Grey wolves have had a tumultuous relationship with their human neighbors in the Pacific Northwest for more than a hundred years. From nearly being wiped out from the continent, Canadian grey wolves started being reintroduced to the wilderness in the U.S.'s Northern Rockies as early as 1995. The wolves were (and continue to be) placed in areas dense with wilderness and potential prey.
The beacon flashed incessantly. On. Off. On again.
Like some sort of traffic light gone crazy, it pierced the thick nighttime mist hovering over San Francisco Bay. The light sent a message five miles across the dark waters from Ghirardelli Square to Alcatraz Island. There, cheers erupted as the light flashed the words, "Go Indians!"
Savages are an all-female post-punk band that attempt to motivate people to be informed and take part in politics. They "try to give people a platform to express their own ideas" as Fay Milton of the band explains.
The following is the manifesto Savages wrote for their 2016 album, Adore Life:
In December 2015, she stepped out in a wedding dress adorned with hundreds of air pollution masks and walked the streets appealing to Beijingers to take public transport rather than contribute to the choking smog by driving. The year before, she was photographed outside the Beijing Exhibition center in another, wedding dress complete with a 10-metre-long train in a piece entitled “Marry the Sky”.
We were ‘Superheroes’ and had fun, colourful, engaging activities which had a high visual impact with a purpose to engage the head, hand and heart. We believe that everyone has superpowers within and they just need to be released but that all superheroes need a rest in order be at their best for themselves and others.
MOTHER EARTH is broken from incessant decadent wars carelessly perpetuated by mindless ,vicious political imbeciles. Our natural wealth plundered by greedy ,gluttonous economic dare-devils, imbibing crude oil and fresh blood . Warlord-ism set the suns of our freedom, our earth is torn naked . War is ravaging the beauty of African diamond fields ,We are now Wretched Vagabonds . Warlords are frying peace in oil springs of the Gulf.
Inspired by the ecological disaster unfolding across the planet and driven by empowering underrepresented people, Moule, a painter, illustrator, and graphic designer, creates art that makes a statement.
Dressed in a magenta blazer and wearing bright pink lipstick, she is as colourful and spirited as one of her illustrations.
“I am a silkworm.” Liang Shaoji has repeatedly used this phrase to describe his work, underscoring his preoccupation with the materiality of silk and the technology of sericulture, or silk farming. For more than twenty-five years, Liang Shaoji has raised silkworms and trained them to spin silk onto different objects in his Nature series.
Greenpeace released a video to spread the word that Nestle, the maker of Kit Kat, was using palm oil purchased from companies that are destroying the Indonesian rainforest and pushing orangutans towards extinction. The video, which features a guy opening a Kit Kat at work, pulling out an orangutan finger and taking a bite, shocked hundreds of thousands of viewers. The Greenpeace campaign against Nestle was a success.
Many of the banks originally situated on Bank Street in Sharjah have left for more lucrative locations, so we have imagined a new, non-monetary banking model for the street.
What if we were to regard the sum total of memories and stories of the people in this area as the real capital of the street?
And what if this new currency could be invested in the new Bank Street and converted into physical objects?
On his way to work on a construction site, Khaleel Seivwright surveyed the growing number of tents lining an intercity highway and in parks with increasing discomfort. How would these people survive Toronto’s damp, frigid winters, let alone the coronavirus, which had pushed so many out of overcrowded shelters?
He remembered the little shanty he had once built out of scrap wood while living on a commune in British Columbia.
The Breath of China is a thematic photo exhibition of thousands of air-quality images taken by 44 photographers in 34 Chinese capital cities. The exhibition was displayed on the 14th Pingyao International Photography Festival (PIPF) in Shanxi Province, from September 19th to 27th, 2014.
In 2016, The New York Times enlisted Jay-Z to voice a video about the War on Drugs. Aside from his recognizable cadence, Jay-Z has his own history with drugs; the now music mogul is open about his past of selling crack while growing up in Brooklyn, New York. The video asks, “Why are white men poised to get rich doing the same thing African-Americans have been going to prison for?”.
At a gallery within a shopping complex in the South Korean capital, a couple saw paint cans and brushes at their reach and use next to what was actually a finished portrait worth hundreds of thousands of dollars. Thinking the available paint and brushes was a signal to be a part of the art, they ended up technically vandalizing the artists' work.
In the autumn of 2001 the fare strike started in Stockholm. A hike in fares forced us - activists in the Syndicalist Youth federation - to take action.
Cut and Paint is a website with free access to a wide variety of visual designs that can be printed out, cut, and used as graffiti stencils anywhere. Access to a variety of resolutions of each design is free for all, and there is a standing invitation for artist-activists to contribute their own designs for others to use.
Injustice is an interactive VR experience themed around racially motivated police brutality. Guests witness an act of racial discrimination in front of them, forcing them to make moral and ethical decisions on the spot. Injustice is an experience aimed at exploring the emotional impact of VR space vs. traditional film.
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond: