Private Dinner Party: Clothing Not Allowed
The Füde Dinner Experience gathers those who want to meet, eat and drink — only after leaving their clothes at the door.
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
"State Names" is a painting by Jaune Quick-To-See Smith. You immediately recognize the outline of the United States, but at the same time, that map is obscured and made difficult to read. It’s at once recognizable and not recognizable. She describes her use of icons as a ploy, as something that brings the viewer closer, and they think they know what they’re going to see.
IMPEACH
An online exhibition of art work by twenty artists
Katherine Aoki, Deborah Harris, Nicolas Lampert,Cicely Cottingham,
Art Hazelwood, Ilse Schreiber-Noll, Priscilla Stadler, Tim Fite, Anne Q McKeown, Anne Dushanko Dobek, Robyn Ellenbogen, Joseph O’Neal, Donna Coleman, Robert Geshlider, Michael Dal Cerro, Leona Strassberg Steiner, Barbara Madsen, Ray Must, Carol Radsprecher and Patricia Dahlman
At the peak of her career in 1976, Georgia O’Keeffe refused to lend her work to a pivotal exhibition in Los Angeles, “Women Artists: 1550 to 1950.” It was one of a wave of all-female shows — some 150 — that decade to spotlight artists largely ignored by major museums and galleries. But O’Keeffe, the most famous female artist of her day, saw herself in a different category — “one of the best painters,” period.
William Banks is a comedian and artist who, prior to his viral prison saga in 2025, was best known for a community that he led called Call World, which he describes on the website as “a planet in an alternate universe ruled by human-headed Worms sexually obsessed with William Banks.” The story goes that Banks was first visited by a worm from Car World after getting stuck in an industrial freezer and coming to terms with his death before eventually being
Little Amal is the 12 foot puppet of a 10 year old Syrian refugee child at the heart of The Walk. Over the last year she has become a global symbol of human rights, especially those of refugees.
Since July 2021, Amal has travelled over 9,000km and been welcomed by more than a million people on the street, including hundreds of artists and civil society and faith leaders, as well as by tens of millions online.
A coalition of international artists has begun a year-long protest against the mistreatment and exploitation of migrant workers building Abu Dhabi's £17bn cultural hub, including the world's largest Guggenheim and a branch of the Louvre.
In Hong Kong in 2014 the song Raise Your Umbrella by Denise Ho and Anthong Wong became an anthem for the pro-democracy movement known as the Umbrella Revolution. The song was written after police fired tear gas into the crowds when protestors filled the streets.
“Girl’s Day” in China was supposed to be a way for boys on college campuses to show the girls how much they care. This year it went too far.
Have you heard about “Girl’s Day?” It’s a big holiday for Chinese college students. Every year on March 7, students throughout the country celebrate the day as a campus version of International Women’s Day.
The Vivienne Foundation exists to honour, protect and continue the legacy of Vivienne's creativity and activism.
Since the start of her career in the 1970s, Vivienne was renowned not only for her fashion design, but also her activism. Vivienne always utilised her platform of prestige to make the world a better place.
CAM brings contemporary art and ideas directly to Saint Louis Public High School and Middle School students through its ArtReach program. Tailored to meet the needs of individual schools and teachers, ArtReach is designed to raise awareness of contemporary issues through an exploration of contemporary art. The program includes a curriculum-based offering of museum tours, school visits, and creative workshops for students and teachers alike.
Vince Staples mentioned Long Beach's Ramona Park approximately 80 times on his debut album Summertime '06 and even allotted the park two of its own tracks: "Ramona Park Legend Pt. 1" and "Ramona Park Legend Pt. 2." "The sun come down and guns come out, you know Ramona Park."
After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
Our project aims to show people that joy can be an act of resistance and resilience in the face of global justice issues when harnessed in the right way. The sharing of joy can also act as a connector in a society that continues to grow more polarised through the division of social media and mainstream media.
Some 70 or 80 local activists, politicians and other concerned citizens gathered outside Irvington Village Hall Sunday evening, two days after the release of gut-wrenching video of the murder of 29-year-old Tyre Nichols at the hands of policemen in Memphis.
On April 30th NYU in conjunction with Free University held liberation lab in Washington Square Park from 11 30 Am until roughly 5 or 6pm. The day was very festive and full of amazing talks, performances, installations and discussions. I even got to participate in this day via our final project in the creative activist course.
They call themselves feminist masked avengers in the tradition of Robin Hood, Wonder Woman and Batman. They wear costume gorilla masks to remain anonymous, and they are devoted to fighting sexism and racism within the visual art world internationally.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.
As the cold air bit our faces, and we hid deeper into our layer of sweaters, my family and I continued to wander around Manhattan, seeking a place which would provide warmth and food. And there it was, dimly lit: the Michelin-starred ramen restaurant, Tonchin. We ordered the highly-sought after ramen bowl, Tonkotsu, and awaited our meal. Out of the kitchen, the steam arose from a bowl of a warm, salty pork broth.
Before it was called the Downtown Arts District, many more artists lived and worked in this stretch of central Los Angeles. The neighborhood was a rough-edged alternative for people in need of large, industrial spaces. A home for those willing to be Skid Row-adjacent and amenity-non-adjacent. But Los Angeles is making an attempt at urbanization, at feeling like a much denser city, and rapid gentrification has followed.
The Insurrection-Resurrection Service Circus is this summer’s [started in 2020 and is ongoing] contribution to the iconic Bread and Puppet Circus tradition beloved by audiences worldwide for nearly 2 generations — a bright, raucous melee of short acts governed by a brass band, addressing the heart of the current moment using diverse puppetry styles and spanning many moods, from slapstick to the sublime.
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.