Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
Cartoons Against Corruption is a cartoon based campaign by political cartoonist Aseem Trivedi to support anti corruption movement in India, best known for sharp hard hitting anti corruption cartoons. Using national emblems and current political news, Trivedi creates cartoons that don't attempt to skirt the issues at hand, but portrays his political stance straightforwardly.
About a year ago my girlfriend moved to Japan to teach English in Tokyo for two years. (Don’t worry, this isn’t a sob story.) Having spent the greater part of our relationship physically separated, thought it was a challenge we felt prepared for. Like any other self-respecting relationship, we constantly exchange obtuse pop culture references and niche anime memes thanks to text and wifi.
"Nearly 2 million decaying Goodyear tires lie submerged off the coast
of South Florida, decrepit hunks of rubber that have gradually succumbed
to the pressures of tides and tropical storms. The steel cables that
once strung them along the ocean floor have snapped, and many have
drifted into the natural reefs only 70 feet away, permanently scarring
them. What is now a 36-acre underwater junkyard was once the
About: Hundreds of people came out to attend a decolonization tour of one of New York’s most popular museums.
Written by Elena Goukassian on October 10, 2017
In 2006, 25-year-old Jason DaSilva was on vacation at the beach with family when, suddenly, he fell down. He couldn’t get back up. His legs had stopped working; his disease could no longer be ignored. Just a few months earlier doctors had told him that he had multiple sclerosis, which could lead to loss of vision and muscle control, as well as a myriad of other complications. Jason tried exercise to help cope, but the problem only worsened.
Kendick Lamar is known as one of the most prolific, and socially conscious, rappers of our time. 'BLOOD.' is the second track off of Lamar's iconic album 'DAMN.' from 2017. What makes this song stand out is the sample used at the end of part one of the song.
For those of you unfamiliar with the wonderful Worth1000, it’s a website that hosts creative contests of all kinds, most notably for photoshoppers who are outstanding at what they do. Hell, just look at the first question on the site’s FAQ list and you’ll have a basic idea of how good some of these people are at making terrific photoshops.
This country belongs to whoever shows up. And do you know who shows up for every election? Old people. But only 46% of people18-34 years old voted in the last election.
So the elderly have a disproportionate influence on our politics and our country. And a lot of them would like to keep it that way.
In recent years, a fashion for painting the human figure has preoccupied the art world, with an emphasis on race, gender and other urgent social issues. Yet another pressing topic in America has been curiously absent from art: abortion, which became all the more timely when the Supreme Court overturned Roe v. Wade in June.
Racist adverts promoting hatred against Muslims are currently being run on buses in San Francisco - but someone has started covering them up with anti-hatred messages from Marvel's première Muslim superhero, Ms. Marvel.
Iran is a nation with a fine art tradition that stretches back thousands of years; its reputation for contemporary fashion design less so. Writing that from an external, Western perspective may read unduly dismissive, but it’s a statement that holds up even from within the country’s borders, Shiva Vaqar assures us. “Being a designer has never really been considered a serious job here,” she says over the phone from Tehran.
Buses serving several routes in central Seoul have acquired a new and highly controversial passenger: a barefoot “comfort woman”, wearing a traditional hanbok dress with her hands resting on her knees.
In a conceptually odd but undeniably memorable PSA campaign, the Mexico City Metro has installed a “penis seat” in one of its subway cars, featuring a molded likeness of a man’s torso and penis, to get male riders thinking about the sexual harassment that women endure every day.
The seat is labeled “For men only.”
The "no nos vamos, nos echan" campaign speaks to making the invisible visible through pictures, videos and global mass demonstrations. Hopefully the Spanish government and other political players in Spain and Europe will see the faces of the population forced in exile.
In France, abstention, vote of protest, lassitude or violent reactions rise from all over the crisis of our "representative democracy ».
What about thinking the other way round ? What if we reappropriate the iconography of the election?
On June the 18th 2013 in Istanbul, Turkey suddenly a man appeared on Taksim Square, just standing there.
After more than 2 weeks of peaceful protest against the ruling Prime Minister and his party AKP Taksim Square is still the focus point of attention.
Cleve Jones's powerful vision for memorializing those lost to AIDS was realized in October 1987 in Washington D.C. It showcased the artistic contributions of people who'd lost loved ones to the virus from a number of US metropolitan centers. The quilt has continued to grow for the nearly 40 years since. By 1992, the AIDS Memorial Quilt included panels from every state and 28 countries.
A beauty contest for landmine victims challenges normal concepts of beauty. The search for beauty takes many forms. The traditional beauty pageant might be thought to be one of the less acceptable, concentrating as it does on conventional ideas of female perfection. Miss Landmine is a challenge to normal concepts of beauty. It is a beauty pageant held in Angola, a country ravaged by war and its aftermath, for women who have lost limbs from landmines.