the Sackler family who have profited from the sale of Oxycontin and institutions that have accepted their philanthropy.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
Drake has released an emotional video for "God's Plan" in which he donates the music video budget to people in need.
Shot in Miami and directed by Toronto's Karena Evans and Jordan Oram, the video features a bunch of generous, grand gestures.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.