Over the course of a semester, fashion hactivist and fashion social justice scholar, Otto Von Busch, facilitated a course on "Critical Fashion and Social Justice," where graduate fashion students at Parsons design school researched, contextualized and at times critiqued case studies on various examples of "fashion social justice." Case studies included traditional fair trade companies and non profit organizations that have used fashi
"Soviet Lives of Uncle Tom"
105 NY-110, Melville, NY 11747
February 4, 11 am – March 1, 7 pm
Monday – Friday, 11 am – 7 pm, free admission
Artist talk – February 28, 2 pm
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
By Will Potter
Multiple states have considered “Ag Gag” bills that criminalize investigators who document animal welfare abuses on factory farms. Iowa and Utah are the latest to approve them. These bills, lobbied for by Big Ag groups, are part of a long line of attempts to blame activists for exposing abuses, rather than hold corporations accountable.
A gun violence prevention group has released videos in which they trick famous pro-gun figures into addressing a sea of empty chairs, representing children and teenagers who were shot and killed before they could graduate from high school.
Change the Ref, a gun safety organization founded by Patricia and Manuel Oliver, whose son Joaquin was murdered in the Parkland, Florida, school shooting, released the videos Wednesday.
The snapshots are thrust at us urgently, as if they were passports being shown at a border crossing, official proofs of national identity. Mostly, they are prosaic pictures of family members or houses. Sometimes a diploma will be offered up instead, or theater reviews clipped from newspapers or a membership card to a duck-hunting club. Later, other, more frightening, pictures will be shown, but they all serve the same function.
Gran Fury was an AIDS activist artist collective from New York City consisting of 11 members, all artists - but action, not art, was the aim of the collective. Gran Fury member Loring McAlpin described the collective's mass-market ambition to “...fight for attention as hard as Coca-Cola fights for attention.”
With more than 48,000 panels and 94,000 names, the AIDS quilt is a constantly growing testament to the deadly toll the disease has taken on the world. At roughly 1.3 million square feet, it is so large that it can’t be displayed in its entirety in one place. Parts of it are currently on display at the National Mall, with volunteers constantly switching sections in and out.
Samaria Rice, left, and Terrence Spivey welcome the crowd at the Tamir Rice Sweet 16 event to raise funds for a new youth oriented cultural center Thursday, June 14th, 2018, at the Cleveland Museum of Art in Cleveland, Ohio. Photo by Tim Harrison/Special to The Plain Dealer
Inspired to carry on Tamir's legacy
Back after a five year hiatus, V-Day Sedona joins with hundreds of other productions across the globe in celebrating V-Day’s 20th anniversary with an act of artistic activism. For its 20th anniversary, V-Day is calling on activists around the world to Rise, Resist and Unite.
In a single hour, Beyoncé's Lemonade re-wrote the textbook definition of what a visual album should look like. The genre-bending music it introduced will define the struggles a generation was enduring in 2016, specifically for black women. The project transcends every definition pop has ever had; blending R&B, contemporary rock, country, reggae, soul and hip-hop in its 12 tracks, occasionally fusing several of these into a single song.
Whose Chinatown? Examining Chinatown Gazes in Art, Archives, and Collections, brings together an art history of Chinatowns and their communities by historical and contemporary Canadian artists such Emily Carr, Unity Bainbridge, Yucho Chow, Fred Herzog, Paul Wong, Mary Sui Yee Wong, Morris Lum, and aiya哎呀, among others.
The theatre has luxurious red velvet upholstered seats, grand ceilings and gilded trimmings. The rows of chairs stretch back into the ostensible blackness, with light beaming from the projector room. Ahead, archival footage of stylish black travelers pack the screen as an unseen narrator discusses the hardships of mid-20th-century black travel.
In the fall of 2011, Urbano’s teen artists and artist-in-residence Neil Horsky partnered with professional artists,
educators, librarians, and historians to undertake a critical investigation of
Boston’s Freedom Trail. During the
investigative process teen artists questioned the assumptions, accuracy,
comprehensiveness, and impartiality of public presentations of the city’s
For some, International Women’s Day is a day for the celebration of the social, cultural, and professional achievements of women. Many others, on the other hand, believe that we are not yet at the point of celebration, arguing that with gender inequality and gender-based violence rampant worldwide, celebrations are not what International Women’s Day should be about.
A mixture of a social cause with a creative vision, this visual art exhibit is dedicated to the millions of unemployed citizens and veteran’s in the United States. Constructed out of 1284 used empty wallets from over 2,000 donated nation wide; this project aims to have a voice about the economic problems our country is facing and show the potential of art to awaken our social consciousness.
"University of Miami students, mostly male, walked a mile in red high heeled shoes. They are walking a mile in her shoes.
The mile long walk was in support of Walk a Mile in Her Shoes®, an international men’s march to stop rape, sexual assault and gender violence.
The organization, which says on Facebook that they were founded in 2001, has walks around the world.
The Neistat Brothers first attracted public attention in 2003 with their blatantly critical work, iPod’s Dirty Secret. After being refused a replacement battery for an 18-month old iPod, [they] took to the streets of Manhattan on their bikes to sabotage iPod’s omnipresent advertising.
On a freezing Friday in January, Khmer-American artist Kat Eng sits in front of retail giant H&M’s Time Square store working on a manual sewing machine. For eight hours, Eng stitches together U.S. dollar bills while wearing a surgical mask and bloodstained shirt. Her performance “</3 Less Than Three” protests the way fast fashion and consumer culture creates oppressive conditions for Khmer workers.
One of the oldest forms of human expression is art, so it’s no surprise that art is constantly used to critique another of humanity’s oldest practices, violence and war. In the world of art activism, the power of creativity and innovation has been used to create commentary about war since the beginning of time. Art that speaks out against the atrocities of violent conflict embodies empathy, care, and a plethora of other human emotions.
Mending Baghdad is a four-and-a-half-by-six-and-a-half-foot quilt memorializing Baghdad as it looked during the American bombing on the first nights of the Iraq war. The purpose of the project is to bring people together to do something symbolically curative for Iraq. The artist, Clare Wainwright, worked up the image in about two days, but left it deliberately unfinished.
Highlights:
A handful of teens donned puffy quinceañera dresses to protest against the “sanctuary cities” ban.
The teens gave paper flowers to lawmakers who voted against SB 4 and flyers to those who voted in favor.
Texas teens took part in a quinceañera-themed protest on the south steps of the Capitol to voice their opposition to Senate Bill 4, the so-called sanctuary cities ban.
Art in Odd Places (AiOP) presents visual and performance art in unexpected public spaces. AiOP also produces an annual festival along 14th Street in Manhattan, NYC from Avenue C to the Hudson River each October.
The first solo exhibition in a New York museum by the globally renowned contemporary artist El Anatsui, this show will feature over 30 works in metal and wood that transform appropriated objects into site-specific sculptures.
“The Washington Post” asked the Guerrilla Girls to create a full page for their section on feminism and art, which was published on April 22, 2007. The Guerrilla Girls’ page contains an image of a fake tabloid, called “NOT OK! The Guerrilla Girls’ Scandal Rag,”. The tabloid’s cover features a sensational headline and some statistics, which highlight the fact that national museums rarely feature female artists and artists of color.