It all started a few months ago, when the Minneapolis Institute of Art got a phone call from Valerie Castile.
Castile is the mother of Philando Castile, the 32-year-old black man who was shot and killed by a police officer in 2016. Valerie Castile has since founded the Philando Castile Relief Foundation, which helps victims of gun violence.
Converse Rubber Tracks is a global community of professional recording studios, which provides free studio time to emerging artists. Bands and artists record without any fee whatsoever and maintain all the rights to their music.
The "Democracy Wall" in the Carroll Gardens section of Brooklyn, New York was established in 2009. This wall is a long-term, community art activist project that is part wall mural, part past information archive.
Add-Art is a free Firefox add-on which replaces advertising on websites with curated art images. Created with the support of Eyebeam, Rhizome, Add-Art releases new art shows every two weeks and strives to feature contemporary artists and curators.
PERIPLUS is a transoceanic route through community arts (music, performing arts and interdisciplinary projects) across five continents. It aims to disseminate knowledge and enhance the visibility of education, social and artistic initiatives by critically analysing the synergies which arise from connections in these three fields.
Our Action: We set up “I’m every Woman” as a 3D street installation. It took place on the Boardwalk, Cork City on the weekend of International Women’s week.
Our aims were to promote gender-equality. As a group we identified women as locally and globally dehumanized. We challenged this by honouring women and interacting with people we encountered to celebrate women, both locally and globally.
Djerbahood Project, which took place during the months of July and August on a small island called Djerba and is located in the Gulf of Gabes. Better known as the island of dreams, the tiny village of Djerba boasts a traditional and authentic Tunisian setting which acted as a blank canvas for hundred and fifty street artists from thirty different countries.
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond:
Installed on the occasion of the 2016 U.S. presidential election, I want a president renders a poignant portrait of the cultural and political climate in the early 1990s in New York City with words that still resonate today.
Ge Yulu’s artistic practice playfully pulls at the strings of a social system that, although seemingly all-encompassing, is in fact a malleable structure consisting of individual human beings. For his 2016 project Eye Contact, Ge positioned himself in front of a surveillance camera and stared directly into the lens for hours, then negotiated with a security guard to buy the footage.
Two climate activists scrawled blue ink across a series of Andy Warhol screen prints at the National Gallery of Australia in Canberra, Australia this week to raise awareness of the country’s fossil fuel subsidies.
Images and video of the protest posted to social media show the two activists also trying to glue their hands to the famous print series titled Campbell’s Soup I, which is framed and under glass.
The Canadian artist collective General Idea found its drive in the AIDS epidemic, becoming aesthetically and conceptually refined in the in the 1970s and ’80s, after long forays into absurdity and performances evocative of Dada and Fluxus.
Almost all of Rivera's art told a story, many of which depicted Mexican society, the Mexican Revolution, or reflected his own personal social and political beliefs, and In the Arsenal is no different. The woman on the right side of this painting in Tina Modotti, an Italian photographer and revolutionary political activist, who is holding ammunition for Julio Antonio Mella, a founder of the internationalized Cuban communist party.
Enmedio member Leonidas Martín at Creativetime 2012 (New York). His presentation “How to Disrupt the Financial Order with Humour, Creativity and a Dose of Mischief” is priceless. Watch the video and laugh.
The pro-democracy protests in Hong Kong have a new mascot: a roughly 12-foot-high figure of wood blocks holding a bright yellow umbrella in its outstretched right hand. The students call it Umbrella Man.
Umbrellas emerged as a symbol of the demonstrations after dozens of students wielded them on the night of Sept. 28 to fend off pepper spray as they jostled with the police.
There is no embassy of Iran in Jerusalem.
We ask why.
We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments.
The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
Linha Vermelha was created in 2016 by the non-profit organization Academia Cidadã (Citizenship Academy). At that time there were fifteen active contracts for oil and gas drilling and we were inspired by the “Red Line Action” in Paris, during COP21 and decided to create this campaign.
You might think that pictures of dicks (usually unsolicited) aren’t particularly hard to come by on the internet. And most of those dick pics aren’t particularly expertly composed. But that’s not the case for Penile Papers, a new collection of phallic art curated by London-based artist Dominic Myatt.
#NYTIMES Why are there no U.S. anti-slavery monuments? http://antislaverymonument.org project is an answer.
Standing 60 feet tall, corten steel of two hollow chain links the upper one broken.
AISHA FUKUSHIMA is a Singer, Speaker, Educator, and ‘RAPtivist’ (rap activist). Fukushima founded RAPtivism (Rap Activism), a hip hop project spanning 20 countries and four continents, amplifying universal efforts for freedom and justice.
In Halt, a new solo piece premiered at
NYU Gallatin, dancer and choreographer
Jamar Roberts examined the language of
the body in protest. The work focuses
on what it means for human beings-the
committed individual and the organized
collective- to be equally the subjects
of progressive change and the targets
of unjust corporeal punishment.
"Soviet Lives of Uncle Tom"
105 NY-110, Melville, NY 11747
February 4, 11 am – March 1, 7 pm
Monday – Friday, 11 am – 7 pm, free admission
Artist talk – February 28, 2 pm
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
"'Shake the Dust' is a feature documentary that tells the stories of break-dancers in struggling communities around the globe that, although separated by cultural boundaries and individual struggles, are intrinsically tied to one another through their passion for break-dancing and hip-hop culture.
Ghana ThinkTank is an international collective that “develops the first world” by flipping traditional power dynamics, asking the “third world” to intervene into the lives of the people living in the so-called “developed” world.
ŠTO TE NEMA is a public monument created as a response to Europe’s worst atrocity since World War II - the systematic killing of 8,372 Muslim men and boys in the UN-protected safe area of Srebrenica in Bosnia and Herzegovina in July of 1995.