Per os is a research-based art project about the pharmaceutical companies' role in our society, psychiatry and healthcare. Using surveys I have conducted over the past three years and a large amount of anger at how wrong and corrupt the system is, I would like to interpret this research artistically in order to develop material for an exhibition and interventions.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
Video of Mary Perry Stone's social protest art created in the 1960s . Civil Rights, and the Vietnam War were her subjects. Mary never stopped being an activist and a few of her later works are also in the video.
After artists learned that London's Design Museum was connected to Leonardo, a large arms dealing company, and hosted an event for them, many of the artists featured in their Hope to Nope: Graphics and Politics 2008-2018 asked the museum for their work to be removed. After receiving no response, one third of the show's artists removed their work from the show.
ARTS/CULTURE
FOKAL is the hub in Haiti where locals and international visitors from all walks of life -- artists, writers, citizens, activists-- come together to discuss the most pressing nation- and community-building issues, enjoy cutting edge artistic expressions, and share their ideas.
When the U.S. government came after Anglea Davis, art came to her defense. Targeted by the Federal Bureau of Investigation as one of its “10 Most Wanted” in 1970, tracked down, jailed and accused of three capital crimes, artists and activists around the world rose to her defense. She would be found not guilty on all counts.
In Louis Armstrong’s study in the Queens home he shared with his fourth wife, Lucille, bookshelves were filled with reel-to-reel recordings he made as a sort of audio diary. Those tapes and his letters — read by the rapper Nas — lay the foundation for the director Sacha Jenkins’s documentary “Louis Armstrong’s Black & Blues.”
BRAVE VOICES POETRY JOURNAL is the scripture of FREEDOM religion, with her twin’s doctrine of justice and resilience. It comprises two Testaments. (1) the old testament of precolonial Africa; from Genesis of civilization through Exodus to slavery. From kings; Mansa,Tshaka , Selassie…through Psalms; Senghor, Diops,Okara,Brutus.
*We would like to thank everyone who who participated in a very successful first Butterflies for Bealtaine*
For the month of May, we invited all ages to creatively respond to the theme of The Butterfly and to share a change they wish for on a personal, community or global level.
In Ireland as in many parts of the world we have been in a quarantine situation because of the global pandemic. This environment informed our project.
"A Tanzanian-born, Preston-based artist, curator and cultural activist, Lubaina Himid aims to 'fill in the gaps of history', giving representation to marginalised histories and to what was previously invisible or silenced. Significantly, Himid's art reinserts black narratives into the forefront of cultural practice and conversation.
If you've learned a lot about leadership and making a movement, then let's watch a movement happen, start to finish, in under 3 minutes, and dissect some lessons:
A leader needs the guts to stand alone and look ridiculous. But what he's doing is so simple, it's almost instructional. This is key. You must be easy to follow!
Protesters from Extinction Rebellion disrupted London Fashion Week last weekend (15 February).
The group called on the industry to change its approach to protecting the planet: “We are asking not for sustainability but a complete reinvention of this industry in a way that regenerates the environment,” Extinction Rebellion spokesperson Sara Arnold said.
Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.
Shine, written by Stoneman Douglas students Sawyer Garrity and Andrea Peña in response to the tragic shooting at their school on February 14, 2018 to inspire unity, hope, and change. MSD alum Brittani Kagan collaborated with students and faculty to create this music video to honor the victims and the school.
Jameela Jamil has opened up about how she’s “not here to be liked” in a frank new interview with Meghan Markle.
In the latest episode of Archetypes, Meghan’s Spotify podcast, the Duchess speaks with both Jamil and Shohreh Aghdashloo about the “stereotypes and judgements women face in the world of activism”.
To some, the Clandestine Insurgent Rebel Clown Army (CIRCA) might appear to be but a ragged bunch of activists sporting false noses, a smudge of grease paint, camouflage pants and bad wigs. And those people may be right. But it is also a highly disciplined army of professional clowns, a militia of authentic fools, a battalion of true buffoons.
The Spanish artist Santiago Sierra is planning to immerse a British flag in blood donated by indigenous peoples from countries colonised by the British Empire.
The resulting artwork, titled Union Flag, is intended to be an “acknowledgement of the pain and destruction colonialism has caused First Nations peoples, devastating entire cultures and civilisations,” the artist said in a statement.
In the early 1980s Keith Haring created hundreds of drawings in the New York subway system. He used chalk to paint on unused advertising space, which was covered with black sheets of paper. Haring was caught and fined numerous times.
I Will What I Want is a campaign launched by Under Armour which speaks to women who do not wait for permission or affirmation in order to go after what they want. The campaign highlights various models and athletes who encourage women to tune out society's standards and pursue their dreams. The campaign began by highlighting Misty Copeland, a soloist at the American Ballet Theater.
Following on from Ruben Shanchez's mural on the Syrain boader, we head back to the same subject with Awareness & Prevention Through Art (AptART) is a not-for-profit organisation that aims to give vulnerable children an artistic experience with an opportunity to express themselves as well as an outlet to build awareness and promote prevention about the issues that affect their lives.
In “Speech/Acts,” a group exhibition organized by Meg Onli at the Institute of Contemporary Art in Philadelphia, Kameelah Janan Rasheed and Tiona Nekkia McClodden stood out as artists who take up voices, histories, and experiences that can help audiences move forward and endure in the future.
Museums and art galleries are not usually the sites of feminist political protest. Yet over the past couple of years, before the lockdown, gallery visitors all over the UK had noticed a small, determined activist whose modus operandi is “Small signs, big questions, fabulous wardrobe”.
There’s some great news for supporters of The Sarkeesian Effect, the seemingly random collection of badly filmed interviews with assorted people who dislike Anita Sarkeesian that is allegedly being edited into a film of some kind!
The video for “Borders,” a song off MIA's album Matahdatah, features images recalling all sorts of migrations from the developing world—there are people crossing deserts, fences, and bodies of water. Though much of M.I.A.’s work has been about women and children, this video is filled with brown men: the ultimate bogeyman for many in the West, stereotyped as terrorists, criminals, and job-takers.
Sebastián Mahaluf stands out as an artist deeply engaged in weaving the complex threads of human connection, community, and the interplay of personal and collective experiences. His notable work, "CONTRADICTION AND TENSION," showcases his approach to art as a participatory experience that bridges individual perceptions with communal narratives.