Since summer 2011, FARM’s activists have been paying people $1 each to watch a 4-minute video depicting the inherent cruelties of raising animals for food. This tactic, known as “pay-per-view,” has led 80% of participants to reduce meat consumption, sparing tens of thousands of animals from abuse and slaughter.
"In preparation for tomorrow's election, members of artist-activist project Luminous Intervention beamed ballot-question themed slogans onto a bridge over Route 83 during rush hour traffic this evening. Today's action followed on the heels of an equality-themed luminous alteration of The Natty Boh/Utz Girl proposal billboard in Station North on Friday.
A source of delicious egg creams and daily newspapers since at least the 1930s, an unassuming shop at the corner of St. Marks Place and 2nd Avenue was renamed Gem Spa in 1957 and swiftly transformed into a meeting ground for generations of downtown artists, musicians, poets, and activists.
female:pressure is an international network of female artists in the fields of electronic music and digital arts founded by Electric Indigo: from musicians, composers and DJs to visual artists, cultural workers and researchers. A worldwide resource of female talent that can be searched after criteria like location, profession, style or name.
The idea was born in an instant.
A curator attending an opening at the Baltimore Museum of Art was immediately captivated by a painting from an artist she had barely heard of, Mary Lovelace O’Neal.
WeiweiCam is a self-surveillance project by artist Ai Weiwei that went live on April 3, 2012, exactly one year after the artist's detention by Chinese officials at Beijing Airport.[1] At least fifteen surveillance cameras monitor his house in Beijing[2] which, according to Ai, makes it the most-watched spot of the city.[3] He described his decision to put himself under further surveillance as a symbolic way to increase transparency in the Chinese g
On a warm summer afternoon in the Italian city of Bologna, a group of around 15 young people march through the crowded city centre to a high-end pastry shop in Strada Maggiore.
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
Taking back the media. The Bristol Cable is a media co-operative shaking up local news with hard-hitting investigative journalism.
“In every single pub up and down the country people will be talking about how crap the media is,” says Alon Aviram, co-founder of The Bristol Cable, “but there aren’t many conversations around what the alternatives are and how we can remodel it.”
Human rights activism relies on an ability to tell stories to diverse audiences that will inspire action toward justice. Distributing information through journalism, whether it be traditional or new media, is the standard method of raising awareness. Globalization and the movement of people means that activists and artists from affected communities may cooperate to mutual benefit and find new audiences in the process.
A group of South Korean activists is determined to send copies of The Interview across the North Korean border, despite threats from the state to respond with “cannons or missiles” if the plan succeeds.
Deportation Class is a satirical project by European anti-deportation activists protesting European airlines who agreed to cooperate with deportation agendas. Together, these airlines are referred to as the Deportation Alliance. The activists designed a faux luxury offering on behalf of each airline, showcasing the attractive perks of flying "deportation class."
“I am the dishes, the ironing, I am everything, I am nothing. But remind me: Who are you?” So plays the hook of a new feminist anthem released by the Palestinian rappers, DAM. The video for “Who You Are” plays on sexist attitudes by having men and women switch domestic roles typical in the Middle East, but also familiar across most cultures.
A popular theme throughout media is the relationship between technology and art. While art is often bolstered and disseminated through technology, discussions arise of how technology both positively and negatively affects content. Caroline Sinders’ exhibition Within the Terms and Conditions explores the way content has been spread online.
Luke Ching Chin Wai is a conceptual artist and labour-artivist in Hong Kong. Since 2013, he has worked undercover in different low-paid jobs in the city, including as a security guard, supermarket cashier worker, and metro cleaner to learn about poor people's working conditions. He then uses these experiences to create art and push for improved labour rights.
This blogger documents all the cool things that are on their way to extinction in New York. A mix of preserving history and nostalgia through old school photography and new media. This website creates a nostalgic internet record of pre-internet New York.
In time for the 30th Anniversary of the famed EDSA People People Revolution, a two-day pop-up museum in Camp Aguinaldo serves as a vivid reminder of a significant period in Philippine History.
The interactive museum, which is composed of nine halls, recreates the martial law victims’ struggle for democracy, including the events that led to the bloodless revolution in 1986.
Bus Regulation: The Musical (2019 – 2023) is a Trilogy of roller-skating Musicals inspired by Andrew Lloyd Webber’s ‘Starlight Express’ performed in three of the UK’s biggest post-industrial city-regions – Greater Manchester, Strathclyde and Merseyside – in collaboration wi
From 2008 to 2010 Bronson and Hobbs performed Invocations of the Queer Spirits, bringing together small groups of men—in Banff, New Orleans, Winnipeg, Manhattan, and Fire Island—in a secret group ritual that was different every time and yet always the same.