Projects tagged "North America"

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Spread over three institutions — the Bronx Museum of the Arts; El Museo del Barrio in East Harlem; and Loisaida Inc., a cultural center in the East Village — this show departs from straight political history by presenting the Young Lords as a cultural phenomenon as well as an ideological one, with a highly developed instinct for visual self-projection, right down to having an official party photographer, the gifted Hiram Maristany.

Art Works Projects’ mission is to use design and the arts to raise awareness of and educate the public about significant human rights and environmental issues. AWP provides visual advocacy tools which produce action on human rights crises at the grassroots, media, and policy levels. Conceptualized and created in conjunction with established humanitarian and human rights advocacy organizations, AWP’s art and

The Repellent Fence is a social collaborative project among individuals, communities, institutional organizations, publics, and sovereigns that culminate with the establishment of a large-scale temporary monument located near Douglas, Arizona and Agua Prieta, Sonora. This 2 mile long ephemeral land-art installation is comprised of 26 tethered balloons, that are each 10 feet in diameter, and float 100 feet above the desert landscape.

This week, thousands are descending on North Carolina for the Bank of America shareholders’ meeting. The protest comes on the heels of the successful Wells Fargo shareholder event in San Francisco, where thousands of protesters shut down the conference, and the U.S. Bank meeting in Minneapolis, where dozens of homeowners spoke out against foreclosures. A sequence of direct action trainings and spokescouncils

BY MIRANDA NEUBAUER | Friday, March 30 2012

April 19th, 2020 Taylor, TX – On April 19th at 4 pm, around 70 human rights defenders in cars circled the T. Don Hutto Residential Center operated by CoreCivic in Taylor, honking and displaying signs urging ICE and local officials to release people from cages before COVID-19 turns prisons into death camps. This comes after news of the first detained immigrants in Texas testing positive for the novel coronavirus on Monday.

Creative Time, Social Practice Archive: Brinco is an art project, product, and intervention created by the Argentinean artist Judith Werthein for the 2005 inSITE Biennial held on the border of Tijuana and San Diego. Brinco—Spanish for "jump"—is a specially designed shoe the artist created for illegal migrant workers and immigrants who navigate the border region at night.

In November 2016, citizens of Flint, MI filed a historic class action law suit against both city and state for the damages wrought by lead contaminants in the water supply. The city's 100 thousand inhabitants have faced damages not only to their homes for the corrosive qualities of the water, but in myriad physical ailments; skin lesions, hair loss, high lead blood levels, vision loss, depression and anxiety are all reported symptoms.

During Wednesday’s Senate hearing on the Equifax data breach, a protester dressed as the “Monopoly Man” from the board game photobombed Equifax CEO Richard Smith’s testimony. While the CEO discussed his company’s breach that affected 145.5 million people, the protester gazed skeptically through a monocle at the back of his head.

On the night of Thursday, Nov. 13, 1969, the “March Against Death” began. By the time that weekend was over, Washington, D.C., had seen more protesters than any single event in its history had drawn. Attendance was higher, by tens of thousands, than at the 1963 Civil Rights March on Washington. And despite a name that, 45 years later, may seem overblown or vague, the march was actually about something very specific.

PARIS — Ten a.m. on a frigid Monday morning, the first day of the couture shows, and Kylie Jenner was strutting through the marble halls of the Petit Palais trying to find her seat for Schiaparelli, shoehorned into spiky stilettos and a black velvet one-arm gown, a full-size tawny lion’s head jutting from the side. It was as if Aslan had taken a break from Narnia and stuck his muzzle through a time-space continuum under her armpit.

Upon its original release on N.W.A.’s Straight Outta Compton LP in 1988, the song was safely titled “_ _ _ _ Tha Police (Fill in the Blanks),” and the album cover was among the first to feature the infamous “Parental Advisory” label, warning moms and dads about the album’s explicit lyrics. A censored version of the LP even omitted the song entirely.