Stop Telling Women to Smile is a street art project by Tatyana Fazlalizadeh that addresses gender based street harassment.
Street harassment is a serious issue that affects women world wide. This project attempts to take women's voices, and faces, and put them in the street - creating a presence for women in an environment where women are a lot of times made to feel uncomfortable and unsafe - outside in the street.
With World Comics India, the organization he started, Sharad has pioneered a cheap and easy medium for poor people to communicate meaningfully on issues that are neglected by the conventional media. While the urban elite dominates public media, the grinding day-to-day concerns of millions are rarely heard. Layers of discrimination and abuse heaped on huge numbers of people keep their problems out of sight and out of mind.
French street artist Roti installed a 4-ton marble sculpture in Independence Square in Kiev Ukraine, as an expression of solidarity with government resistors and protestors. The sculpture depicts a woman's body emerging from water.
Slippery When Wet proposes a wet ontology of Hong Kong—a city in ongoing transfiguration shifting into an uncanny vision of itself. Hong Kong secretes, leaving a trail of ink, tears, humidity, logistic flows, and leaks.
Energy BBDO launches its latest activation on behalf of Change The Ref, a leading gun-control organisation which was formed to empower our Future Leaders.
The activation, ‘New Recruits’ is Change the Refs latest effort to ignite a movement to ban ‘weapons of war’. The event took place last Saturday in Montclair NJ and was hosted by Manuel and Patricia Oliver.
When Tracey Emin aired her dirty laundry in the 1999 Turner Prize exhibition at Tate Britain, she set a new standard for confessional art. She conceived of the installation, titled My Bed (1998), after a long, bedridden bender following a bad break-up. When Emin finally left her sheets, she examined the mess she’d created.
In El Paso more than 100 murals have been painted since the mid-1960s. The murals, located throughout the city's various corridors, often depict themes common to Chicano muralism, such as mestizo heritage or social problems, but they also tell unique stories about the "merging of ideas, cultures, and dreams" along the United States-Mexico border.
These graffiti artists were given carte blanche over an entire warehouse to do with what they wanted. The result? Everything from the soundtrack from the videography, editing and the painting is just absolute brilliance.
This project was born a few days after a demonstrator lost an eye after being hit by a rubber bullet shot from police guns in Barcelona. Unfortunately, it was not the first time. "Cop d' ull" means a "a blow to the eye" and also "at a glance”, which is a perfect description of this project.
Women's collectives and feminist groups occupied the National Commission of Human Rights demanding results to several neglected, open investigations of feminicide in the country. During the occupation, they interviewed the portraits of historical "national heroes" with spray-paint, glitter, markers, and liquid paint.
As the cold air bit our faces, and we hid deeper into our layer of sweaters, my family and I continued to wander around Manhattan, seeking a place which would provide warmth and food. And there it was, dimly lit: the Michelin-starred ramen restaurant, Tonchin. We ordered the highly-sought after ramen bowl, Tonkotsu, and awaited our meal. Out of the kitchen, the steam arose from a bowl of a warm, salty pork broth.
As massacres, civil wars, and violence permeated communities, people have searched for asylum in other countries. Due to its location and relative safety, Spain has become a common destination for immigrants seeking a better life. Female immigrants in particular tend to experience much more arduous journeys in that they frequently are subjugated to sexual abuse.
To mark the 200th anniversary of Karl Marx, PL Henderson offers an appreciation of one of Frida Kahlo’s greatest paintings, which was heavily influenced by Marx's creative thinking.
In his ongoing street art series “The Living Wall,” Russian artist Nikita Nomerz brings life to decrepit buildings in Russia by painting faces on them. Nomerz travels extensively around Russia and makes an effort to paint a character in each place he visits. He talks about his art in this interview with Global Street Art.
Since Christmas Eve, some lights along the streets and in the houses of Bushwick have spelled out a number of messages quite different from the festive wishes one usually finds during the holiday season. “GENTRIFICATION IS THE NEW COLONIALISM,” “NOT 4 SALE,” and “NO EVICTION ZONE,” some read.
Members of this organization begin the narrative process by examining city neighborhoods and commercial districts for compelling structures that appear to have fallen into disuse —“hidden gems” of the built environment. In varying states of repair, these buildings suggest only stories about the past, not the future.
The “Hyperbolic Crochet Coral Reef,” a unique exhibition and thought-provoking fusion of science, conservation, mathematics, and art, is on display in Washington, D.C., at the Smithsonian’s National Museum of Natural History. By engaging local communities to crochet coral reefs, the exhibition celebrates the reefs' beautiful diversity and speaks to the urgent need to protect these vanishing ecosystems.
On May 12, 2008, a massive earthquake in China’s Sichuan province killed approximately 90,000 people. Ai Weiwei created this serpentine sculpture, made of backpacks, to commemorate the more than 5,000 school children who were killed when their shoddily constructed schools collapsed.
In 2009, the dissident artist created a work to honour the thousands of children who died in the Sichuan earthquake. He recalls how the project, Remembering, angered China’s rulers – and changed his career for ever
This is an edited extract from The Start podcast
Students at art colleges across China are taking a strong stance in the midst of the largest wave of protests to have gripped the country since 1989. As demonstrations against the government’s strict Covid-19 policies erupted across the country over the weekend, students rallied on campuses to create protest art and graffiti.
Serene colors and technical set pieces create a surreal ambience as performers delicately hover into the black void above the stage. These performers belong to Kinetic Light, an "internationally-recognized disability arts ensemble". In 2022, the ensemble performed Wired, a "potent contemporary aerial dance performance that explores race, gender, and disability stories of barbed wire in the United States".
Samaria Rice, left, and Terrence Spivey welcome the crowd at the Tamir Rice Sweet 16 event to raise funds for a new youth oriented cultural center Thursday, June 14th, 2018, at the Cleveland Museum of Art in Cleveland, Ohio. Photo by Tim Harrison/Special to The Plain Dealer
Inspired to carry on Tamir's legacy
Brian Larney is an AI.tivist or American Indian artist. He is also an Artivist where he performs Artivism, a concept that includes art as a form of activism.
A mixture of a social cause with a creative vision, this visual art exhibit is dedicated to the millions of unemployed citizens and veteran’s in the United States. Constructed out of 1284 used empty wallets from over 2,000 donated nation wide; this project aims to have a voice about the economic problems our country is facing and show the potential of art to awaken our social consciousness.
We’re proud to announce the third iteration of Trans Hirstory in 99 Objects, an ongoing series of exhibitions organized by Chris E. Vargas, Executive Director of the Museum of Transgender Hirstory & Art!
For this iteration Trans Hirstory in 99 Objects brings together art and archival material from University of Victoria’s world-renowned Transgender Archives to narrate an expansive and critical history of transgender communities.