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Kwentong Bayan: Labour of Love is a community based comic book project, created by Toronto-based artists Althea Balmes (Illustrator) and Jo SiMalaya Alcampo (Writer) in close collaboration with caregivers and supporters, about the real life stories of Filipina migrant workers in the Live-in Caregiver Program.

When people think of feminist protests of the 1960s, they most often think of bra burning at the Miss America pageant. This is super lame because bras weren’t even burned at that protest, just discarded into a trash can. It’s hard to imagine why this trope has persisted over the decades. Bras are an investment, so I have a hard time believing that any of my friends would willingly burn expensive (and sometimes really fun) garments.

Last month, a graduate student by the name of Josh Treuhaft set up the Salvage Supperclub in New York City—an establishment where diners pay US$50 to eat a six course meal made from food scraps salvaged from the dumpster. Chefs from the Natural Gourmet Institute created dishes using overripe fruits and vegetables that would normally be thrown away, calling into question what we perceive as waste. By Thia Shi Min Design Taxi

Whether or not they follow politics, it’s fair to assume most people don’t actually read electoral programs. Podemos, Spain’s growing leftwing party, which got nearly 21% of the votes in last year’s elections, doesn’t think that’s good, so it adopted an unusual marketing approach to tackle that problem: it printed the program as an Ikea catalogue (pdf, link in Spanish).

This piece is about multiple layered “creative activism”. There is art, activism, and community building. According to the Merriam Webster dictionary, a zine is a “noncommercial often homemade or online publication usually devoted to specialized and often unconventional subject matter.”

"He's been running all his life, running for freedom, running for peace.It started when he ran away from home at the age of eight. Later he ran away from his homeland, Iran, and spent seven years on a bicycle, pedaling 49,700 miles across 55 countries. In 2002, he reached America. He now lives in a tent in Death Valley. It's been nearly 10 years since Reza Baluchi escaped from Iran.

"One morning, when JR awoke, an image lingered from his dreams: The wall along the U.S.-Mexico border, and above it a young kid peering curiously over. A child just 1 year old, who has "no idea that's a wall that divides people — he has no idea of the political context," JR imagined.

Colorful portrait of a Muslim woman wearing an American flag colored head scarf. Image on back of a woman with a rose in her hair in black and white with text that states, "We are resilient. We are indivisible. We are greater than fear. We will defend dignity. We will protect each other." -- "The We the People campaign aims to restore hope, imagination, curiosity, and creativity into our country’s dialogue.

Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.