Sing for Hope is bringing its renowned Sing for Hope Pianos back to the streets of New York City this summer. From June 5-25, as a celebration of the work Sing for Hope does in communities year-round, 60 Sing for Hope Pianos will be placed in parks and public spaces in high traffic locations across all five boroughs in New York for anyone and everyone to play.
I have several theories about why song rewrites work well. Theory aside, people know the tunes and can learn the words. Scholars differ on whether you should make it as simple as possible or let the crowd be the artist by recognizing their ability to learn and perform something a bit tricky. Either way, it's great when songs are repurposed and people get to shout and sing instead of just chanting or listening to speeches.
Mona Haydar’s first single, “Hijabi (Wrap My Hijab)” is an empowering anthem for women everywhere who wear headscarves.
It’s also a sharp rebuke to those who dare to ask headscarf-clad women what their hair looks like underneath, whether they’re hot in there, and whether it feels too tight.
Vem Pra Rua is a nonpartisan, democratic, and pluralist movement that emerged in response to society’s fight for a better Brazil. Brazilians of all regions, social classes, and ages began mobilizing at the end of 2014—building on the 2013 marches that protested corruption, inequality, and other socio-economic and political problems.
RACC Satellite Space in Garden City
1205 Franklin Avenue, 3rd Floor, Garden City, NY 11530
June 26, 10 am – July 28, 7 pm
Monday – Friday, 10 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
HAVANA (AP) — A U.S. agency's secret infiltration of Cuba's underground hip-hop scene to spark a youth movement against the government was "reckless" and "stupid," Sen. Patrick Leahy said Thursday after The Associated Press revealed the operation.
A viral video of a student dance performance in southern China’s Guangxi Zhuang Autonomous Region has won praise for speaking out against so-called ghost marriages, which many today see as an archaic and even dangerous tradition.
La Casa Invisible project was started in 2007 in Malaga, Spain, when a group of socially involved participants squatted in a run-down building, aiming to eventually claim the legal rights to the property (Moor & Smart, 2016). The space was opened to local artists and creators, quickly becoming a hub for free local music, performances, and seminars as well as creating an important meeting space for social groups (Moor & Smart, 2016).
You could hear their chants from the White House.
On June 6, hundreds of activists and protesters gathered on Black Lives Matter Plaza, a two-block section on 16th Street in Washington D.C. that was renamed amid BLM protests.
It started as an experiment: what happens when you equip a vibrant youth community with the resources to express themselves through hip hop and electronic music? Last summer I traveled to Goma, Democratic Republic of Congo to find out and the results were more beautiful than I could have imagined.
The origin of the Soviet disco tradition, one that lasts to this day in the DJ-laden nightlife of Moscow and St. Petersburg, lay in the Stalinist era. Western culture – modernism, cubism, rock and roll, all that good stuff – was “decadent,” perhaps even a plot by Trotskyists or the Western intelligentsia to dull the steely nerves of the Soviet people. But dancing – this was a-OK.
‘‘HAMILTON,’’ the new musical biography of Alexander Hamilton created by and starring Lin-Manuel Miranda, kicks off with a doozy of a question. The houselights rise on Aaron Burr, the third vice president of the United States and, infamously, the killer of Hamilton in a duel in 1804. Burr steps to center stage and reels off several lines of verse:
Promoted as a DIY festival with no corporate sponsorship, the 2015 Latino Punk festival in Brooklyn, NY featured bands from all over the Americas. With an emphasis on local bands supporting each other and nurturing local scenes, this festival functions in reference to the ideals of the punk and Riot Grrrl movements in the 1990s.
Kendick Lamar is known as one of the most prolific, and socially conscious, rappers of our time. 'BLOOD.' is the second track off of Lamar's iconic album 'DAMN.' from 2017. What makes this song stand out is the sample used at the end of part one of the song.
The rise of rock and roll in the late 1980 was largely associated with the student movements taking place at the same time. Cui Jian, considered by many to be the godfather of Chinese rock, even performed for the students on hunger strike in Tiananmen Square in 1989.
After J.Cole posted a song that implies that Noname can get her message across to a wider audience if she changes her tone, she releases another song in response. However, instead of explicitly responding to his critique, she uses the controversy to shed light on the death of Black female activist Oluwatoyin Salau, who was killed by her assaulter.
At ‘Arcadia Earth,’ Dazzle Illuminates Danger
Using augmented reality, virtual reality and installations of light and art, the creators of this pop-up exhibition hope to inspire action on climate change.
By Laurel Graeber
Oct. 23, 2019
The creators of “Arcadia Earth” want to awaken your conscience. But they also plan to make that guilt trip extraordinarily fun.
The rap duo Macklemore and Ryan Lewis has broken records with their hits “Thrift Shop” and “Can’t Hold Us.” And now, with their pro-marriage equality hit “Same Love,” which features out lesbian Mary Lambert, they’re shattering stereotypes.
Willie Mae Rock Camp for Girls is a non-profit music and mentoring program that empowers girls and women through music education, volunteerism, and activities that foster self-respect, leadership skills, creativity, critical thinking, and collaboration.
The 1975’s ‘Love It If We Made It’ is a dystopian love story that feels appropriate for the last 18 months. Even though it was written before the pandemic, its relevancy has only increased tenfold since its release in 2018.
Converse Rubber Tracks is a global community of professional recording studios, which provides free studio time to emerging artists. Bands and artists record without any fee whatsoever and maintain all the rights to their music.
The language of music is common to all generations and nations,” Gioachino Rossini, the virtuosic opera composer, once said. “It is understood by everybody, since it is understood with the heart.” In recent weeks, Italians have embraced the language of music as a means to communicate with their neighbors and endure the ravages of covid-19 as a collective.
Julius Eastman was a Black and Queer avant garde, minimalist composer and performer from the 1960s-1980s. He used his platform to advocate for the rights and livelihoods of Black and queer people through his unique musical aesthetic and the controversial naming of his pieces, including "Gay Guerrilla," "Evil N-word" and "Crazy N-Word"
AISHA FUKUSHIMA is a Singer, Speaker, Educator, and ‘RAPtivist’ (rap activist). Fukushima founded RAPtivism (Rap Activism), a hip hop project spanning 20 countries and four continents, amplifying universal efforts for freedom and justice.