Our Action: We set up “I’m every Woman” as a 3D street installation. It took place on the Boardwalk, Cork City on the weekend of International Women’s week.
Our aims were to promote gender-equality. As a group we identified women as locally and globally dehumanized. We challenged this by honouring women and interacting with people we encountered to celebrate women, both locally and globally.
The Immigrant Yarn Project (IYP), organized and created by Cindy Weil was a massive work of public and democratic (crowd-sourced), yarn-based art honoring our immigrant heritage and promoting tolerance, difference, and community. Weil reached out across the state and beyond to collect yarn-based creations by immigrants and their descendants.
The public bathrooms at Penn Station in New York City are a dirty, depressing place. But now, there’s a bright spot: a poster that encourages women to donate menstrual products, like pads or tampon, to help the many homeless women who frequent the bathroom.
ODBK is an activist organization that aims to create a more equal, diverse, inclusive, transparent and democratic art world. ODBK seeks to do this by diversify and increase the number of people who understand and engage with contemporary art.
As a result of the social stigma of homosexuality, lesbian feminists were rejected and silenced as a radical minority within the mainstream Movimiento Feminista (MF). Lesbianas Sin Duda (LSD) is a queer activist group based in Madrid that arose in the early 1990s as a response to this erasure.
Drag Out The Vote™ is a nonpartisan, nonprofit organization that works with drag performers to promote participation in democracy. We educate and register voters at drag events online and offline, by organizing local and national voter activations. Led by fierce drag kings and queens across the nation, we advocate for increased voter access and engagement in 2020 and beyond.
As the crowd surged indoors shortly before 6.30pm, Luke Wassell and Lewis Jones found themselves in the vegetable aisle, wedged between the sweet potatoes and the bags of spinach. Though both are gay, they are friends rather than partners, and so “I guess I’ll have to kiss a vegetable,” said Wassell, glancing around him for a suitable candidate. “We’re definitely supposed to kiss something.”
A small group of gay rights activists gathered outside the Russian Embassy in Beijing on Valentine’s Day to protest Russia’s antigay laws.
Behind a rainbow banner that read “To Russia with Love,” a dozen activists cheered as three couples puckered up and kissed in front of a countdown clock for the Sochi Winter Olympics outside the embassy’s tall walls.
From the screaming queens of the Stonewall Riots to the contemporary Human Rights Campaign corporate gays, the politics and methods of queer activism have clearly fluxuated. By the late 1970s, the radicalism of stonewall was replaced with a more formal Gay Liberation movement that focused on civil rights.
Eyewear style icon Ray-Ban is being praised throughout the lesbian, gay, bisexual and transgender (LGBT) blogosphere for a new advertisement that's both gay-inclusive and trendy to boot.
Released as part of their "Never Hide" campaign in connection with the company's 75th anniversary, the new ad features two sharply-dressed gay men out for a romantic stroll on a busy sidewalk.
The current cultural and political context in Macedonia marginalizes lesbians and women in general, and the dominant political party forces the traditional role of the woman, where she is a mother, a housewife, and of course, heterosexual. Furthermore, the major TV stations are flooded with Turkish soap operas, where traditional values are the leitmotif of the show.
We’re proud to announce the third iteration of Trans Hirstory in 99 Objects, an ongoing series of exhibitions organized by Chris E. Vargas, Executive Director of the Museum of Transgender Hirstory & Art!
For this iteration Trans Hirstory in 99 Objects brings together art and archival material from University of Victoria’s world-renowned Transgender Archives to narrate an expansive and critical history of transgender communities.
An oversized facsimile of Rush poppers, tipped over, pouring out its viscous contents: this example of underground gay iconography blown up to almost belligerent proportions perfectly represents the aims of Party Out of Bounds: Nightlife as Activism Since 1980, a new exhibition at La MaMa’s La Galleria. The group show, curated by Emily Colucci and Osman Can Yerebakan, gathers together works by a small yet distinct menagerie of queer artists.
Grammy nominee and Rolling Stone cover star Sam Smith unveiled the video for his new single "Lay Me Down," the latest track off his platinum-selling debut album In the Lonely Hour. The video, filmed at the parish church of St.
War Drags You Out is a project by artist "Saint Hoax" looking at the similarities between defining characteristics of Drag Queens and Political Leaders.
Text from St. Hoax's website:
"After attending a drag show for the first time, I was struck by the richness of this glamour oriented culture.
I took a minute to actually look at the faux queens and deconstruct their main components.
The Canadian artist collective General Idea found its drive in the AIDS epidemic, becoming aesthetically and conceptually refined in the in the 1970s and ’80s, after long forays into absurdity and performances evocative of Dada and Fluxus.
"Medicine Man," a mobile sculpture that MAKE ART/STOP AIDS commissioned from San Francisco-based artists Daniel Goldstein and John Kapellas. The piece is constructed of pill bottles that Goldstein and Kapellas, and their partners, saved up from treatment regimens dating as far back as 1985. The artists assembled the bottles in the shape of the Virgin of Guadalupe, with an aureole of syringes arrayed around her body in a halo.
From 1993 to 1998, Spanish activist group Lesbianas Se Difunden (LSD) produced and published a collection of texts and visuals called Non-Grata (Snyder 10), using erotic images of the female body and sexual relationships to capture their audiences’ attention. Within these graphic publications would be calls for queer activism, female freedom, anti-capitalist critiques, and the overall necessity for protest (Snyder 10).
Gran Fury was an AIDS activist artist collective from New York City consisting of 11 members, all artists - but action, not art, was the aim of the collective. Gran Fury member Loring McAlpin described the collective's mass-market ambition to “...fight for attention as hard as Coca-Cola fights for attention.”
This act of art and activism displayed in the photograph was created in 1994 by the group La Radical Gai at the height of the HIV and AIDS epidemic that decimated many communities in Madrid. The first case of AIDS in Spain was documented in 1982. Since that time, 85,000 people in Spain have been diagnosed with AIDS and 60,000 people have died from the deadly virus (Soriano, Ramos, Barreiro, Fernandez-Montero, 2018).
In 2020, GLITS raised over one million dollars in less than a month through a grassroots organizing campaign with a clear objective, a call to action, and an open source toolkit. The objective was to raise one million dollars to purchase a building that would permanently house and provide services for transgender peoples of color in New York City. They created a toolkit with coordinated and captivating imagery and made it available to everyone.
Fanfiction is political, subversive, radical. Writing Harry Potter as a girl, Hermione as black, or Ron as transgender exposes people to narratives written from the perspective of marginalized communities. But is writing fanfiction a type of activism?
From 2008 to 2010 Bronson and Hobbs performed Invocations of the Queer Spirits, bringing together small groups of men—in Banff, New Orleans, Winnipeg, Manhattan, and Fire Island—in a secret group ritual that was different every time and yet always the same.
Dark Matter is a trans South Asian performance art duo comprised of Alok Vaid-Menon and Janani Balasubramanian, a prominent pair of voices operating at the intersection of the arts and activism.