Ricardo Levins Morales is an artist and organizer based in Minneapolis, Minnesota. He was born into the anti-colonial movement in Puerto Rico, and when his family moved to Chicago in 1967, he became interested in activism. After leaving high school early, he worked in various industries and began to use art as part of his activism work.
In the four years since launching his eponymous label, Kozaburo Akasaka has established himself as a leader of New York’s new guard of fashion designers. In 2017, just months after graduating from Parsons’ prestigious Fashion MFA programme, his tailored silhouettes -- knife-sharp and steeped in retrofuturistic grunge -- earned him the LVMH Special Prize.
MOTHER EARTH is broken from incessant decadent wars carelessly perpetuated by mindless ,vicious political imbeciles. Our natural wealth plundered by greedy ,gluttonous economic dare-devils, imbibing crude oil and fresh blood . Warlord-ism set the suns of our freedom, our earth is torn naked . War is ravaging the beauty of African diamond fields ,We are now Wretched Vagabonds . Warlords are frying peace in oil springs of the Gulf.
Lynn Neuman, director of New York City–based Artichoke Dance, became preoccupied with single-use disposability after she started wondering about waste and who was responsible for it. For some of her performances, she has collected massive quantities of discarded plastics, like bags and six-pack rings, and invited community members to contribute their own. “There’s a real aha moment when people see how quickly plastic amasses,” she says.
In 2017 Ge Yulu became a national sensation in China. That year, he submitted his final project as a student at the Central Academy of Fine Arts in Beijing, revealing the unnamed road in Beijing that he had claimed in 2014 as his own. Because the Lu character in his name means road, he erected a sign for Geyu Road that blended seamlessly into the setting.
To state or chant ‘BLACK LIFE’S MATTER’ is not to say other lives don’t matter, it’s a reminder that four hundred years and counting, black lives didn’t matter enough. Not during the dark era of slave trade and its horrors on the African, not after slavery ended and blacks were left holding the short end of the stick.
For FX Harsono, art is activism. Over the past four decades, performance, sculpture, and painting have become his means of nonviolent protest against government autocracy and ethnic strife in Indonesia.
Watch Chadwick Boseman's Black Panther in Captain America: Civil War, and you'll see a charismatic character who fills a void in the conflicted do-gooder group. This T'Challa is accessible, awe-inspiring and perhaps most importantly, human. "I think the question that I'm trying to ask and answer in Black Panther is, 'What does truly mean to be African?'" the filmmaker recently told Rolling Stone.
La Casa Invisible project was started in 2007 in Malaga, Spain, when a group of socially involved participants squatted in a run-down building, aiming to eventually claim the legal rights to the property (Moor & Smart, 2016). The space was opened to local artists and creators, quickly becoming a hub for free local music, performances, and seminars as well as creating an important meeting space for social groups (Moor & Smart, 2016).
Journalist and playwright Xandra Clark began creating Polylogues, a one woman show exploring non-monogamy, in 2017. The show is created from interviews Clark conducts around the world with people of different ages, genders, and races about their relationship with non-monogamy or polyamory (hence the name of the performance Polylogues).
Chuu Wai Nyein felt an overwhelming sense of guilt when she first arrived in Paris from Myanmar at the end of April. “I was pushed to leave the country, but it was not how I wanted to leave,” says the 28-year old. As an artist working for the last ten years, mostly in the central city of Mandalay, Chuu built up an international reputation for her expressive paintings of women.
Artist Chris Jordan shows us an arresting view of what Western culture looks like. His supersized images picture some almost unimaginable statistics -- like the astonishing number of paper cups we use every single day.
https://www.ted.com/talks/chris_jordan_turning_powerful_stats_into_art?r...
"Artbus is a non-profit organization devoted to the promotion and dissemination of contemporary art. Supported by contributions from individuals, foundations and corporations Artbus facilitates public access to current artistic expressions and fosters creativity and production by living artists.
The artist I chose to focus on personally is the photographer Cristina Garcia Rodero. I used photos from her photography essay España Oculta, in which Rodero traveled to small villages in Spain to document the resident’s lives. Our group's main focus is on gender issues, and I personally wanted to focus on activism involving women and representation. Rodero uses photos of rituals and activities among those outside of the majority population.
“Everything is art. Everything is politics.” Globally renowned artist Ai Weiwei (Chinese, b. 1957) is celebrated as a disruptor of artistic canons and a champion of free expression. In his work—ranging across performance, photography, sculpture, video, and installation—he deploys humor and provocation, calling upon his viewers to examine history, society, and culture.
The pro-democracy protests in Hong Kong have a new mascot: a roughly 12-foot-high figure of wood blocks holding a bright yellow umbrella in its outstretched right hand. The students call it Umbrella Man.
Umbrellas emerged as a symbol of the demonstrations after dozens of students wielded them on the night of Sept. 28 to fend off pepper spray as they jostled with the police.
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.
After researching several potential sites as far afield as Baltimore, Eisenbach and Ruppert “became attracted to the library because the plaza has never been used,” Eisenbach says, citing the fact that the library’s second-level entrance onto the plaza is locked.
Our key beliefs and principles are the very pillars that form the backbone of our movement:
‘Taking Up Space’: We believe marginalised voices must take up their rightful space in this world and deserve to have their voices heard, lived experiences believed, and should be visible in a world of constant erasure.
The Bed-Stuy “aquarium” is back.
The neighborhood’s beloved sidewalk fish pond was resurrected this week — in an act of defiance that comes just five days after the city cemented over the original and left the neighborhood’s goldfish to die.
Back after a five year hiatus, V-Day Sedona joins with hundreds of other productions across the globe in celebrating V-Day’s 20th anniversary with an act of artistic activism. For its 20th anniversary, V-Day is calling on activists around the world to Rise, Resist and Unite.
While governmental support for arts and culture is often meager, the Brazilian national government has recently demonstrated great interest in the industry. They've just introduced a "cultural stipend," which provides workers with 50 real (roughly $25) per month for arts and cultural expenses. The allowance covers personal spending on things like movies, concerts, books or museums.
Most cheLA activities are organized around a series of workshops, which may act in combination, are designed as areas of aesthetic, technological and theoretical concentration, and structured to promote their development. Its core activities are research and experimentation residences. As participants in the Parque Patricios neighborhood life, within the Federal Capital, are evident human needs.
In March this year, less than 100 days since he took office again, Luis Castañeda Lossio, Mayor of Lima, announced that the Municipality would remove the street art murals painted on the walls of downtown Lima’s historical city streets. “Lima has to recover all the architectural quality it has. They have chosen us and we will comply with the obligation that the population has consigned us,” said the mayor.
Through the use of mythical and archetypal iconography, Bourgeois translated her encounters into a very individualized symbolic imagery, employing things such as swirls, arachnids, cages, surgical equipment, and sewed appendages to represent the feminine mind, beauty, and mental agony.