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Sophie Calle's works discuss the issue of "privacy", the composition of an individual's identity at the social level, and the relationship between "private" and "public/group/society", including personal information, personal records, public surveillance, and other topics. An obvious feature of her works is the unique and extremely subjective criteria of judgment and reference for measurement.

Creative Time, Social Practice Archive: Brinco is an art project, product, and intervention created by the Argentinean artist Judith Werthein for the 2005 inSITE Biennial held on the border of Tijuana and San Diego. Brinco—Spanish for "jump"—is a specially designed shoe the artist created for illegal migrant workers and immigrants who navigate the border region at night.

For the People Artists Collective is a collaborative network of radical artists of color in Chicago.

As the summer warms up, bringing with it sleeveless tops, Xiao Meili, a women’s rights advocate, is collecting photos of women’s armpits. Her goal: to challenge a growing belief in China that a woman must have hair-free armpits to be attractive.

In the UK, the secretary of state Theresa May is attempting to pass a new investigatory draft bill that would essentially rid all British citizens of the right to privacy and security on the internet. Internet providers will be required to maintain user's browser history for 12 months amongst other things. In light of these revelations, it seems privacy will no longer be a basic human right, but an add-on option to our internet services.

Denes's project "Tree Mountain-A Living Time Capsule" in Finland is a monumental earthwork involving the planting of 11,000 trees by 11,000 people on a reclaimed gravel pit. It's designed to grow over the next 400 years, serving as a testament to environmental stewardship and the potential for regeneration.

Thousands of ethnic Mongolians have protested across northern China in opposition to Beijing plans to replace the Mongolian language with Chinese in some school subjects.

Art and the Arab Awakening By Nama Khalil, August 2, 2012 Revolutionary street art in Tunisia.

"As of October 2009, Retznei boasts a new centre. In the middle of the square the black contours of a concrete surface stand out, reminiscent of the shape of a pond. If you step on the Platform, you notice that the ground gives slightly and that it sways. Invisibly but noticeably, water reveals itself as a key component of this art work by Michael Kienzer. The water carries the Platform and us, while we are walking or standing on it.