Projects tagged "North America"

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In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu. Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.

Eight years after his death, the annual August Wilson Monologue Competition provides high school students from around the country an opportunity to carry on the African-American playwright’s legacy. That legacy includes Pulitzer Prizes for “Fences” and “The Piano Lesson,” two installments of Wilson’s 10-play series set in his hometown of Pittsburgh that examined 20th-century black life through the personal and political struggles of everyday people.

On the opening day of the Spring/Summer 2011's season of Mercedes Benz's New York Fashion Week, former fashion editor, speaker, and fashion activist Michaela Angela Davis led a protest of approximately 20 black women, dressed in black suits, carrying signs with the names of every fashion editor in the 40 year history of African American fashion and lifestyle magazine, Essence Magazine.

It all started a few months ago, when the Minneapolis Institute of Art got a phone call from Valerie Castile. Castile is the mother of Philando Castile, the 32-year-old black man who was shot and killed by a police officer in 2016. Valerie Castile has since founded the Philando Castile Relief Foundation, which helps victims of gun violence.

In a single hour, Beyoncé's Lemonade re-wrote the textbook definition of what a visual album should look like. The genre-bending music it introduced will define the struggles a generation was enduring in 2016, specifically for black women. The project transcends every definition pop has ever had; blending R&B, contemporary rock, country, reggae, soul and hip-hop in its 12 tracks, occasionally fusing several of these into a single song.

Oh, the sweet irony. Pete Peterson is the conservative billionaire who is a major financier in the effort to dismantle, cut and privatize Social Security, Medicare and Medicaid. Recently he and his foundation held a contest asking folks to submit videos on why it is important to “fix” the national debtof which, he and his foundation falsely claim, Social Security is a major contributor.

On the night of Thursday, Nov. 13, 1969, the “March Against Death” began. By the time that weekend was over, Washington, D.C., had seen more protesters than any single event in its history had drawn. Attendance was higher, by tens of thousands, than at the 1963 Civil Rights March on Washington. And despite a name that, 45 years later, may seem overblown or vague, the march was actually about something very specific.

A gun violence prevention group has released videos in which they trick famous pro-gun figures into addressing a sea of empty chairs, representing children and teenagers who were shot and killed before they could graduate from high school. Change the Ref, a gun safety organization founded by Patricia and Manuel Oliver, whose son Joaquin was murdered in the Parkland, Florida, school shooting, released the videos Wednesday.

On Thursday, two climate protesters dressed in suits smeared paint on the case and pedestal of Edgar Degas’s sculpture Little Dancer Aged Fourteen sculpture at the National Gallery of Art in Washington, D.C.

Fifty-six-year-old Dan Witz — who originally hails from Chicago but lives in Brooklyn — has been producing street art in New York since the seventies. And not just any street art. Wondrous works that trick the eye and often elude passersby altogether. Oh, but when one realizes what he or she is seeing, it’s pure revelation.

On Sunday morning, a puffy, Michelin Man-like figure trudged through Times Square in New York, panting from the exertion of trying to move while wearing 27 hazmat suits. Inside the white cocoon was Zhisheng Wu, a Chinese artist who staged the street performance to criticize China’s unrelenting zero-Covid policy.

The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.