New York Times, DAVID FIRESTONE, Published: December 31, 1993
Your son tears the wrapping paper off his fierce new "Talking Duke" G. I. Joe doll and eagerly presses the talk button. Out comes a painfully chirpy voice that sounds astonishingly like Barbie's saying, "Let's go shopping!"
Does your son:
A) Furiously vaporize the doll with his own phaser rifle?
B) Go shopping with Joe?
"The Surveillance Camera Players (SCP) is a small, informal group of people who are unconditionally opposed to the installation and use of video surveillance cameras in public places.
Adrian Piper disguised her identity, changing her race, sex, and social class in order to experiment in public situations and gauge people’s reactions. She investigated how outwardly visible identity markers (like skin color) impacted others’ perceptions of her character. By manipulating her (apparent) identity to produce reactions, she demonstrated the power and influence of stereotypes (Piper, 1996).
Shortly after the events of 9/11, a group of NYC women came together in protest of the Bush Administration's use of the terror attacks to justify war. Seeking out a new form of political protest, the women decided to respond to what they believed were the absurd reactions of Bush by attaching paper maché missile "dicks" and demonstrating in public.
In this short documentary, Latinos grapple with defining their ethnic and racial identities
http://www.nytimes.com/2016/02/29/opinion/a-conversation-with-latinos-on...
T.I.E. is a residential, 24-hour, intensive experience during which participants will be: introduced to aesthetics of Immersive Theatre, guided through a practical exploration of these strategies, and mentored in the creation of an immersive, theatrical experience about a social justice issue -- a piece that can be shared at the end of the workshop with an invited audience of their choice
“Works in Progress” highlights artists across a range of disciplines whose work deals with ecological themes. Considering the particular role that artists play in the climate movement, this column shares their voices and provides a glimpse behind the curtain into their creative processes and experiences.
Alzayer put cages around Boston's "Make Way for Ducklngs" statues, separating the baby duckling statues from the mother. The original statues were created in 1987 by Nancy Schon and the mallard family is based on the children's book by Robert McCloskey.
Embody the Message: Occupy the Mind This t-shirt / language project began in March 2006, when a small group of artists and activists decided to embody the historic words “WE WILL NOT BE SILENT” while doing a public action in New York City.
CHARLOTTE, N.C. -- Charlotte-Mecklenburg Police say no one was arrested during a loud – and very colorful – KKK rally and counter-protest in uptown Charlotte Saturday afternoon.
Members of the National Socialist Movement joined the Ku Klux Klan for an anti-immigration rally at Old City Hall on West Trade Street, but the counter-protesters outnumbered them at least five to one.
Following the backlash of Netflix's support of Dave Chappelle's "The Closer" comedy special, which featured racist transphobic "jokes", Hannah Gadsby took a deal with Netflix to create a comedy special featuring genderqueer comics. The show, titled 'Gender Agenda', was tapped in the Alexandra Palace Theatre in London and released on Netflix on March 5, 2024.
DISAPPEARED IN AMERICA is an ongoing project by Visible Collective/Naeem Mohaiemen that uses films, installations, and lectures to trace migration impulses, hyphenated identities, and the post-9/11 security panic. Excerpts of the project have been shown at various venues, including the 2006 Whitney Biennial.
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
On Nov. 6, the day after the presidential election, the artist Hank Willis Thomas was at his studio in Brooklyn. His production assistants were poring over tables strewed with blobby red white and blue silk-screen prints of the words “Fragile/ Democracy / Handle With Care” in capital letters.
The Real Cost of Prisons Project brings together justice activists, artists, researchers and people directly experiencing the impact of mass criminalization to work to end mass incarceration.
Jenny Holzer is known for her art relating to truisms. Her work has revolved around truisms and finding an artistic way to display them. Kind of Blue is another work comprising different aphorisms and truisms. It combines digital technology, reflections, and a very blue theme. Text-based art is Holzer’s specialty, and she works with it along with LED, Parking meters, and billboards .
In the fall of 2011, Urbano’s teen artists and artist-in-residence Neil Horsky partnered with professional artists,
educators, librarians, and historians to undertake a critical investigation of
Boston’s Freedom Trail. During the
investigative process teen artists questioned the assumptions, accuracy,
comprehensiveness, and impartiality of public presentations of the city’s
Kendick Lamar is known as one of the most prolific, and socially conscious, rappers of our time. 'BLOOD.' is the second track off of Lamar's iconic album 'DAMN.' from 2017. What makes this song stand out is the sample used at the end of part one of the song.
Students at the NYC iSchool, a high school in Manhattan, worked for 9 weeks to create works of activist art with art teacher Gretel Smith. We were lucky enough to have Stephen Duncomb and Steve Lambert from the Center for Artistic Activism come to our class to teach a lesson inspiring students to think like activists; they came back later to critique students’ works-in-progress.
On Friday night, as U.S. television screens burned with images of peaceful protests turning violent, Nike released a new socially conscious ad calling on Americans to do something quite different than the brand’s usual call to “Just Do It.” Instead, one of the nation’s leading athletic apparel companies called on individuals to not turn their back on the painful issue of racism in the United States.