For the completion of her residency as the NYU Steinhardt 2023-24 Scholar-in-Residence, Dominique Jackson collaborated with NYU students to honor the fem queen (trans women) and their historical meaning to not only ballroom but popular culture at large.
Mona Haydar knows the way some people feel about Muslims in the wake of recent terrorist attacks.
Just weeks after the horrific San Bernardino, Calif., shooting in December, where Islamic extremists killed 14 people and wounded 22 others, Haydar was at an airport looking to buy frozen yogurt. Suddenly, a man came up to her and whispered menacingly in her ear, "You killed my people."
Taxi is a car with a digital advertising sign attached to the roof. Linked to a global positioning system, the message changes relative to the car's location, addressing specific neighbourhoods, addresses, and audiences. The technology can target an area as small as a square block. Haha solicits messages through email list serves and through direct contact with various groups throughout the city.
"This project was launched in the wake of the police shooting of 16-year old Brooklyn resident Kimani Gray. Blue NYPD barricades left in piles around the city were spray-painted with the names of people killed by police, then re-deployed in public space."
The new exhibit “MESH” at Portland Art Museum features Indigenous contemporary artists advocating for change
Visual artist, writer and activist Ka’ila Farrell-Smith says she considers herself a wartime artist.
She is a member of the Klamath tribes and lives in Modoc Point, Oregon. When asked about how history influences her work, the answer weaves through over 150 years of white colonization and Indigenous struggles in the West:
When Behnaz Babazadeh was young, her family moved from Afghanistan to the US. She loved almost everything about her new home — especially America’s amazing selection of candy — but she also loved wearing her familiar pink-flowered headscarf, which she’d grown used to wearing as part of her school uniform in her old home.
The elimination of Net Neutrality is a much bigger issue than most people would like to admit. This issue stems far from just an issue dealing with an open internet, free from biased control of the internet service providers, whom which we rely on.
The Comfort Illusion is a solo aural performance that highlights the effects our everyday actions can have on the environment. Through mixed media storytelling using sound and lighting, Adams narrates the life of "The Overkiller" a fictional villian who negatively impacts the earth and the lives of the people around him through smaller everyday decisions. This character constantly prioritizes convenience over care and responsibility (ie.
Thousand Kites, a nonprofit organization based in the Appalachian region, advocates for prison reform through performance.The following excerpt is directly quoted from the Thousand Kites website: "Starting 1998, as host of the rural, Appalachian region's only hip-hop
radio program "Lights Out," Thousand Kites media artist Nick Szuberla
received hundreds of letters from inmates recently transferred from distant
In Louis Armstrong’s study in the Queens home he shared with his fourth wife, Lucille, bookshelves were filled with reel-to-reel recordings he made as a sort of audio diary. Those tapes and his letters — read by the rapper Nas — lay the foundation for the director Sacha Jenkins’s documentary “Louis Armstrong’s Black & Blues.”
Essential workers at major companies like Amazon, Instacart, and Target across the United States on Friday protested for better safety protections, working conditions, and pay during the coronavirus pandemic.
For the past 20 years, Great Bend school district art teachers have been letting their students collaborate on an art project at the Barton County Historical Society Museum. This year, they will ground their efforts in working together to make a mural. Their teachers are trying to instill the fact that art builds community, as it has here for the past two decades.
Both shows are supported by funds from New York State Council on the Arts, New York City Department of Cultural Affairs in partnership with the City Council, and Materials for the Arts (MFTA).
"Printing Lost Culture of Ukraine" November 13 – December 15, 2023
Monday – Friday, 10 am – 7 pm, free admission
Ukraine House New York, 360 Merrick Road, 3rd Floor, Lynbrook, NY 11563
In many of his works, the Belgian-Mexican conceptual and performance provocateur Francis Alÿs questions the relationship between action, effort, and outcome. His works tend to inspire one toward a blurring of lines between the actions done in artistic expression and those in social response, making the viewer question the value and effect of the toil.
John Shore and his wife Catherine had been attending the First Presbyterian Church of San Diego for six years when they were nominated to serve as deacons. But before they could be ordained, they were asked to sign a document agreeing that no person in a same-sex relationship should hold any position of authority within the church, which is one of the city’s oldest. It was 1990.
Through their podcast, The Dance Union, Melanie Greene and J. Bouey have been confronting racism in the dance world, and highlighting the experiences of Black artists, since 2018. Their episodes cover a variety of topics and issues, ranging from mental health and sexual harassment to advocating for fair pay.
At the press preview for Sharon Hayes’s new full-floor exhibition “There’s So Much I Want to Say to You” at the Whitney Museum there was a podium and a microphone set up in the center of the gallery that would eventually be used by director Adam Weinberg and curator Chrissie Iles to introduce the artist and her restless work.
By David Gonzalez
Leslie Thomas wants to shock you. She wants to anger you. And above all, she wants you to do something.
She’s not talking about run-of-the-mill, “Hey buddy, watch your step” angry or TMZ sleaze shock. She’s talking about the great humanitarian and social crises of our time, like in Darfur, Afghanistan or Myanmar. And yes, she’s talking to you.
For years, workers in Florida’s tomato fields have endured poverty wages and terrible working conditions. In 1993, a small, community-based organization called the Coalition of Immokalee Workers (CIW) formed to demand an end to these unfair labor practices.
Rice University’s O’Connor Building for Engineering and Science now houses an immersive public art installation titled “Climate Parliament,” a thought-provoking work by Mexican-Canadian artist Rafael Lozano-Hemmer. Commissioned by Rice’s Moody Center for the Arts for the Rice Public Art collection, the interactive artwork engages visitors with a dynamic experience that addresses the growing global climate crisis.
Room13Delmar is a tricycle-based mobile studio conceived as a sculpture: a cross between a vending tricycle and a ‘Mary Poppins’ bag that unfolds to create a space for creativity on the sidewalk, at a senior center and at a veterans medical center, north of Delmar in the city of St. Louis, Missouri.
During Wednesday’s Senate hearing on the Equifax data breach, a protester dressed as the “Monopoly Man” from the board game photobombed Equifax CEO Richard Smith’s testimony.
While the CEO discussed his company’s breach that affected 145.5 million people, the protester gazed skeptically through a monocle at the back of his head.